Tag Archives: featured artist

This week’s featured artist: Tizane – new album out ‘Forever is Nothing’

Album reviews, Rock music, , , , , ,

Hailing from Dartford in Kent, Tizane began writing songs as a young teenager when chronic anxiety issues forced her to miss much of her schooling and spend many hours in her bedroom. By 2019 she began venturing out on to the open mic scene around the west Kent/south-east London borders where her talents as both a writer and performer were spotted by independent label, Burning Girl, who released her well-received debut album Cherry back in 2021.

The 22-year old singer, songwriter and multi-instrumentalist has now followed that up with a second album, released on the same label earlier this Summer. Coming out towards the end of June Forever Is Nothing has picked up a slew of positive reviews.

The album is engineered by Pat Collier, a founder member of London punk band, The Vibrators, who has gone on to produce for artists like The Jesus and Mary Chain, Primal Scream and X-Ray Spex.

Collier says of Tizane: “I think she’s (Tizane) one of the most talented and gifted artists I’ve ever had the pleasure to work with.”

Tizane shares writing credits on the album with fellow band members: guitarist, Charlie Harris; bass player, Nathan Gordon; and drummer, Greg Titmarsh.

Of particular interest to those who come to Darren’s music blog mainly for the glam content, however, is the track ‘Every Minute’ which is co-written with former Mud guitarist, Rob Davis. As well as writing songs like ‘L-Lucy’ for Mud, he went on to have an illustrious career as an in-demand songwriter long after the Mud hits dried up, most notably co-writing the Kylie Minogue smash-hit ‘Can’t Get You Out Of My Head’.

Deliberately taking a slightly more muscular approach than its predecessor but still providing plenty of light and shade, Forever is Nothing is a pleasing blend of riff-driven alt-rock and jangly, brooding gothic pop. This, her second album, is an impressive showcase for Tizane’s haunting, ethereal vocals and intelligent, thought-provoking songwriting.

If this type of music is your bag and if you aren’t familiar with her work already, Tizane should certainly be right up there on your ‘one-to-watch’ list.

Forever is Nothing released 23rd June 2023

https://tizane.net/

This week’s featured artist: The Artist Formally Known as Vince Band – new album ‘A Problematic Opera’

Album reviews, Music news, Rock music, , , , , , ,

Combining elements of glam, punk, power-pop and rock and roll, The Artist Formally Known as Vince Band (or TAFKAVince Band for short) formed in 1996, releasing their debut album in 2002 and building a reputation as a fearsome live act in their home-town of Chicago as well as out on tour around the US. TAFKAVince is Vince SanFilippo (vocals and guitar), Lauren Kurtz (vocals), Brian Chinino (drums, percussion and backing vocals) Chris Geisler (bass, percussion and backing vocals) and Vee Sonnets (guitar, backing vocals and keyboards).

The band’s latest album, A Problematic Opera, is a six-track album released in May this year and features guest performances from Brian Smith, Joe Vitti, Yoko Schmadeke, and Maureen Grady. I instantly warmed to the band’s brand of trashy glam-punk and, hopefully, this latest album should bring them to the attention of a wider audience and win them plenty of new fans.

Vince tells Darren’s music blog:

“The tracks from A Problematic Opera came quickly in a songwriting binge. I chose these six songs as they seem to all mesh together and cover all aspects of what the band does. There is variety yet consistency; late-night thoughts and late-night experiences; theatrical imagery that always slips in. I envisioned these songs together on a 10-inch record so we headed into the studio to make this album. A couple long weekends in the studio gave us time to add a little extra to the solid base we worked out in our rehearsal room. Every band member individually suggesting “A Problematic Opera” as the title really brought it to completion.”

