Tag Archives: Blondie

2023 in Darren’s music blog – the ten most popular posts of the year

A Happy New Year to one and all. My thanks to everyone who has visited Darren’s music blog during 2023. As usual an eclectic mix of musical genres feature in this year’s top ten most viewed posts of the year – from blues to classic rock, to prog, to goth, to punk, to new wave, to folk – and much more in between! Here’s to 2024 which will mark ten years since I first started this blog back in March 2014.

1. So farewell to Butlin’s Rock & Blues weekends, Skegness 13-15 January 2023

For more than a decade an out-of-season trip to Butlins has been a fixture in my diary at least once each year: numerous trips to Minehead for the Giants Of Rock weekends, several trips to Skegness for the Great British Folk Festival and a handful of additional trips to the same resort for the Rock & Blues weekends. But now it was finally all coming to an end. My review of the final ever Rock & Blues weekend.

Read full review here

2. Live review: Francis Rossi – ‘Tunes & Chat’ at White Rock Theatre, Hastings 3/6/23

Always quite a Quo fan since being a young teenager, I’d originally booked to see Francis Rossi on his ‘I Talk Too Much Tour’ back in 2020. Covid came along and that got rescheduled and then cancelled altogether but Rossi finally made it to Hastings’ White Rock Theatre on his follow-up tour, ‘Tunes and Chat’.

Read full review here

3. Goth without the gloomy bits: five cheerful, upbeat and joy-inducing songs by goth bands

My affectionate but somewhat tongue-in-cheek look at some of my favourite tunes from goth bands. Features Bauhaus, Siouxsie and the Banshees, The Cult, Sisters of Mercy and The Cure.

Read full post here

4. Live review: Steeleye Span at the Old Market, Brighton & Hove 23/11/23

This tour saw Steeleye Span promoting a new album The Green Man Collection. The band revisit some of their past material with a mixture of songs written by members of the band at the time and some traditional numbers. The new album also includes a newly-composed song from Maddy Prior, a couple of well-chosen covers and something that was written for the band by (the sadly now recently deceased) Bob Johnson back in the ‘80s, committed to tape and then completely forgotten about for the next four decades.

Read full post here

5. Notes from the Lust For Life Tour – Feb/Mar 2023

The Lust For Life tour brought together Glen Matlock (Sex Pistols, Iggy Pop), Clem Burke (Blondie, Iggy Pop), Katie Puckrik (Pet Shop Boys, Sparks), Kevin Armstrong (Iggy Pop, David Bowie), Luis Correia (Earl Slick) and Florence Sabeva (Heaven 17). Having had the immense privilege of spending the past few months working on the PR campaign for the tour it was a joy to finally witness the band live, not just in a professional capacity but most importantly as a fan, of both that glorious Iggy Pop album and of the individual players in the band, too. The band are back for a new tour in Feb/March 2024.

Read full post here

6. Live review: Graham Nash at De La Warr Pavilion, Bexhill 30/8/23

Billed as ‘Sixty Years of Songs & Stories’ the ten-date UK tour celebrated Graham Nash’s six decades of writing, recording and performing. I’m aware of his hits with The Hollies in the early days, of course, and (courtesy of a couple of compilations) I’m also pretty familiar with some of the best-known songs by both Crosby, Still & Nash and Crosby, Stills, Nash & Young. I can’t claim to have followed his solo career in any great depth but, nevertheless, I felt confident that this tour was going to be something rather special and something I didn’t want to miss.

Read full review here

7. Live review: Fairport’s Cropredy Convention August 2023

Following an enforced two-year break due to Covid, going to last year’s Cropredy festival almost felt like a novelty. This year, though, it very much felt like being part of an annual fixture once more, the two-year gap now but a distant memory. With various combinations of friends and family over the years, I’ve been going to Fairport Convention’s annual bash in rural Oxfordshire since 2010 so it’s been part of my summer for a good chunk of my life now.

Read full review here

8. Live review: Iggy Pop, Blondie, Generation Sex, Stiff Little Fingers & Buzzcocks at Crystal Palace Park 1/7/23

One thing I like about the music scene these days is how much less tribal it all is compared to when I was a teenager. The intense rivalry between punks and metalheads has certainly dissipated since I was at school in the late 70s and early 80s. The passage of time, for many of us, has led to a much broader appreciation of rock and roll in all its many guises. As a teen, I was firmly in the hard rock/metal camp rather than the punk/new wave camp but looking around at those attending what has been billed Dog Day Afternoon today, there doesn’t look to be much difference in appearance between all the crop-haired, ageing punk fans clad in regulation khaki shorts and black T-shirts and all the crop-haired, ageing metal fans clad in regulation khaki shorts and black T-shirts.

