Monthly Archives: December 2023

2023 in Darren’s music blog – the ten most popular posts of the year

A Happy New Year to one and all. My thanks to everyone who has visited Darren’s music blog during 2023. As usual an eclectic mix of musical genres feature in this year’s top ten most viewed posts of the year – from blues to classic rock, to prog, to goth, to punk, to new wave, to folk – and much more in between! Here’s to 2024 which will mark ten years since I first started this blog back in March 2014.

1. So farewell to Butlin’s Rock & Blues weekends, Skegness 13-15 January 2023

For more than a decade an out-of-season trip to Butlins has been a fixture in my diary at least once each year: numerous trips to Minehead for the Giants Of Rock weekends, several trips to Skegness for the Great British Folk Festival and a handful of additional trips to the same resort for the Rock & Blues weekends. But now it was finally all coming to an end. My review of the final ever Rock & Blues weekend.

Read full review here

2. Live review: Francis Rossi – ‘Tunes & Chat’ at White Rock Theatre, Hastings 3/6/23

Always quite a Quo fan since being a young teenager, I’d originally booked to see Francis Rossi on his ‘I Talk Too Much Tour’ back in 2020. Covid came along and that got rescheduled and then cancelled altogether but Rossi finally made it to Hastings’ White Rock Theatre on his follow-up tour, ‘Tunes and Chat’.

Read full review here

3. Goth without the gloomy bits: five cheerful, upbeat and joy-inducing songs by goth bands

My affectionate but somewhat tongue-in-cheek look at some of my favourite tunes from goth bands. Features Bauhaus, Siouxsie and the Banshees, The Cult, Sisters of Mercy and The Cure.

Read full post here

4. Live review: Steeleye Span at the Old Market, Brighton & Hove 23/11/23

This tour saw Steeleye Span promoting a new album The Green Man Collection. The band revisit some of their past material with a mixture of songs written by members of the band at the time and some traditional numbers. The new album also includes a newly-composed song from Maddy Prior, a couple of well-chosen covers and something that was written for the band by (the sadly now recently deceased) Bob Johnson back in the ‘80s, committed to tape and then completely forgotten about for the next four decades.

Read full post here

5. Notes from the Lust For Life Tour – Feb/Mar 2023

The Lust For Life tour brought together Glen Matlock (Sex Pistols, Iggy Pop), Clem Burke (Blondie, Iggy Pop), Katie Puckrik (Pet Shop Boys, Sparks), Kevin Armstrong (Iggy Pop, David Bowie), Luis Correia (Earl Slick) and Florence Sabeva (Heaven 17). Having had the immense privilege of spending the past few months working on the PR campaign for the tour it was a joy to finally witness the band live, not just in a professional capacity but most importantly as a fan, of both that glorious Iggy Pop album and of the individual players in the band, too. The band are back for a new tour in Feb/March 2024.

Read full post here

6. Live review: Graham Nash at De La Warr Pavilion, Bexhill 30/8/23

Billed as ‘Sixty Years of Songs & Stories’ the ten-date UK tour celebrated Graham Nash’s six decades of writing, recording and performing. I’m aware of his hits with The Hollies in the early days, of course, and (courtesy of a couple of compilations) I’m also pretty familiar with some of the best-known songs by both Crosby, Still & Nash and Crosby, Stills, Nash & Young. I can’t claim to have followed his solo career in any great depth but, nevertheless, I felt confident that this tour was going to be something rather special and something I didn’t want to miss.

Read full review here

7. Live review: Fairport’s Cropredy Convention August 2023

Following an enforced two-year break due to Covid, going to last year’s Cropredy festival almost felt like a novelty. This year, though, it very much felt like being part of an annual fixture once more, the two-year gap now but a distant memory. With various combinations of friends and family over the years, I’ve been going to Fairport Convention’s annual bash in rural Oxfordshire since 2010 so it’s been part of my summer for a good chunk of my life now.