A Problematic Opera – released 26th May 2023

https://theartistformallyknownasvince.bandcamp.com/album/a-problematic-opera

https://www.facebook.com/theartistformallyknownasvinceband

This week’s featured artist: Appalachian singer-songwriter, Lucas Pasley – new album ‘Ponies Back Home’

Album reviews, americana, Folk music, , , , , , ,

Lucas Pasley is an old-time fiddler/banjo-player and singer-songwriter from Sparta, North Carolina in the heart of the southern Appalachian mountains. Pasley has spent most of his musical life performing traditional Appalachian music and formed the band, Gap Civil, in 2018 with a motto to “honour and innovate” traditional mountain music. In recent years, however, he has also moved into singer-songwriter territory.

Ponies Back Home is his second solo album and follows Souls Living On, released in 2020.

Still very much rooted in traditional Appalachian music, Pasley is heavily influenced by his grandmother’s songwriting, while also bringing in wider country influences together with his own sense of originality. The result is an album packed full of appealing melodies, heartfelt lyrics and authentic playing.

A number of additional guest vocalists, together with a stellar line-up of musicians complementing Pasley on vocals, guitar and fiddle, makes for a strong album. Ponies Back Home will certainly appeal to those with a love for the Appalachian traditions but there’s plenty here to tempt anyone who enjoys some fine Country/Americana-flavoured singer-songwriting.

Released: 7th May 2023

https://www.lucaspasleymusic.com/home

This week’s featured artist: singer-songwriter Eve Simpson – new EP ‘All Her Strange’

Folk music, Music news, , , , , ,

Eve Simpson is a singer-songwriter, storyteller, and collaborative community artist from South Shields and now based in Edinburgh. Written between the two places, her four-track EP All Her Strange was inspired by the playfulness of Woodstock-era Joni Mitchell and that captivating combination of honesty and vulnerability from great songwriters like Laura Marling and Carole King.

Eve Simpson: “It is a piece of work about trying to understand myself at 21, processing grief, health, heartbreak, joy and loss, and becoming a person that had two places that felt like home now.”

Combining wit, feistiness and vulnerability, one of the stand-out tracks on the EP is ‘His Euphoria’, a coming-of-age commentary on misogyny where Eve playfully narrates the trials and tribulations of being a young woman dating, dancing, and debating her way through her early 20s.

Eve told Darren’s Music Blog: “His Euphoria is a complete mick-take of the very male-dominated spaces I found myself within the music industry and university in my early-20s. Written during the first lockdown, when I completely removed myself from those spaces, it was a sarcastic reflection of how much I had to play myself down to exist within those spaces. It is a really fun song, about some very awkward and damaging environments.“

“The EP more broadly, continues along this lens of reflection, with each track honouring some very important coming-of-age moments: heartbreak, grief, and empowerment. All Her Strange as a whole is an acknowledgment of experiencing self-love, and acceptance for the first time. Of acknowledging my shortcomings, and areas of growth, whilst recognizing those integral parts of myself that I can’t change.” 

The EP was produced with support from Youth Music’s NextGen Fund. A short tour in support of the EP commences on 17th April in Edinburgh.

All Her Strange EP released: 14 April 2023

https://linktr.ee/evesimpson

This week’s featured artist: blues guitarist Patrik Jansson – new album ‘Game Changer’

Album reviews, Rock music, , , , , ,

Starting out his professional career as a drummer, Patrik Jansson performed with a variety of blues bands, jazz combos, hard-rock and metal acts in his native Sweden. Keen for change in direction he picked up a guitar and began honing his skills as a guitarist, singer and songwriter. Inspired by the heavy blues of the Texas blues scene, Jansson then began putting a band together with a clear idea for the kind of direction he wanted to take things in.

Jansson: “I wanted to play blues with a more modern approach. Blues is supposed to feel fresh and alive, it’s a most vital music in my opinion. In short I wanted to play the kind of music that I would like to hear myself and that I think a lot of other people would like and appreciate”.

Several albums with the Patrik Jansson Band followed: a self-titled debut in 2007, Here We Are in 2014, So Far To Go in 2017 and IV in 2020. At the end of October 2022, another change in direction came with the release of Jansson’s solo album, Game Changer. In contrast to previous band releases this one features Jansson playing all the main instruments himself, save for a few appearances by sundry guest musicians on a handful of tracks.

