Monthly Archives: September 2025

Folk: Album review – Amelia Hogan ‘Burnished’

I really enjoyed Taking Flight, the 2023 album by San Francisco-based folk singer, Amelia Hogan, praising her distinctive vocal style and the album’s beautiful musical accompaniment when I reviewed it two years ago. It wasn’t just me who thought that either. The album picked up many favourable reviews and made the top ten of the Folk Alliance International chart in the month it was released. Now Hogan is back with a brand-new album, Burnished.

Like Taking Flight there’s one song that’s a self-composed original which is written in a traditional style, with the remaining thirteen tracks being a mixture of traditional numbers and Hogan’s own interpretations of songs by more contemporary songwriters.

Amelia Hogan: “The album highlights familiar, often overlooked folklore about real places, sharing the hidden magic found in connecting with the natural world and its spirits of place, or Genius Loci. It also reflects on the emotional impact of remembering an animist perspective (what happens when we act as if everything around us is conscious?), where we share our space with everything around us-both seen and unseen. Through this, I encourage us to approach our relationships mindfully – with people, nature, and the world we co-inhabit.”

Highlights include the self-composed opening track, ‘Rolling in the Gold’ – a lovely song with both Americana and Celtic influences and described as ‘a love-song to California’. The traditional material includes a poignant version of ‘Wayfaring Stranger’ a seventeenth century American spiritual with roots back in England; as well as a lively, uplifting version of ‘Dh’eirich Mi Moch Madainn Chetein’ – a traditional Gaelic song originally sung by textile workers in the Scottish highlands as they treated wool in the process of making tweed.

Other material on the album includes a heartfelt rendition of the Irish singer, Dominic Behan’s ‘Patriot Game’. Originally written in the 1950s reflecting on the Troubles in Ireland, Hogan gives it renewed potency as a warning of the dangers of blind patriotism and manipulation by unscrupulous political leaders.

With Hogan’s characteristically distinctive vocals, intuitive feel for emotive story-telling and gorgeous instrumentation, Burnished is a worthy follow-up to Taking Flight.

Released: 1 April 2025 https://ameliahogan.com/

Related post:

Latest folk reviews: Amelia Hogan, RURA, Milton Hide, Joy Dunlop and Megson

This week’s featured artists: folk trio Curmudgeon – new album Travelling North

Travelling North is the debut album from this Edinburgh-based folk trio. Curmudgeon is made up of Donald Gorman, Laurie Brett, Donald Gorman and Andrew Macintyre

Donald Gorman is a highly rated Edinburgh-based fiddle player specialising in traditional Scottish music. He also plays mandola and adds accompanying vocals on the album.

Laurie Brett, meanwhile, is the band’s lead singer and guitarist and although originally from Essex, he’s spent the last four decades based in Scotland.

The third member of the trio, Andrew Macintyre, is a familiar figure on the Edinburgh folk session scene and a teacher of small pipes and highland pipes. In the band he plays Scottish small pipes and various whistles as well as providing vocals.

Photo: Caitlynn Neil

The ten-track album features five songs interspersed with five tune-sets. The songs are drawn from the trad. arr. canon with a couple of contemporary folk-scene favourites thrown in, including a reworking of the Richard Thompson classic ‘Beeswing’. Meanwhile the tune-sets feature a charming array of traditional  jigs, airs, reels and hornpipes originating from Scotland and the north of England.

There’s a quiet, gentle dignity about the trio’s music but no shortage of creativity. The arrangements are built around the wonderful musical interplay between the three musicians. The warm, engaging vocals of  both Brett and Macintyre bring empathy and sincerity to the storytelling in each of the songs and informative liner-notes provide insightful background information on the origins of each of the compositions.

Regardless of the name, it’s clear the trio have been anything but curmudgeonly in the way they’ve approached the making of Travelling North. A lovely debut.  

Released: 1 June 2025 https://www.curmudgeonfolk.co.uk/

Folk rock legends Fairport Convention embark on Autumn 2025 UK Tour

Following a triumphant sold-out Cropredy festival this summer (see my review here), folk rock legends Fairport Convention embark on an Autumn 2025 UK tour.

Playing as a stripped back four-piece, Simon Nicol, Dave Pegg, Ric Sanders and Chris Leslie will take to the road in October with 23 dates across England, Scotland and Wales, rounding things off in Liverpool on November 2nd.

