Tag Archives: album launch

Live review: Dave Hill, album launch for Dirty Foot Lane at Mount Hotel, Wolverhampton 29/10/26

It’s not the usual sort of venue I’ve seen him at over the years but one of the function rooms in the rather plush surroundings of the Mount Country Manor Hotel on the outskirts of Wolverhampton is the setting for the official launch event  for Dave Hill’s first ever solo album, Dirty Foot Lane.

With a mix of music and chat, Hill is questioned by TV presenter and long-time Slade fan, Nick Owen, together with a specially-assembled band playing a selection of songs from the album and an old Slade hit to finish. Except it isn’t Nick Owen to start with as he has the wrong night in his diary (!) so a member of the organising crew ably fills in until Owen hurriedly makes his way over to the venue.

Just as Hill’s surprisingly thoughtful autobiography (So Here It Is! released back in 2017) was not simply a well-rehearsed selection of ’70s glam-era anecdotes, but delved into stark class tensions in Hill’s wider family background, his late mother’s long-running mental health battles as well as his own similar struggles, this highly-personal debut solo album can be seen as something as a companion piece to the autobiography. Hill pays tribute to his mother during the Q&A as he talks movingly about ‘Sweet and Tender’ – one of the songs on the album, which was written in her memory.

Although it isn’t one of the songs performed live this evening, Hill also talks about the inspiration for the album’s title track, ‘Dirty Foot Lane’. A country lane on the Wolverhampton/South Staffordshire border that the young Hill would wander up and down with his mom, dad and sister, Carol, (and would later visit with his own wife and children) Slade geeks will be aware that the song celebrating those times first appeared on Keep on Rockin’, the 1994 album from the post-Holder/Lea version of Slade. Three decades on it’s been given a complete makeover by album producer, Django Holder, about whom Hill is also very generous in his praise tonight.

And if that name has a ring of familiarity about it, Django is, indeed, the son of Noddy Holder and his novelist wife, Suzanne. It was on Noddy Holder’s recommendation that Django Holder, now a noted record producer, took on the production duties for the album. “He’s very quiet,” reveals Hill, noting the obvious contrast with his two larger-than-life parents. Nonetheless, Hill credits him with bringing a wide palette of musical influences to the album, citing Neil Young and Tom Petty to name two. Hill also reveals that he and Noddy Holder are now “closer than ever” – which may warm the hearts of many fans, given some of the well-documented tensions in the Slade camp since the original band split in the early ‘90s.

Musically, we are treated to a live performance of ‘Thanks for the Good Times’, Hill’s affectionate and heartfelt tribute to all the happy memories of working with Noddy Holder, Jim Lea and Don Powell and manager/producer, Chas Chandler. On a less optimistic but nevertheless moving note, there’s also a rendition of ‘She Had a Troubled Heart’, another song from the album. Based on a true story, it deals with a broken heart that couldn’t be fixed and the ultimately tragic consequences of that. While not an autobiographical song per se, it clearly means a lot to Hill and he speaks of his ambassadorial work with the Black Country Mental Health charity who are represented at the launch event tonight.

That’s not to say there aren’t some lighter moments during the evening as well. At one point, Hill’s own sister, Carol, is brought up on stage to recall the youthful excitement she felt on tuning into the radio and first hearing her brother had made it to number one in the charts.

The formal part of the evening ends in suitably upbeat fashion with a sing-along rendition of Slade’s ‘Far Far Away’. Then it’s a lengthy but good-natured queue at the signing desk as those present wait to get their CD’s, books and records signed and get their photos taken with the man himself.

Dirty Foot Lane is released on 13 November 2026

Related posts:

Book: ‘Slade In The 1970s’ by Darren Johnson

Interview with Slade legend Don Powell

Interview with former Slade legend Jim Lea

Jim Lea at the Robin 2, Bilston 2017

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

Slade, strikes and the three-day week: the story of the greatest Christmas record ever made

Slade at Donnington 1981

Slade at White Rock Theatre, Hastings 2015

Giants of Rock, Minehead 26-29 January 2018

Slade at Brighton 2019

Slade at Hastings 2025

Daria Kulesh at Cecil Sharp House 23/2/17 (Album launch: ‘Long Lost Home’)

Folk singer Daria Kulesh, Russian-born but British-based, has not chosen an easy subject matter for her newly-released solo album Long Lost Home, which is being formally launched at Cecil Sharp House tonight. But it’s an absolutely fascinating one and, as we find throughout the performance of all twelve songs from the album tonight, it is also a deeply moving one.

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Long Lost Home tells the story of Ingushetia (or the Ingush Republic). It is now a republic within the Russian Federation, bordering Chechnya, but it’s one with a dark and tragic history. On 23 February 1944 (exactly 73 years ago from tonight’s performance) Ingush civilians were falsely accused of collaborating with the Nazis and the entire population were either deported or shot under the orders of Stalin. Ingushetia was the lost homeland of Kurlesh’s maternal grandmother. And it was through her grandmother that Kulesh was to learn so much of her ancestral home and the tragedies within it but also the everyday lives and loves of some of her ancestors, a number of whom are brought movingly to life once more in Kulesh’s songs.

Possessing a beautiful clear voice that is both powerful and pure, Kulesh is immediately able to connect emotionally with her audience as the lives of the characters in her songs unfold. Musically, she’s supported by a fine cast of musicians, both on the album and on stage. Kulesh herself plays the shruti box (Indian drone instrument) but we also have a rich tapestry of sounds from traditional Russian/Kulesh stringed instruments through to the dulcimer and the double bass and even, for one song, the Scottish bagpipes.

Yes, much of the subject matter has a darkness to it. However, as Kulesh herself emphasises there’s also a spirit of hope and humanity and kindness to these songs. The last song of the album Only Begun ends on a very optimistic note. It’s not quite the end though. Kulesh and her colleagues are called back on stage for an encore. As an added bonus, Timur Dzeytov, a traditional Ingush musician who accompanies Kulesh on the album and here tonight, also plays a couple of Ingush dance numbers, complete with some impromptu Ingush dancing, to round off the launch of Long Lost Home.

Daria Kulesh can be proud of what she’s achieved here, both through her very unique contribution to the UK folk scene and through this perfectly fitting and timely celebration of Ingush culture and history.

http://www.daria-kulesh.co.uk/

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