Tag Archives: Roundhouse

Live review: Supergrass at the Roundhouse, London 21/5/25

Given I spent the battle of Britpop firmly in the Blur camp, I passed up on the chance to buy tickets for the Oasis reunion when it was announced last summer. A couple of weeks later, however, when Supergrass announced that they would also be reforming to celebrate the 30th anniversary of I Should Co-Co, I was in the online queue as soon as tickets went on sale. Always my favourite band of the Britpop era, a chance to hear Supergrass’s debut album performed in full promised to be something rather special.

The Roundhouse is absolutely packed and although my gig companions for the evening have tickets for the main standing area, given that I sprained my ankle a few days before and thus hobbling around with a walking stick, I’m actually quite relieved that in the initial mad scramble for tickets I ended up with a seat right up in the gods.

After support from Rizzy & the Gents and Rialto, Supergrass took the stage to the siren blast and opening riff from The Sweet’s ‘Blockbuster’ before launching into ‘I’d Like To Know’ – track one from their debut album. Then, and now, the songs on I Should Co-Co fizz with youthful exuberance and pop-punk energy. “Like a nude Noddy Holder starting a fight,” is how Mojo described the album at the time. And it’s incredible to think how young the band were when they made it, especially given many of the songs had been written and demoed at least a couple of years earlier.

None more so than ‘Caught By The Fuzz’, the band’s first single and a gloriously relatable account of Gaz Coombes’ heart-pounding, stream-of-consciousness panic as he’s arrested for cannabis possession at the tender age of fifteen. Then it’s straight into ‘Mansize Rooster’, a song about a very young man with a very large appendage, followed by the ubiquitous teen summer anthem, ‘Alright’. These are a songs that have been a regular highlight of their set over many tours, of course, but there’s others from that first album getting a rare airing on this anniversary tour. Songs like the raunchy blues-rocker ‘We’re Not Supposed To’ or the swirling, psychedelic-tinged ‘Sofa (of My Lethargy)’ have barely been performed since the ‘90s.

The band’s precocious youthfulness when they wrote these songs is encapsulated in the on-stage banter when ‘She’s So Loose’ is introduced. Drummer Danny Goffey explains that it’s “about underage sex with older women.” “We might not have written this in 2025,” Gaz Coombes quickly reassures us. “We were like fucking sixteen!”

No matter. All are played to perfection tonight, the band summoning up hitherto untapped reserves of teen energy as they rip through this furiously-paced album at break-neck speed. The Roundhouse audience responds with waves of affection and impromptu crowd sing-alongs throughout the set.

After Coombes grabs his acoustic guitar and the audience sings along to the whimsical album epilogue ‘Time to Go’, there’s a still some time for a quick canter through some of the highlights from the rest of Supergrass’s back catalogue. Given the time constraints they choose well given the time constraints. The second and third albums are well-represented with three songs apiece, while there’s just one additional song – from 2002’s Life On Other Planets album. This is about celebrating the ‘90s after all!

After the monster riffing of ‘Richard III’ there’s time for the more reflective, melancholic side of Supergrass in the shape of ‘Late In The Day’, ‘Mary’ and the ever-gorgeous ‘Moving’. Then it’s another full-energy romp with a truly life-affirming rendition of early noughties single, ‘Grace’. They depart the stage to well-deserved applause.

Of course, there still two songs that we’re all still waiting for. It’s long before they are back on stage for an encore of ‘Sun Hits The Sky’ which then segues straight into a glamtastic ‘Pumping On Your Stereo’.

Supergrass absolutely nailed it. This will be the best Britpop reunion of 2025 bar none.

supergrass.com

Setlist:

I’d Like to Know
Caught by the Fuzz
Mansize Rooster
Alright
Lose It
Lenny
Strange Ones
Sitting Up Straight
She’s So Loose
We’re Not Supposed To
Time
Sofa (of My Lethargy)
Time To Go
Richard III
Late in the Day
Mary
Moving
Grace
Sun Hits the Sky
Pumping on Your Stereo

Related posts:

Supergrass Live at Crystal Palace 2021

Supergrass Live at Alexandra Palace 2020

Album review – Supergrass ‘Live On Other Planets’

Gaz Coombes at ULU 2018

Gaz Coombes at the Roundhouse 2016

Album review – Gaz Coombes – Matador

Vangoffey at the Social 2016

Gaz Coombes at The Roundhouse 28/1/16

If the size and prestige of venues says anything about an artist’s career then Gaz Coombes is on an upward curve. After seeing Coombes perform in some iconic venues in the Supergrass days, smallish (and as they say “more intimate”) club gigs have been the order the day for much of his post-Supergrass career thus far. And while those were great shows it’s nice to see him perform to a capacity crowd in Chalk Farm’s infamous Roundhouse tonight for the first in their current In The Round series.

For the first few numbers it’s just Gaz and his guitar on stage. Some beautifully intimate, stripped-back acoustic versions of Oscillate, Hot Fruit, Needle’s Eye and To The Wire from his two solo albums. Then he is joined, not only by his backing band but a full string ensemble. And the stage just fills with sound for a stunning version of Buffalo, the opening track from his latest solo album – the Mercury Prize-nominated Matador. While there’s evidently a certain degree of continuity with some of the more reflective tracks from later-era Supergrass, Coombes’ writing is maturing and tonight’s packed auditorium (not to mention the Mercury Prize nomination, of course) is a sign of the growing recognition of this. We are presented with lush, beautifully instrumented versions of songs from Here Come The Bombs and Matador. Highlights for me included a heartfelt Detroit, a lovely Girl Who Fell To Earth and a fabulous White Noise, probably one of the most Supergrassy songs of his recent career.

Although Coombes has rigorously avoided becoming a one-man Supergrass tribute act, endlessly churning out the back catalogue, he has often treated audiences to one or two renditions of iconic Supergrass material like Moving or Caught By The Fuzz. We get none of that tonight though. But what we do get is a glorious version of David Bowie’s Five Years. We can’t complain at all. The perfect and fitting encore to a stunning evening.

Setlist:
Oscillate
Hot Fruit
Needles Eye
To The Wire
Buffalo
Sleeping Giant
These Days
Detroit
White Noise
Seven Walls
The Girl Who Fell To Earth
20/20
English Rose
Matador
Five Years

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