Interviewing Dave Pegg earlier in the year, he emphasised how important playing live still was to the band:

“We still enjoy touring enormously and treading the boards has always been what Fairport is good at. We’ve had more success playing live than we’ve had making albums.”

You can read my full interview with Dave Pegg here.

Dave Pegg at Cropredy- Photo: Simon Putman

2025 marks 40 years since the Gladys’ Leap album – the first of the reunited Fairport Convention, featuring Simon Nicol, Dave Pegg and the first contributions from Ric Sanders.

Interviewing Ric Sanders ahead of this summer’s Cropredy, we discussed the Gladys’ Leap album, and how Sanders thought he was merely being asked to contribute to a Dave Pegg side project when he first got the call:

“Peggy had this offshoot group – a fun outfit it was – and they were called Dave Pegg’s Cocktail Cowboys, of which Chris was a member as well. At this time, around about ‘85, I was just doing jazz gigs around the Midlands. Just going out, playing with different rhythm sections, like jazz musicians used to. And it wasn’t hugely lucrative, but I got by. Peggy sent me this tape and I thought he was asking me to play on a Cocktail Cowboys record because I had no idea that Swarb had decided that he didn’t want to carry on with Fairport. And so when the tape arrived and I listened to it, I thought, hello? Well, that’s Peggy playing the bass, obviously. That’s Dave Mattacks on drums. And that guitar I could tell straight away. And yeah, it turned out to be Gladys’ Leap. And I went along and my first day was just recording those three tracks that I did on the album. The standout track for me, and the one that stayed in the repertoire, is ‘The Hiring Fair’.”

You can read my full interview with Ric Sanders here.

Ric Sanders – Photo Kevin Smith

Fairport Convention’s Autumn Tour runs from 8th October to 2nd November, with some shows already sold out. Tickets are available to purchase now on the links below.

Fairport Convention – Autumn 2025 UK Tour

Wed, 8th Oct 2025
The Green Hotel, Kinross – TICKETS

Thu, 9th Oct 2025
The Green Hotel, Kinross – TICKETS

Fri, 10th Oct 2025
Byre Theatre, St Andrews – SOLD OUT

Sat, 11th Oct 2025
Lemon Tree, Aberdeen – TICKETS

Sun, 12th Oct 2025
St Lukes Church, Glasgow – TICKETS

Tue, 14th Oct 2025
Crookes Social Club, Sheffield – TICKETS

Wed, 15th Oct 2025
The Witham, Barnard Castle  – TICKETS

Thu, 16th Oct 2025
Victoria Hall, Settle – TICKETS

Fri, 17th Oct 2025
Town Hall, Masham – SOLD OUT

Sat, 18th Oct 2025
The Met, Bury – SOLD OUT

Sun, 19th Oct 2025
The Mill, Banbury – TICKETS

Tue, 21st Oct 2025
The Exchange, Twickenham – TICKETS

Wed, 22nd Oct 2025
St Mary’s Arts Centre, Sandwich – TICKETS

Thu, 23rd Oct 2025
Theatre Royal, Winchester – TICKETS

Fri, 24th Oct 2025
St James’ Church, Emsworth – TICKETS

Sat, 25th Oct 2025
Medina Theatre, Isle of Wight – TICKETS

Sun, 26th Oct 2025
The Cutty Sark, London – TICKETS

Tue, 28th Oct 2025
Acapela Studios, Pentyrch – SOLD OUT

Wed, 29th Oct 2025
The Sub Rooms, Stroud – TICKETS

Thu, 30th Oct 2025
Assembly Rooms, Ludlow – TICKETS

Fri, 31st Oct 2025
Norden Farm, Maidenhead – TICKETS

Sat, 1st Nov 2025
Village Hall, Lowdham – SOLD OUT

Sun, 2nd Nov 2025
The Tung Auditorium, Liverpool – TICKETS

Related posts:

Live review: Fairport’s Cropredy Convention August 2025

Interview with Fairport Convention’s Ric Sanders 2025

Interview with Dave Pegg 2025

Interview with Simon Nicol 2024

Live review: Fairport’s Cropredy Convention August 2024

Live review: Fairport’s Cropredy Convention August 2023

Live review: Fairport’s Cropredy Convention August 2022

Book review: ‘On Track: Fairport Convention – every album, every song’ by Kevan Furbank

