Tag Archives: Hove

Live review: X Generation X at the Brunswick, Hove 9/11/25

I’ve been to several memorable gigs at the excellent dedicated live venue adjoining the Brunswick pub in Hove but until I turned up on Sunday afternoon I’d never even realised they also had a downstairs cellar bar venue. It was here in this small, sweaty cellar that the recently-formed X Generation X played their debut gig. As the tour’s official warm-up gig we were treated to a short but explosive set, followed by an equally lively band Q&A and some impassioned reflections from some of the old punks in the audience recalling those heady days of the birth of punk.

Read my interview with X Generation X’s Mark Laff here

A few hours later we’re back in that same tightly-packed, low-ceilinged venue for a full-length gig and an even more explosive performance. Assembled to mark the coming 50th anniversary of punk and to celebrate the music of Generation X, the band features Generation X’s own  Mark Laff  on drums, Spandau Ballet’s Steve Norman on guitar, Westworld’s Elizabeth Westwood on vocals,  Vice Squad’s Michael Giaquinto on bass and, as a late addition, James Stevenson from the final Gen X line-up also on guitar.

Mark Laff shares memories with fans during the Q&A

Kicking off with punk anthem ‘Ready Steady Go’ and with Norman and Stevenson cranking out those fast and furious riffs, it’s the perfect opener and Westwood immediately proves herself to be an inspired choice to front this project. She’s not trying to be Billy Idol, of course, as Laff himself noted when I interviewed him ahead of the tour. But she truly inhabits the spirit of these songs with energy and verve.

Elizabeth Westwood

The earlier part of the set is heavily dominated by songs from the first Generation X album and a thunderously tight Laff and his bandmates more than do justice to old favourites like ‘Promises Promises’, ‘One Hundred Punks’ and ‘Kiss Me Deadly’. There’s a couple of songs from the second album, Valley of the Dolls, thrown in as well though: the title track and ‘King Rocker’, introduced by Laff as his “biggest hit” – the only Generation X single to almost make the Top Ten. Throw in the essential early singles, ‘Wild Youth’ and ‘Your Generation’, a couple of deep cuts in the form of a cover of John Lennon’s ‘Gimme Some Truth’ (originally recorded as a B-side) and Gary Glitter’s ‘Rock On’ (originally recorded for a Peel session) and you’ve got the perfectly-curated Generation X set-list.

As things begin to draw to a close there’s one song left that we’re all expecting and we’re not disappointed. The band launch into a wonderfully raw and frenetic version of ‘Dancing With Myself’, from the third album and the album that Stevenson recorded with the band before the song went on to develop a more familiar life of its own outside of the confines of Gen X.

Steve Norman and James Stevenson

We’re then treated to an encore of Westood’s own “biggest hit”, Westworld’s ‘Sonic Boom Boy’, along with a cover of Norman’s debut hit with Spandau Ballet ‘To Cut a Long Story Short’ and a cover of the Skids ‘Into The Valley’. It’s an unforgettable gig and an energy-packed night to kick off the X Generation X tour in style.

Making light of the seeming incongruity of launching a UK tour on a Sunday, Westwood asked the happy but clearly refreshed crowd at one point if they all had to be up in the morning. “No!!” the crowd yelled back in unison. “They’re all retired!” quipped Steve Norman. That’s as maybe but for 75 glorious minutes it was 1976 all over again and here in this sweaty cellar bar the spirit of punk was recaptured in all of its incendiary glory.

Setlist for the evening gig

Tickets and tour dates via: https://www.xgenerationx.com/

Related posts:

Interview with Mark Laff

Generation Sex at Crystal Palace 2023

Live review: Steeleye Span at the Old Market, Brighton & Hove 23/11/23

One of the really nice things about seeing Steeleye Span live (and there are many) is that on each new tour there are always a few surprises to look forward to. It’s never just a ‘greatest hits’ set of the most obvious crowd-pleasers plus a few songs thrown in to plug whatever happens to be the latest album. Obscure songs from the band’s bulging back catalogue are dusted down and given a new lease of life. New arrangements are tried out by what is often a very different line-up from the one that originally recorded it. Or sometimes an entire album is revisited and performed in full. Meanwhile, to make way for a constantly-evolving setlist, old stage favourites are often gently retired and given a rest for a few years.

This current tour sees Steeleye Span promoting a new album The Green Man Collection. Here, the band revisit some of their past material with a mixture of songs written by members of the band at the time and some traditional numbers. The new album also includes a newly-composed song from Maddy Prior, a couple of well-chosen covers and something that was written for the band by Bob Johnson back in the ‘80s, committed to tape and then completely forgotten about for the next four decades.

