Tag Archives: Rowan Piggott

Folk: album review – The Wilderness Yet

It’s sometimes hard to keep up with the constantly-shifting formations of stellar young talent on the contemporary folk scene as new duos, trios and ad-hoc collaborations are announced each month. The debut album from the latest such trio, however, is something to get genuinely excited about. The singer and former Young Folk Award finalist Rosie Hodgson has joined forces with fiddle-player Rowan Piggott and guitarist/flautist Philippe Barnes.

Named after a line from a Gerard Manley-Hopkins poem The Wilderness Yet combine exceptional musicianship with deft creativity to present us with this lovely collection of songs and tunes. Mainly self-composed with a handful of reworkings of more traditional pieces, the writing talents of all three are in evidence.

A quick glance through the titles on the beautifully-packaged CD will be enough to tell you that there’s a bit of an environmental theme going on here. Indeed, the aforementioned Manley Hopkins poem ‘Inversnaid’ acts as something of a manifesto for the trio:

“What would the world be once bereft
Of wet and of wildness? Let them be left,
O let them be left, wilderness and wet;
Long live the weeds, and the wilderness yet.”

As well as furnishing the trio with their name, the poem – set to music by Piggott – provides the album with its title track. Coming right at the end it’s one of the highlights on a very strong album. There’s also another chance to hear Piggott’s rallying anthem for our dwindling bee population ‘Queen & Country’ a song that appeared on his excellent solo album Mountscribe back in 2017, this time sung by Hodgson. Her own ‘The Beauties of Autumn’ and the a capella ‘In A Fair Country’ similarly celebrate the beauty of our natural world and showcase both Hodgson’s song-writing and vocal gifts. Piggott’s and Barnes’s tune-sets are also a joy to listen to, their fiddle and flute-playing helping create some suitably evocative imagery.

A cause very close to my heart Rosie Hodgson, Rowan Piggott and Philippe Barnes have created a beautiful homage to our precious but threatened natural world with The Wilderness Yet. Highly recommended.

Released: 24th July 2020

thewildernessyet.com/

Folk: album review – Georgia Lewis ‘The Bird Who Sings Freedom’

This review was originally published in the October 2017 issue of fRoots magazine

Georgia Lewis won the 2015 Bromyard Festival ‘Future Of Young Folk’ and she has already packed in a nicely diverse range of projects into her musical CV so far, touring and recording with prog-rock band, Maschine and performing regularly with The Causeway Céilí Band as well as with her own trio, where Felix Miller (guitar) and Rowan Piggott (fiddle) have been accompanying Lewis on vocals and accordeon for the past five years.

‘The Bird Who Sings Freedom’ is Georgia Lewis’s debut album. Joining the regular trio are Tom Sweeney on double bass and Evan Carson on percussion. As well as thoughtful and innovative interpretations of traditional folk songs like Raggle Taggle Gypsies and Wife Of Usher’s Well, Lewis takes an inventive approach to sourcing other material. The title track, and album opener, is based on the words of poet and civil rights activist, Dr Maya Angelou, set to music by Seaford singer, Jerry Jordan, and covered by Lewis. Meanwhile, on True Lover she has a stab at setting an A.E. Houseman poem to music, with some pleasing results.

Until One Day, inspired by the forced separation of her great-grandparents during the war, is Lewis’s one wholly original composition and shows promise as a songwriter in both lyrics and melody.

It is also worth listening out for the fiddle contributions of Rowan Piggott, another rising star of the folk scene who has his own debut solo album out shortly. Piggott plays some suitably authentic-sounding traditional Swedish fiddle accompaniment on his own composition on the album: A Royal Game / Kungsleden.

A delicately expressive voice, Lewis’s final song, the murder ballad Lady Diamond, very much put me in mind of the way Sandy Denny might have approached and re-interpreted a traditional ballad like this. And that has got to be a huge recommendation from my point of view. An album worth checking out and a name worth keeping an eye on.

Released July 2017

http://www.georgialewis.co.uk/

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