Just as my own musical tastes and the type of acts I cover on Darren’s music blog have always been pretty eclectic, Jansson’s latest album nicely echoes such eclecticism in its own influences, too. Jansson draws on his own musical background playing rock, metal, punk, pop, Americana, reggae, blues, jazz and fusion, bringing all of those influences to the fore in Game Changer.

”I believe there is only two kinds of music, good and bad. Listening to and playing so many different kinds of music, from Bob Marley, Johnny Cash, John Coltrane, Chic Corea and Weather Report to Stevie Ray Vaughan, Buddy Guy, Deep Purple, Led Zeppelin, Black Sabbath to name a few, there has never been a shortage of influences. If it sounds good, it is good! This time it was quite liberating to create music without putting up any limitations or boundaries and the mix of different genres and styles is bound to be nothing less than interesting.”

“This is the first time I have played all the instrument myself. It was a great experience and it was great to have the time to really find the right feel and sound for each song. This album is 100% Patrik Jansson. It’s a mix of everything that I have played and listened to throughout my career. It’s dark, beautiful, rootsy, heavy, groovy and moody. It’s music played with passion and I’m very proud of it.”

From mellow bluesy ballads, to jam-style instrumentals, to Hendrix-esque hard rock, to infectious rhythm and blues, to pumping reggae, Game Changer is an entertaining album featuring Jansson’s  creative and highly personal take on the blues. Well worth checking out.

Released: 28th October 2022

https://patrikjanssonofficial.com/

This week’s featured artists: Americana singer-songwriter duo, Tom Faia & Kate Miller

Album reviews, americana, Folk music, , , , , ,

New album: Stay Away From The Flame

Now on to their third album as a duo, Tom Faia & Kate Miller have been building up a reputation for their live shows along California’s Central Coast for some four years.

Originally from the Monterey Bay Area, Tom Faia has an illustrious musical CV which, early in his career, included work with the much-celebrated rock and roll sideman, James Burton, along with the Wrecking Crew. After leaving LA, where he was signed to A&M Records as a solo artist, Faia then headed down to Nashville to hone his skills as a songwriter. As a Nashville-based songsmith, his songs were recorded by the likes of Barbara Mandrell and Dobie Gray, prior to heading back to Monterey where he continued to write. After spending several years performing solo, he teamed up with Kate Miller in 2018.

Kate Miller, herself, is a veteran of several local bands in the Monterey area and as the Monterey Herald put it: “When Kate Miller joined Tom Faia to make music things got a lot more interesting, not only in live performance but on the new album, Stay Away From The Flame.

One of Tom Faia’s songs, ‘Whole Lotta Trouble’, was used in award-winning film, A Girl, Two Guys and a Gun, seen here performed live with Kate Miller.

Released in July, the new album, Stay Away From The Flame, showcases Faia’s talents as a songwriter and his ear for a laid-back but instantly-memorable melody. With a sound based around acoustic guitar and harmony vocals, the interplay between Faia’s seasoned drawl and Miller’s warm, emotive voice is a delight, as is Faia’s harmonica-playing. Jese Diaz on bass and Vince Sanchez on percussion complete the line-up.

With musical influences that span the early rock and roll years of the ’50s and the classic era of the great singer-songwriter albums of the early ’70s, there’s a richness to this album which should find fans across the folk/Americana/singer-songwriter genres.

Released: 11th July 2022

https://www.facebook.com/FaiaMillerMusic/

This week’s featured artist: Gaelic multi-instrumentalist Tina Jordan Rees

Album reviews, Folk music, Music news, , , , , , , ,

Originally from Lancashire but having spent time living in both Ireland and Scotland, Tina Jordan Rees is extremely well-versed in the musical traditions of each. A multi-instrumentalist, she plays flute, whistle and piano as well as being a qualified Irish dance teacher. Having released several albums of Irish dance music, Beatha represents her first album of flute and whistle.