The latter song, ‘Green Man’, is the one that opens the show. The symbolism of the Green Man has obviously been a mainstay of English folk traditions for centuries but here the lyrics address ecological concerns – then very current in the 1980s when it was first written and, alarmingly, even more current now. Dark, brooding and slightly mysterious, it’s a classic slice of Steeleye Span and a superb opener. Indeed, it’s a complete mystery how the band managed to forget about such a magnificent track. Both the original version and the newly-revisited version appear on the new album.

Alongside familiar numbers like ‘The Dark Morris Song’, ‘New York Girls’ and ‘Tam Lin’, the first half of the set also sees the band take on two songs written by former bass-player, Rick Kemp, ‘Low Flying’ and ‘Genocide’. The former featured on the 1990 Rick Kemp & Maddy Prior album Happy Families whilst the latter appeared on Kemp’s solo album Escape.

The second set opens with a surprising but hugely poignant cover of Elvis Costello’s ‘Shipbuilding’. This is then followed by a newly-written song from Maddy Prior – the excellent ‘Hey Nonny Violence’, which very much follows in the Steeleye Span tradition of seemingly jolly songs tackling much darker themes. Another new song (well new for Steeleye Span, anyway) is the band’s interpretation of the traditional ‘The Sound of Drums’.

That’s not to say there aren’t a few more familiar favourites as well. One song I would have been disappointed to see dropped was ‘Hard Times of Old England’ and, as Prior points out in introducing it, it’s sadly as relevant today as it ever was. For those familiar with the Mike Batt-produced version on the All Around My Hat album, this new interpretation is even more of a rocked-up boogie-fest than the original recording. This is no surprise as none other than Status Quo’s Francis Rossi makes an appearance on the new album guesting on this track, and the band bring some of the spirit of the mighty Quo to their stage performance tonight. There’s also some equally lively fiddle from newcomer, Athena Octavia, who slots in alongside the old hands beautifully.

All the band are on fine form, Prior’s voice is in top-notch shape and Steeleye Span continue to surprise and delight. When the band exit the stage to huge applause towards the end of their second set all that is left is for them to come back on for a riotous, sing-along version of ‘All Around My Hat’ and we can all leave with a spring in our step.

Setlist – first set:
Green Man
The Dark Morris Song
Sir James the Rose
When All The World
The Gardener
New York Girls
Low Flying
Genocide
Tam Lin

Setlist – second set:

Shipbuilding
Hey Nonny Violence
Black Jack Davy
The Sound of Drums
The Weaver and the Factory Maid
Jack Hall
Hard Times of Old England
Bonny Black Hare
Dodgy Bastards
All Around My Hat

https://steeleyespanfan.co.uk/

Related posts:

Book review: ‘All Around My Hat – The Steeleye Span Story’ by John Van Der Kiste

Interview with Maddy Prior

Interview with Julian Littman

Review: Steeleye Span at Hastings 2019

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Review: Steeleye Span, London 2015

Review: Steeleye Span at New Forest Folk Festival 2014

Hawkwind at The Old Market, Hove 29/9/14

Although I’d seen various Hawkwind offshoots composed of various combinations of ex-members, tonight is the first time I’d seen the band, formed in 1969, that continues to carry the Hawkwind name to this day. The Old Market is a small to medium sized venue and is absolutely jam-packed this evening. The audience are suitably attired, looking pretty much exactly as you would expect at a Hawkwind gig, even if some of them have walking sticks. However, there is a healthy smattering of 20- and 30-somethings  throughout the crowd, too. Proof that the band are still reaching new audiences, even today.

I’d not caught Hawkwind themselves before and I’ve never taken LSD before either. However, the light show, a constant backdrop of swirling fluorescent computerised graphics (on top of numerous pints of the venue’s guest real ale) started to give me a reasonable approximation of what it might be like. Talk about putting you in the right mood. The band themselves are great. All the classic ingredients of the trademark Hawkwind  space-rock sound are present: the pounding, rumbling bass; the whoops and bleeps; Dave Brock’s ever present guitar as well as strong and convincing vocals from current lead singer, Mr Dibs. Of the songs, there is a good selection of classic Hawkwind material: Assault and Battery Uncle Sam’s on Mars, Orgone Accumulator, Motorway City all made an appearance. Sadly though, there was no Silver Machine this evening, the band encoring with Reefer Madness instead. My one main quibble.

Wikipedia painstakingly lists thirty-nine different line-up of this band throughout its history, guitarist Brock being the only constant member. However, the current line-up put on an entertaining show that is faithful to the spirit of Hawkwind for anyone who’s had more than a passing interest in the band and well worth seeing.

http://www.hawkwind.com/

10669999_10152773748666449_3017272571539080706_n