This review was originally published in the Summer 2019 issue of fRoots magazine
Now on to their eighth album as a duo, Vicki Swan and Jonny Dyer said they considered a number of possible themes for this, their latest offering but in the end it evolved into a celebration of everything they do. There are folk songs written in traditional style, tune-sets of Swedish polskas, William Morris verse put to contemporary music, a fifteenth-century Christmas carol and two songs from thirteenth-century continental Europe. Adding to that is a whole array of instruments that are set to work on the album including a selection of nyckelharpas, the bouzouki and the harmonium, not to mention ‘early music’ instruments the citrole, the cornu and the carnyx in addition to the more obvious guitar, flute and piano.
This everything-but-the-kitchen-sink could have resulted in an album that was interesting but somewhat erratic and lacking focus. However, such is the distinctive feel and verve that Swan and Dyer bring to their music that rather than getting in the way of building a clear identity, the sheer breadth of influences, material and instruments that make up the album very much help define it.
Normally, an album with such an extensive range of instrumentation would also have an equally extensive ensemble of guest musicians but, save for some additional percussion from Evan Carson guesting on a couple of tracks, it really is all the duo’s own work, an impressive testimony to the duo’s talents as multi-instrumentalists.
From the mad, irresistible, quirkiness of Grandpa Joe to the slow, haunting beauty of Ai Vis Lo Lop the inventive arrangements and superb musicianship, together with the duo’s lovely harmony vocals, serve to make Twelve Months & A Day a compelling album that will continue to cement Swan & Dyer’s reputation.
Released: March 2019