Read full review here

8. Live review: Iggy Pop, Blondie, Generation Sex, Stiff Little Fingers & Buzzcocks at Crystal Palace Park 1/7/23

One thing I like about the music scene these days is how much less tribal it all is compared to when I was a teenager. The intense rivalry between punks and metalheads has certainly dissipated since I was at school in the late 70s and early 80s. The passage of time, for many of us, has led to a much broader appreciation of rock and roll in all its many guises. As a teen, I was firmly in the hard rock/metal camp rather than the punk/new wave camp but looking around at those attending what has been billed Dog Day Afternoon today, there doesn’t look to be much difference in appearance between all the crop-haired, ageing punk fans clad in regulation khaki shorts and black T-shirts and all the crop-haired, ageing metal fans clad in regulation khaki shorts and black T-shirts.

Read full review here

9. Absolute Beginner: Interview with Bowie/Iggy guitarist Kevin Armstrong

Kevin Armstrong has played alongside icons like David Bowie, Iggy Pop, Thomas Dolby, Sinéad O’Connor and many others. We catch up to talk about his forthcoming autobiography Absolute Beginner which came out in October; as well as the Lust For Life project which has brought together the likes of Clem Burke, Glen Matlock and Katie Puckrik to celebrate the classic Iggy album; plus our mutual love of the live music scene down here in Hastings.

Read full interview here

10. Live review: John Lees’ Barclay James Harvest at Salle Pleyel, Paris 19/11/23

I was fairly late coming to Barclay James Harvest. I was aware of the likes of ‘Mocking Bird’, of course, but picked up a second-hand compilation from a charity shop in about 2019 and my fasciation grew from there. By the time lockdown came, I found myself tracking down the band’s entire back catalogue on ebay. When I saw that John Lees’ Barclay James Harvest were doing their final tour I decided I just had to be there. With only one remaining UK date I wasn’t particularly keen on a trek all the way up to Huddersfield from my home in Hastings and so I hit on the idea of a trip to Paris. I could meet up with friends and make a long weekend of it.

Read full review here

2022 in Darren’s music blog

2021 in Darren’s music blog

2020 in Darren’s music blog

2019 in Darren’s music blog

Rock/folk/prog: album review – Joshua Burnell ‘Live At The Crescent’

Hot on the heels of his stunning 2023 studio album, Glass Knight, released back in August, genre-fluid glam-prog-folk singer-songwriter, Joshua Burnell, follows it up with a new live album in time for Christmas.

Glass Knight, which Burnell launched when he performed on the main stage at Fairport’s Cropredy festival, picked up tons of good reviews – including from Darren’s Music Blog where I described it as “Hunky Dory-era Bowie meets folk rock meets prog” and hailed it as a bona fide twenty-first century masterpiece. Rather than giving us ‘stadium-ready’ renditions of the songs from Glass Knight, however, Live At The Crescent (recorded in the intimate setting of a gig in York in October 2022) takes us back to before Glass Knight was recorded, when many of the songs were still being worked up in readiness for the studio.

Opening with the then un-released ‘Where Planets Collide’, Burnell goes on to share with the audience a number of embryonic versions of songs that would later appear on Glass Knight, as well as some older material, including three songs from its excellent, albeit more folk-leaning predecessor, Flowers Where The Horses Sleep.

In addition to live versions of other classic tracks from Burnell’s back catalogue, there are also songs like ‘Some Things Aren’t Eroded’ and ‘Slow-Burning Cigarette’ that are yet to appear on any studio albums, giving us a tantalising glimpse of what might be coming next.

Joined by his regular band of Nathan Greaves on electric guitar, Oliver Whitehouse on bass, Ed Simpson on drums, Frankie Archer on violin and Frances Sladen on vocals; the album is a complete, unabridged recording of his concert at The Crescent that captures the immersive atmosphere of a Burnell gig.

Released: 1 December 2023

www.joshuaburnell.co.uk

Related posts:

Album review – Joshua Burnell ‘Flowers Where The Horses Sleep’

Live review: Fairport’s Cropredy Convention August 2023

Album review – Joshua Burnell ‘Glass Knight’

Blues rock: album review – Long Road Home ‘Are We Invisible?’

Storm Warning won over plenty of loyal converts on the UK blues rock scene during their fifteen-year existence. I was pleased to review their latest and final album back in the Autumn of 2020. Although an impressive album its release was tinged with sadness, however, as guitarist and founder member, Bob Moore, passed away shortly after recording was completed. None of the remaining members wished to continue so Different Horizons became Storm Warning’s swansong and a lasting tribute to Bob Moore.