Tina Jordan Rees: “In 2018, having not long turned 30, I was diagnosed with bowel cancer. Thankfully, it was found early and I had an operation which cured it. My outlook on life has changed somewhat since then. I want to enjoy like more, take in the small moments and breathe.”

“It was important to me to be creative once again after the majority of music had stopped during the pandemic. Making music brings me so much happiness and makes me feel alive. I have enjoyed pouring my heart and soul into this album and playing with the fantastic musicians who joined me for it.”

“I decided to name the album Beatha as a nod to this journey we are all on. As ‘beatha’ means life in both Scottish and Irish Gaelic, I feel it reflects my time spent in Ireland and Scotland where I now call home.”

The result is a beautiful, life-affirming album featuring ten tracks of self-composed Gaelic-inspired tunes. Tina Jordan Rees plays flute, whistles and piano, and is joined by guest musicians, Séan Gray (guitar), Lea Larsen (Bodhran) and James Lindsay (double bass).

From sweet and poignant to dramatic and fast-paced, Jordan Rees’ thoughtful compositions and inspired playing takes us on a journey that invokes a fulsome range of emotions. Beatha is an album that followers of Gaelic folk would do well to seek out, whether they are familiar with her previous work or not.

Beatha was released on June 24th and is available on CD and all the major musical platforms.

Photo credits: Elly Lucas

https://tinajordanrees.com/

This week’s featured artist: East Sussex folk singer-songwriter, India Blue

Album reviews, Folk music, Hastings music scene, , , , , , ,

Drawing inspiration from spirituality, history, folk tales, nature and the complexities of “being human”, India Blue is a folk musician and singer-songwriter based here in St. Leonards, East Sussex.

Introduced to the piano aged five, India says she began writing songs about faeries from those very first lessons, with help from her teacher Carla Smith. Aged eleven she began performing her first ever gigs as her support act, at places like Revelation in Ashford and the Sinden Theatre in Tenterden. Then came opportunities on the festival circuit, playing at small eco, pagan and hippie festivals in 2015. Prior to lockdown she was playing around eleven festivals each summer. She was awarded winner of the Equator Music Contest  in 2014, was shortlisted for Young Songwriter of the Year in 2015 and was area finalist of Open Mic UK in 2016. As well as festivals, she’s supported Jo Beth Young for her ‘Strangers’ album launch and Guy Chambers on his ‘Into The Light’ tour.

India Blue’s debut studio album, The Circus Came And Left, released earlier this Spring features thirteen self-composed songs written over a two-year period.

“The Circus Came and Left is titled from the final single, which I toyed with actually including on the album or not. It’s a very personal song, about the transience of life. But I felt in some way whilst structuring the album: this is the journey I wanted the listener to go through, as it’s the one cycle every living this also goes through (in some way or another) It was also a major reason I wanted my first solo release to be an album, rather than a single: to walk the listener through a landscape.”

“I recorded the album in the home studio of my producer and fellow musician Tom Clarkson. Recording was a heart opening experience, intertwined with cavalo nero pasta, deep yogic breaths and dances with his two-year-old daughter.”

“My favourite part of the process was recording the piano on a magnificent old Steinway in an old original Burton manor (the man who built St Leonards!) ‘We’re Free’ was the only song fully recorded in this space, it was my rendition of a Mantra, and we got it in maybe one or two takes. I feel that songs are capsules, containing the energy of their words, the time when they were written, and also recorded. I feel this album truly holds support, insight and creative power for all who listen to receive.”

While she’s mainly self-accompanied, playing piano, harp and other instruments, the album also features some talented local musicians including Bev Lee Harling (violin), Tom Clarkson (bass/electric guitar), Tom Uragallo (bodhran) and Sarah Vincent (trombone).

The Circus Came And Left is a delightful album. India Blue’s delicate yet expressive and slightly other-worldly vocal is the perfect fit for her song-writing and there’s plenty of lovely mournful piano and beautifully evocative harp to really bring these songs to life. Both Vashti Bunyan and Joanna Newsome are cited as key inspirations and there’s lots for fans of both of those artists to enjoy here.