Read full review here

9. Absolute Beginner: Interview with Bowie/Iggy guitarist Kevin Armstrong

Kevin Armstrong has played alongside icons like David Bowie, Iggy Pop, Thomas Dolby, Sinéad O’Connor and many others. We catch up to talk about his forthcoming autobiography Absolute Beginner which came out in October; as well as the Lust For Life project which has brought together the likes of Clem Burke, Glen Matlock and Katie Puckrik to celebrate the classic Iggy album; plus our mutual love of the live music scene down here in Hastings.

Read full interview here

10. Live review: John Lees’ Barclay James Harvest at Salle Pleyel, Paris 19/11/23

I was fairly late coming to Barclay James Harvest. I was aware of the likes of ‘Mocking Bird’, of course, but picked up a second-hand compilation from a charity shop in about 2019 and my fasciation grew from there. By the time lockdown came, I found myself tracking down the band’s entire back catalogue on ebay. When I saw that John Lees’ Barclay James Harvest were doing their final tour I decided I just had to be there. With only one remaining UK date I wasn’t particularly keen on a trek all the way up to Huddersfield from my home in Hastings and so I hit on the idea of a trip to Paris. I could meet up with friends and make a long weekend of it.

Read full review here

2022 in Darren’s music blog

2021 in Darren’s music blog

2020 in Darren’s music blog

2019 in Darren’s music blog

Live review: Iggy Pop, Blondie, Generation Sex, Stiff Little Fingers & Buzzcocks at Crystal Palace Park 1/7/23

One thing I like about the music scene these days is how much less tribal it all is compared to when I was a teenager. The intense rivalry between punks and metalheads has certainly dissipated since I was at school in the late 70s and early 80s. The passage of time, for many of us, has led to a much broader appreciation of rock and roll in all its many guises. As a teen, I was firmly in the hard rock/metal camp rather than the punk/new wave camp but looking around at those attending what has been billed Dog Day Afternoon today, there doesn’t look to be much difference in appearance between all the crop-haired, ageing punk fans clad in regulation khaki shorts and black T-shirts and all the crop-haired, ageing metal fans clad in regulation khaki shorts and black T-shirts.

Buzzcocks

Excepting Buzzcocks (and a couple of artists I’d seen perform in other permutations) this will be my first time seeing virtually all of the bands on stage today. But it will be the first time seeing Buzzcocks without Pete Shelley, since his passing in 2018. Steve Diggle has now switched to lead vocals, got in a new lead guitarist in place of Shelley and carried on pretty much where they left off. Pete Shelley was a unique talent with a unique vocal delivery and it’s not everyone who can perfect that blend of northern camp -meets- punk attitude so I was therefore wondering how Steve Diggle would shape up in trying to fill his shoes. But he pulls it off pretty magnificently. Fast, raucous, irreverent – Buzzcocks were sheer joy to watch. And in spite of being only the second band of the day (unfortunately, I missed the Lambrini Girls due to having to check into my hotel beforehand) there was a decent crowd to sing along as they blasted out timeless punk anthems like ‘What Do I Get?’, ‘Orgasm Addict’ and ‘Ever Fallen in Love (With Someone You Shouldn’t’ve)’.

Setlist:

What Do I Get?

Senses Out of Control

Fast Cars

People Are Strange Machines

I Don’t Mind

Sick City Sometimes

Why Can’t I Touch It?

Orgasm Addict

Promises

Manchester Rain

Ever Fallen in Love (With Someone You Shouldn’t’ve)

Harmony in My Head

Stiff Little Fingers

Comprising Jake Burns and Ali McMordie (who were both with the band when it started in 1977) and Ian McCallum and Steve Grantley (who have each been around since the mid-1990s) this is a stable line-up and a well-oiled machine who deliver another impressive set. Jakes Burns also gets a well-earned round of applause (by way of introduction to the song ‘My Dark Places’ from the 2014 album No Going Back) when he opens up about his own struggles with depression and urged men in the audience not just to bottle things up like he did, but to talk to someone. We hear you, Jake.