Fairport Convention at Bexhill 2020

Live review: Fairport’s Cropredy Convention August 2018

Fairport Convention at Cropredy 2017

Album review – Fairport Convention ‘Come All Ye: The First Ten Years’

Fairport Convention – 50th anniversary gig at Union Chapel 2017

Fairport Convention at Cropredy 2014

Fairport Convention at Union Chapel 2014

Alt-rock: album review – Revolution Rabbit Deluxe ‘Rise’

Formed in Blackwood, South Wales in 2019 the deliciously-named Revolution Rabbit Deluxe are Ant Gingell (vocals/guitar), Max Perera (vocals/guitar), Tim Lawley (bass) and Lee Titterrell (drums). The band-name was  inspired by Gingell’s lifelong love of said furry friends with the random thought of one of them appearing on an iconic Che Guevara-style poster coming to him during a car journey discussing potential names one day. The ‘Deluxe’ part was then added to give a bit of extra sparkle.

The Pixies, Smashing Pumpkins and Feeder are all cited as influences, alongside the Beatles and XTC.

https://revolutionrabbitdeluxe.bandcamp.com/track/parabellum

As the name might imply, Revolution Rabbit Deluxe are a band that certainly don’t shy away from strident political commentary in their music. The new album Rise addresses such themes as Elon Musk and Jeff Bezoz blowing money on their pet space projects while children die of hunger (‘Chapter 9’); the fashion for cheap, easy virtue-signalling while failing to address fundamental issues of corporate power and economic inequality (‘We’re So Woke – We Haven’t Slept in Years’); and standing up and being counted (‘Rise’).

While there’s certainly anger and angst (and why shouldn’t there be!), there’s also plenty of joy, optimism and bags and bags of catchy melodies to be found on this album. The shared male/female vocals also work extremely well and while Gingell takes the lead vocal on the songs already mentioned, Max Perera provides some light and shade on the album with her lead vocal contributions on tracks like the anthemic ‘Starlight’ and the more mellow, acoustically-driven ‘The Night The Stars Fell’ which closes the album.

With it’s catchy tunes, spiky lyrics and punky attitude, Rise is well worth a listen.

Released: 19 September 2025 by Bad Monkey Records

This week’s featured artist: traditional flute player, Frances Morton – new album ‘Sliocht’

Growing up in Glasgow, Frances Morton is a much celebrated flute-player with familial roots in both Scotland and Ireland. Learning piano at a young age, she later took up whistle and flute, winning several All-Ireland medals and becoming immersed in the session scenes in both Scotland and Ireland.

Since then, Morton has performed at festivals and concerts across Europe and the USA and has appeared in programmes for the BBC and TG4. Now living in Ireland, she has been active in the session scenes in Belfast, Galway and Donegal, playing alongside local musicians.​

Sliocht is Morton’s debut solo album. Meaning ‘trace’ or ‘lineage’, it celebrates Morton’s Scottish and Irish musical heritage where, from her extensive repertoire, she has curated a selection of jigs, reels, strathspeys and marches that have held a particular meaning for her throughout her life, all accompanied by an extensive set of liner notes, tracing the origins of the traditional tunes and explaining where she first learned them.

https://francesmorton.bandcamp.com/track/the-mayo-set-seit-mhaigh-eo

Produced by guitarist, Eamon McElholm, the album features a number of the top-flight traditional musicians Morton has collaborated with over the years, including fiddle-player, Ciarán Tourish; singer, Doimnic Mac Giolla Bhríde, on the one vocal track; Mark Maguire and Seamus O’Kane playing bodhrán on several tracks; and Ryan O’Donnell and Malcolm Stitt on bouzouki. Julie Langan, fiddle player from Mayo, also plays on one track.

From lively jigs to mighty reels to graceful airs, this album is packed full of majestic tunes and equally majestic playing, immediately transporting the listener from wherever they may be to the bars, community halls and timeless rugged landscapes of Scotland and Ireland. Dedicated to the memory of her late father, Sliocht celebrates Frances Morton’s musical heritage in style and does her forebears proud.

Released: 15 March 2025  www.francesmorton.com