Happily, the story doesn’t quite end there. A chance encounter between Storm Warning’s Derek White (bass) and Ian Salisbury (keyboards), with the guitarist Steve Summers and the vocalist Mike Sebbage (both from recording project Rien de Faire) led to the inception of a brand-new band: Long Road Home.

Making their debut appearance at the Cambridge Rock Festival in June 2022 (initially with drummer, Dave Norman, but Lee Morrell was soon to step in on a more permanent basis) the band began planning gigs and putting together their debut album.

Are We Invisible? is the result. Blues rock with a touch of class and bags of soul, the album comprises eleven original tunes and it took no time at all to win me over. Driving rhythms, great vocals, catchy songs, penetrating guitar solos and divinely soulful keyboards, Are We Invisible? is a highly impressive debut.

Released: 16 November 2023 – visit website here

Related post:

Blues rock: album review – Storm Warning ‘Different Horizons’

‘Slade in the 1970s’ by Darren Johnson – reviews round-up

Slade in the 1970s – my third book for Sonicbond Publishing’s Decades series came out in May 2023, following my books on The Sweet (2021) and Suzi Quatro (2022). All three books are available on Amazon and other major retailers as well as the publisher’s own online shop at Burning Shed.

It’s been great seeing the amount of interest in the book, including a joint interview with Don Powell (pictured here with a copy of my book – definitely a proud author moment!)

Here is a round-up of reviews that have come in so far:

“Covering the titular decade, Johnson provides in-depth analysis release by release, relying heavily on contemporary press. It reads well: interesting, informative and with an amiable personal slant.” – Gerry Ranson RnR magazine

“Another ‘must have’ for the casual Slade fan and anyone who loves a bit of glam rock”– Jason Ritchie, Get Ready To Rock (read full review here)

“As a massive glam rock fan, this is a must-have book” – Martin Hutchinson, Eighth Day magazine

“This neat paperback guide to a glittering 70s heyday recalls a momentous run of singles and albums” – Beat magazine

“As well as listing all single and album tracks, with accompanying background notes, all key elements of the Slade story are covered here.” – Jon Marsh, Wired Up fanzine

Related posts:

More info on Slade in the 1970s book

Reviews roundup: ‘The Sweet in the 1970s’

‘Suzi Quatro in the 1970s’ by Darren Johnson – reviews round-up

Folk: album review – Show Of Hands ‘Roots 2: The Best Of Show Of Hands’

After a hugely-successful three and a half decades together Steve Knightley and Phil Beer announced this year that Show Of Hands’ days as a touring unit would finally be drawing to a close. The recent Autumn 2023 tour marked their final outing as a trio (with Miranda Sykes) and a spring tour planned for next year will be their final hurrah as a duo. To coincide with this fond farewell, they have a new compilation out. Intended as a companion piece to their original 2007 Roots ‘Best Of’ of compilation, Roots 2 offers up a whopping 31 tracks across two discs.

Steve Knightley: “We’ve always strived to evolve and experiment with our sound,, all the time staying true to our folk roots. We hope the diversity of this album demonstrates that and it will be a noteworthy addition to our discography.”

Immediate proof of just how long-overdue this follow-up compilation is, immediately comes in hearing just how many of my favourites from Show Of Hands can be found on this new collection: ‘Haunt You’, ‘The Long Way Home’, ‘Now You Know’ and, of course, ‘Arrogance, Ignorance and Greed’.

The earlier material isn’t neglected completely though. There’s a new version of ‘Country Life’, for example, recorded live in Exeter and reimagined as a gentle, reflective ballad rather than the rousing twenty-first century rural folk anthem we all love and know. And things are brought up to date with a gloriously celebratory live version of their 2021 ‘lockdown’ single, ‘The Best One Yet.’

Moving, poignant, rousing, anthemic (no-one does anthemic quite like Show Of Hands after all),  Roots 2 is a sterling late-career retrospective of one of the most important UK folk outfits of the past four decades.

Released: 6 November 2023 https://showofhands.co.uk/

Related post:

Live review: Show Of Hands at St Mary in the Castle 4/5/18