Setlist:

Tin Soldiers

Nobody’s Hero

Roots, Radics, Rockers, Reggae

Just Fade Away

Doesn’t Make It Alright

My Dark Places

Barbed Wire Love

At the Edge

Wasted Life

Gotta Gettaway

Suspect Device

Alternative Ulster

Generation Sex

Composed of 50% Sex Pistols (in the form of Steve Jones on guitar and Paul Cook on drums) and 50% Generation X (in the form of Billy Idol on vocals and Tony James on bass) Generation Sex is a modern-day celebration of both bands, with a setlist that is drawn entirely from the music of each. Some may regard bolting together incomplete bits of classic bands in this way as somewhat sacrilegious. Imagine if Paul and Ringo and Mick and Keith formed a hybrid of the Beatles and the Stones in this way. But the punk generation appears to have fewer qualms about it – not least because it’s absolutely brilliant. The band power through a crowd-pleasing mix of Pistols and Generation X songs with energy and vitality. Plus, it has to be said, Idol is a much better vocalist than John Lydon could ever be. There’s still enough of a sneer and a snarl in his delivery, however, that the essential essence of the Pistols is very much in evidence in all of the Sex Pistols numbers performed today. Given the way the material from both bands is rapturously received by the crowd, no-one would appear to be feeling at all short-changed by this hybrid melding of bona fide punk icons.

Setlist:

Pretty Vacant

Ready Steady Go

Wild Youth

Bodies

Black Leather

Kiss Me Deadly

Dancing With Myself

Silly Thing

King Rocker

God Save the Queen

Your Generation

My Way

Blondie

Blondie absolutely knocked me out. The whole day was a very strong line-up anyway but in terms of sheer class and charisma, in terms of wave after wave of iconic era-defining classics blasting from the PA and in terms of the immense power emanating from the band on stage, this very much felt like a headline performance in every possible way. A playful Debbie Harry, celebrating her 78th birthday today, is in fine voice as she belts out song after song, accompanied by the unmistakeable signature drumming from the ever-brilliant Clem Burke and with none other than another ex-Pistol, Glen Matlock, now putting his own signature stamp on the bass. Sadly, there is no Chris Stein on this current tour. He has taken leave due to ongoing health issues but his shoes are ably filled by Andee Blacksugar, with Matt Katz-Bohen (keyboards) and Tommy Kessler (guitar) completing the line-up. It’s an unforgettable performance.

Setlist:

One Way or Another

Hanging on the Telephone

Sunday Girl

Call Me

Will Anything Happen?

Atomic

Rapture

The Tide Is High

Long Time

Detroit 442

Maria

Heart of Glass

X Offender

Dreaming

Iggy Pop

Old schoolboy loyalties meant I was slower in coming to British punk than many of my fellow middle-aged festival attendees here today. But I was certainly not slow in coming to Iggy, the Godfather of Punk himself. I’d picked up second-hand copies of the Lust for Life album and The Idiot while I was still a young teenager in the early 80s and I bought the Blah Blah Blah album as soon as it came out back in 1986. But, curiously, until today I never actually got around to seeing him live. He has been on my bucket-list of artists to see for some time though and he certainly doesn’t disappoint. Shirtless, tanned and with that familiar torso now covered in wrinkles and bulging veins, Iggy Pop is a manic, mesmerising presence on stage.

His newly-refreshed backing band are exceptional, too. With echoes of saxophonist, Steve Mackay’s contributions in the Fun House era of The Stooges, the band now includes a full brass section. I’m not sure my brain quite adjusted to hearing layers of brass on songs like ‘The Passenger’ and ‘Lust for Life’ but the entire set felt like a real privilege to witness – and there was a nice mix between old Stooges material, his classic late 70s solo era and songs from his most recent album, Every Loser. I had finally got to see the great Iggy Pop in action. A brilliant ending to a pretty amazing day.

Setlist:

Rune

Five Foot One

T.V. Eye

Modern Day Rip Off

Raw Power

Gimme Danger

The Passenger

Lust for Life

The Endless Sea

Death Trip

I’m Sick of You

I Wanna Be Your Dog

Search and Destroy

Mass Production

Nightclubbing

Down on the Street

Loose

Frenzy

Related posts:

Lust for Life 2024: Clem Burke, Glen Matlock and Katie Puckrik reunite for second UK tour

Notes from the Lust For Life Tour – Feb/Mar 2023

Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

Notes from the Lust For Life Tour – Feb/Mar 2023

The recent Lust For Life tour brought together Glen Matlock (Sex Pistols, Iggy Pop), Clem Burke (Blondie, Iggy Pop), Katie Puckrik (Pet Shop Boys, Sparks), Kevin Armstrong (Iggy Pop, David Bowie), Luis Correia (Earl Slick) and Florence Sabeva (Heaven 17).