Released: March 2022

https://www.indiabluemusic.com/

This week’s featured artist: singer-songwriter Owen Moore – new sixteen-track compilation out

Album reviews, Folk music, , , , , , ,

Based in Bournemouth on England’s south coast, Owen Moore is an Irish-born singer-songwriter. I reviewed his 2021 album Fireside Songs last year and Owen has kindly sent me his latest: Sixteen Easy Songs For Voice & Guitar.

A prolific songwriter with an extensive back catalogue, this latest album is actually a compilation with highlights drawn from Owen’s ten previous albums which span the period 2011-2021.

Doing exactly what it says on the tin, Sixteen Easy Songs For Voice & Guitar serves as a welcome introduction to anyone wanting to familiarise themselves with Owen Moore’s work. It’s just Owen, his voice, his songs and his guitar but it makes for a fine album.

Serving up folk-infused acoustic Americana, Moore’s wistful, easy-going delivery and thoughtful, introspective lyrics are allied with instantly catchy melodies that owe something towards pop sensibilities, too.  

The full track listing for Sixteen Easy Songs For Voice & Guitar is as follows:

  1. Round And Round
  2. She’s Still Wearing Blue
  3. Hang Around With You
  4. The Blue Notes
  5. Walking With That Girl Of Mine
  6. Voices In My Head
  7. All The Time In The World
  8. Home In The Rain
  9. I Don’t Play My Guitar On A Sunday
  10. Night Lights
  11. One Sweet Day
  12. Cruel Imagination
  13. In A Song
  14. Somewhere Near
  15. Unfaithful Moonlight
  16. Riverbank

Released: September 2021

The album, and others, are available via Owen Moore’s website in CD and digital formats.

http://www.owenmooremusic.com/

Related post:

Album review – Owen Moore ‘Fireside Songs’

This week’s featured artist: singer-songwriter Ed Blunt – Christmas single ‘The Dome of St Paul’s’

Folk music, Music news, , , , , ,

Ed Blunt is a singer-songwriter with a debut album out in February 2022. London-based Blunt, whose family home is in Graffham, Sussex, is a jazz and classically trained pianist, who earned his stripes on the London scene, and is in demand as a performer, arranger and choir leader (he is Musical Director and founder of the ensemble, Camden Voices).

As a foretaste of his coming album he has recently released a Christmas single, a heart-warming Christmas song inspired by the last big blizzard in the City of London.

‘The Dome of St Paul’s’ was written during lockdown and recounts a night in 2009 when the capital saw its biggest snowfall for several decades. The song is accompanied by a magical animated video created by London’s Chicken Fruit Studio and set on Christmas Eve.

At the time, Ed was a student at Guildhall School of Music and Drama living in its hall of residence close to The Barbican.

Blunt: “One freezing Sunday night it started to snow, at first just a few flakes, then soon enough a proper whiteout. As we walked the streets the city that was usually loud and frenetic stood perfectly still and quiet in the snow like a dreamland – it was one of those nights you will never forget.”

But it took 12 years before Ed’s memory of that snowstorm triggered a song. He started writing the melody and lyrics during a lockdown Zoom workshop with Chris Difford, of legendary band Squeeze, who describes the song as “brilliant”.

“The challenge Chris set was to write a song about London and, for some reason, the day the snow transformed the city into a winter wonderland came vividly to mind.”

Besides the city cathedral, it namechecks a number of other London landmarks – Finsbury Square, London Wall and Chancery Lane.

Recorded and mixed by David Simpson at the Crypt Studio, London it features James Nall on drums and percussion, Charlie Laffer on guitars and Tom Farmer on bass.

Ed Blunt’s debut album, Over the Moon is due out in February 2022, and serves up a rich mix of folk, rock, blues and gospel – original songs inspired by subjects as diverse as cinematic stories of men on the moon to the folklore of his home city — often cut through with a touch of humour.

The Dome of St Paul’s is out now on all digital platforms.

Listen on Spotify: https://li.sten.to/thedomeofstpauls

www.edblunt.co.uk