Having had the immense privilege of spending the past few months working on the PR campaign for the tour it was a joy to finally witness the band live, not just in a professional capacity but most importantly as a fan, of both that glorious Iggy Pop album and of the individual players in the band, too.

Why Lust For Life? In the run-up to the tour and following a last-minute change in personnel, Kevin Armstrong explained the thinking behind celebrating the album in this way:

“Well, it’s 45 years since the release of Lust For Life and it just seemed like a great way to celebrate these fantastic landmarks in music with some of the people who were there and some of us who have an Iggy connection. So that was the initial idea and Tony Sales, who played on Lust For Life, was up for it initially. But due to circumstances beyond anyone’s control he’s unable to complete the process. But luckily for us we’ve got Glen Matlock who’s similarly imbued with a connection to Iggy.”

By any criteria this was going to be an impressively strong line-up of musicians but the key test was always going to be how it would all gel together on stage. And what of Katie Puckrik? Many of us seeing this tour would know her from her impressive broadcasting career and would have some very fond memories of Katie bringing some all-American sass to the offbeat and very British irreverence of The Word back in the 1990s. But what would she bring as lead vocalist fronting such an esteemed collection of musical egos?

Both of those questions would be answered pretty conclusively by pretty much everyone witnessing the tour within the opening minutes of the first song (track one, side one of the original album, of course): an absolute triumph. Puckrik instantly proved herself as a compelling, energetic and gloriously charismatic frontwoman. Surely, a late career surge now beckons as an uncompromising rock ‘n’ roll goddess? As Clem Burke told his Twitter followers ahead of the final date on the tour:

“Katie is fantastic and it’s just occurred to me she has joined the ranks of the other brilliant women I’ve been fortunate to play with: Debbie, Annie, Nancy, Wanda, The Go Go’s, & Joan!”

For the first part of the performance the band powered through the Lust For Life album from start to finish. Clem Burke’s rhythmic powerhouse drumming and Glen Matlock’s mean and dirty bass, a joy to witness. Seeing legends like this up on small stages in tiny, intimate venues just a few meters away is a real ‘pinch-me’ experience for many of us. Kevin Armstrong and Luis Correia are both exceptional guitarists and classically-trained Florence Sabeva is an incredibly versatile player as she takes on Bowie’s keyboard parts on the original album. After we’ve all sung along with them to anthems like ‘Some Weird Sin’, The Passenger’ and ‘Success’ before we know it we’re on to the band’s rendition of album’s final track, ‘Fall In Love With Me’, and it’s time for some introductions.

Underlining the gold standard of the musical CVs of the musicians standing in front of us we have filmed segments, both old and new, introducing each member in turn, courtesy of Glen Gregory, Sparks, Steve Norman, David Bowie, Iggy Pop and Debbie Harry.

Then it’s on to an extended ‘career highlights’ package with a brilliantly chosen set of songs from across the individual band members’ careers: Iggy Pop covers like ‘Nightclubbing’ and ‘Ambition’ (the latter with Matlock on vocals); Stooges covers like ‘I Wanna Be Your Dog’ and ‘No Fun’, Blondie’s ‘Rip Her To Shreds’ and a truly life-affirming version of the Pistol’s ‘Pretty Vacant’. Unforgettable performances from an unforgettable tour.

Lust For Life Band at the Lexington, London

Although a number of those performing had worked with one another in various guises prior to this, both the tour and the band was initially conceived a one-off project, but let’s just hope this is the start rather than the end of something bigger.  It truly deserves to be. A brilliant way to celebrate one of the truly iconic albums of the past fifty years with an incredible cast of musicians who more than do it justice and then some.  

Photo credits: all live images taken at Voodoo Rooms, Edinburgh courtesy of John Scott, Upstage Photography

Website: https://www.lustforlifetour.com/

Bowie and Iggy Pop icon, Tony Fox Sales, celebrates 45 years of Lust For Life with UK tour

Tony Fox Sales featuring Clem Burke from Blondie – UK tour March 2023

Marking forty-five years since the release of the all-time classic Lust For Life album, esteemed former Iggy Pop and Tin Machine bass-player, Tony Fox Sales, sets out on a rare UK tour next Spring, his first in the UK since 1991. With an all-star line-up, Sales is joined by legendary Blondie drummer, Clem Burke; vocalist, renowned broadcaster and Pet Shop Boys dancer, Katie Puckrik; Iggy Pop and David Bowie guitarist, Kevin Armstrong;  guitarist, Luis Correia, who’s toured internationally with Earl Slick; and classical pianist, composer, and touring member of Heaven 17, Florence Sabeva.

Tony Fox Sales will perform the Lust For Life album in full, as well as revisiting songs from across the individual band members’ careers with legendary artists such as Blondie and David Bowie. The full tour also includes a special one-off date in Dublin and two nights in Japan.

The full tour dates are as follows:

The full 2023 tour dates are as follows:

Mon 20 Feb – Billboard Live, Osaka, Japan

Thur 23 Feb – Billboard Live, Tokyo, Japan

Tue 28 Feb – Exchange, Bristol, UK

Wed 1 March – The 100 Club, London, UK

Thur 2 March – The Cavern, Liverpool, UK

Fri 3 March – Social, Hull, UK

Sat 4 March – Trades Club, Hebden Bridge, UK

Sun 5 March – The Vodoo Rooms, Edinburgh, UK

Wed 8 March – Whelan’s, Dublin, Ireland

Thur 9 March – Arts Centre, Colchester, UK

Fri 10 March – The Piper, St Leonards, UK

Sat 11 March – The Lexington, London, UK

Sun 12 March – The Lexington, London, UK

All tickets available via: https://tonyfoxsalestour.com/

Announcing the tour, Tony Fox Sales comments: “I look forward, with great anticipation, to returning to England to tour this coming year. The Lust For Life album was the recording highlight of my fifty-eight year career in music for me. It was an amazing experience artistically, and personally. Memories not too soon forgotten. Though, as of now, I have not worked with the entire line-up of players for this tour, I have no doubt, that this will be an ass-kicking event! Lust For Life!”

Katie Puckrik: “I’m a show pony from way back: along with my broadcast career covering pop culture, I performed onstage with The Fall and Michael Clark Company, I toured the world dancing with Pet Shop Boys, and I sang in Sparks’ opera The Seduction of Ingmar Bergman, both on the original cast recording and in performance. I have worked with towering icons of music, but taking on the magnificent Iggy Pop’s vocal duties for this Lust for Life re-make/re-model is an electrifying opportunity like no other. Not only do I get to sing anthems like ‘Lust for Life’ and ‘The Passenger’ (as well as my personal fave from the album, ‘Success’), but I’m surrounded by some of Iggy, Bowie and Blondie’s key players, including Tony Sales, Clem Burke and Kevin Armstrong. So strap on your horse tails and join me in celebrating Lust for Life.”

The Tony Fox Sales band members are:

Tony Fox Sales – Bass and Backing Vocals: Growing up in Detroit, bass-player, Tony Fox Sales, and his drummer brother, Hunt, formed their first band in the mid-1960s. As a rhythm section Tony and Hunt would go on to work with David Bowie, Iggy Pop, Todd Rundgren, Bob Welch, Andy Fraser and many others. After recording a couple of albums with Todd in the early 1970s, the two brothers recorded the Kill City album with Iggy Pop in 1975 followed by Lust for Life in 1977. They both joined Iggy on his subsequent tour, recorded as TV Eye Live 1977 and released the following year. In 1982 Tony joined Chequered Past, which included singer/actor Michael Des Barres (later of Power Station); ex-Sex Pistols guitarist, Steve Jones; Blondie’s drummer, Clem Burke, as well as their bass player, Nigel Harrison. In 1988 Tony then joined forces with David Bowie, Reeves Gabrels and Hunt Sales in Tin Machine. Bowie later acknowledged that it was Tony and Hunt’s contribution to Lust for Life that led him to invite the brothers to join him.

Clem Burke – Drums: Answering an ad in the New York newspaper, Village Voice, for a band seeking a ‘freak energy’ rock drummer, Clem Burke became the drummer of Blondie in the mid-1970s. The band recorded their first album in 1976 and emerged as the great pop icons of New York’s celebrated late 1970s new wave punk scene, achieving huge commercial success with the number one hit singles ‘Atomic’, ‘Heart of Glass’, ‘Sunday Girl’, ‘Call Me’, ‘Rapture’, and ‘The Tide is High’. When Blondie temporarily broke up in 1982, Burke joined Tony Fox Sales in Chequered Past and has also played with a plethora of music legends, including Bob Dylan, Pete Townshend, Iggy Pop, The Ramones, The Eurythmics and Joan Jett. In 2006, along with the other original members of Blondie, Clem was inducted into the prestigious Rock and Roll Hall of Fame, with Blondie already having sold over 42 million records.

Katie Puckrik – Vocals: The performer, broadcaster and writer made her TV breakthrough hosting The Word in the 1990s. As a vocalist she sang in Sparks’ opera The Seduction of Ingmar Bergman, and her presenting work includes a two-part BBC TV documentary on yacht rock, a four-part BBC radio series on power pop, and her ongoing role as a commentator on Channel 5’s popular Greatest Pop Songs/Videos franchise. Her modern history podcast We Didn’t Start the Fire, based on the Billy Joel hit, was named one of The Observer’s top ten podcasts of 2021. She still considers her favourite career achievement performing with Pet Shop Boys on ‘West End Girls’. “This sexy, sinister lullaby was my ‘I’ve made it!’ anthem when I scored my best job ever: dancing on Pet Shop Boys’ 1991 Performance world tour.”

Kevin Armstrong  – Guitar and Musical Director: Kevin began his musical life with his own band Local Heroes SW9. After two albums his career began thriving as a writer, producer, bandleader and guitarist. Most notably, Kevin met David Bowie in late 1984 and worked with him on various projects, including putting together his band and performing at the legendary Live Aid in 1985. Bowie introduced Kevin to Iggy Pop as guitarist on the 1986 album Blah Blah Blah and Kevin became Iggy’s bandleader in 86/87. He put together Iggy’s touring band again from 2014 until 2019. Kevin has worked with Morrissey, Grace Jones, Sinéad O’Connor, Prefab Sprout, Thomas Dolby, Transvision Vamp, Brian Eno, Paul McCartney, Sandie Shaw, Gil Evans, Alien Sex Fiend, Keziah Jones and many more.

Luis Correia – Guitar: Luis is a London-based guitarist, producer and songwriter. Originally from Portugal, where he started his career as a session player, Luis moved to the UK over a decade ago and has since performed alongside names like Earl Slick (David Bowie), Bernard Fowler (The Rolling Stones), Erdal Kizilcay (David Bowie), Martin Lister (Alphaville), amongst others. His musicality and soulful playing make Luis a sought after muso on the London scene, where he’s often seen with various bands. He’s currently working on his own music and preparing for a tour with Steve Norman of Spandau Ballet later this year.

Florence Sabeva – Keyboards: a London based pianist, film composer and singer-songwriter, Flo started her career as a session pianist and has played alongside artists like Tom Bailey, Earl Slick (David Bowie) and Bernard Fowler (The Rolling Stones) and currently tours with Heaven 17. Also a very active film composer, she wrote her first score for ‘Wax, We Are The X’ and was then commissioned to write the soundtrack for the Gravity Field Festival in Guildford and to score the German movie ‘Mireille and Angelique’. Flo released her first studio album ‘The London Sessions’ in 2017, featuring eclectic works with European songwriters and artists that reflect her various music influences.

Tom Wilcox – Curator and Producer: Tom was the front man of 90’s art punk band Maniac Squat finding notoriety with their 1995 ‘hit’ F**k Off (Single of the Week in Kerrang!). Tom has since produced albums for Gillian Glover and Lisa Ronson; the latter, co-produced with Paul Cuddeford, receiving a 4-star review in Mojo and widespread critical acclaim. As a music curator, Tom’s credits include Blondiefest, Princefest and Iggyfest at the ICA, as well as conceiving and introducing bands/tours such as Tony Visconti’s Holy Holy.

Website: https://tonyfoxsalestour.com/

Facebook: https://www.facebook.com/tonysalestour/

Twitter: https://twitter.com/tonysalestour

Related posts:

Kevin Armstrong at the Kino, St Leonards 2018

Mike Garson performs Aladdin Sane at Birmingham O2 Institute 2017

Holy Holy perform Ziggy Stardust at Shepherd’s Bush Empire 2017

Holy Holy perform The Man Who Sold The World & Ziggy Stardust at De La Warr Pavilion, Bexhill 2019