Tag Archives: Matildas Scoundrels

Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

It’s often remarked upon what a uniquely thriving local live music scene Hastings has. Nowhere is this more in evidence than the annual Fat Tuesday extravaganza. Taking in over 250 separate performances from over sixty different bands across more than twenty-five venues over five days simply a whirlwind of live music. And most of these gigs are completely free.

Headlining it all this year is none other than rock ‘n’ roll legend and former Sex Pistol Glen Matlock. Like the other bands performing on the final night – Fat Tuesday itself – Matlock plays several twenty minute sets in several different venues tonight. But, as the main headliner, he also gets an additional forty-minute slot after the other bands have finished, courtesy of the Carlisle.

While Matlock is whizzing around these other venues it gives me the chance to catch another couple of bands in the Carlisle first: the excellent Hastings-based punk-folk outfit Matilda’s Scoundrels and then the Tunbridge Wells outfit Suncharmer with their brand of riffed-up indie rock.

Both bands are well received but the place soon gets properly crammed in time for Matlock. Playing a mix of Sex Pistols classics (‘God Save The Queen’, ‘Pretty Vacant’), recent solo material (‘Keep On Pushing’, ‘Fisherman’s Friends’) and classic cover versions such as Bowie’s ‘John I’m Only Dancing’ and The Small Face’s ‘All Or Nothing’. With a great band behind him (bass, vocals and electric guitar) and Matlock on vocals and acoustic guitar, they cram a pile of great rock’n’roll into their forty-minute set. Matlock’s adulation of the rockabilly era is apparent throughout – but for all the year zero posturing back in the day, punk was always about rediscovering the format of the classic three-minute rock ‘n’ roll song. It’s a superb performance that goes down perfectly with a suitably raucous crowd.

There had been other highlights from the weekend for me, of course. Saturday – branded as the unplugged day – saw me catch more of Matilda’s Scoundrels, some Indie-ish pop-rock from Elephant Radio, a gloriously insane set from Brass Funkeys and an excellent acoustic set from indie-folk singer-songwriter Trevor Moss. But having a genuine legend to headline was a fitting end to the madness that is Fat Tuesday.

A bona fide rock ‘n’ roll icon. Performing in the pub. Free entry. On a Tuesday night. It can only be Hastings…

http://glenmatlock.co.uk/

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Related posts:

Fat Tuesday 2017 preview

Fat Tuesday unplugged 2017 review

Dodgy at Fat Tuesday 2017 review

Review: Hastings Fat Tuesday 2017 – Unplugged Saturday 25/2/17

The view from The Royal Standard

My review was originally published on The Stinger independent music website here

The ‘Unplugged Saturday’ ran across sixteen different pubs in Hastings Old Town on Saturday afternoon as part of the Fat Tuesday weekend.

Each bar was hosting ten different acts for fifteen minute acoustic slots between 1-6pm, with each performing at multiple venues. That gives you 160 separate performances to choose from – all free – so punters had a choice of strategies. You could either stay in the same place and take in a succession of acts, loyally follow one band around all afternoon or, what I suspect the majority did, take a bit of a mix and match approach trying out a few different venues and a few different acts.

In order to have the best possible chance of taking in as many acts and as much variety as possible for this review, however, I parked myself in the Royal Standard on the seafront for the full afternoon. (Well, it would be the full afternoon but I got slightly sidetracked en route and missed the first act – apologies to Strum & Bass!)

So, first three general observations about the afternoon:

1. The variety of acts was enormous – from the jazzy vibes of Andy Harston, to the massed choir of Vocal Explosion, to the raucous punk-folk of Matilda’s Scoundrels there was a real range of musical styles and formats.

2. It all ran like clockwork – getting large numbers of musicians and their instruments performing around the town and ensuring everyone gets to the right venue at the right time ready to start and finish bang on time is obviously a logistical operation but, impressively, it all ran very, very smoothly, certainly in the Standard.

3. The livelier acts tended to make the biggest impact – having just fifteen minutes to build a rapport with audience and complete the set meant that the acts who could immediately grab the audience by the throat were tending to have more impact than the more reflective singery-songwritery types

It was enormous fun and a great annual celebration of the town’s live venues and live music scene. Much as I enjoyed it I’m sure it’s probably not how most of us want to consume live music on a day-to-day basis. So as well as enjoying it for its own sake I also took it very much as a showcase for particular acts I’d like to see a lot more of in the future.

And three acts who really stood out for me:

Again, apologies for missing the Strum & Bass duo – their brand of vintage slap-bass acoustic rock n roll (which I checked out on You-tube when I got home) would normally be right up my street.
But here are three acts who definitely stood out for me at Unplugged Saturday that I will certainly be checking out again.

1. Matilda’s Scoundrels – How come it’s taken me this long to check out Matilda’s Scoundrels? Hastings’ ‘folk-punk’ band are brilliantly entertaining, reminding me of a cross between The Levellers, The Clash and folk-festival favourites Blackbeard’s Tea Party.
They brought a big crowd in with them and, after bringing the house down, took a fair chunk of the crowd out with them again when they set off for the next venue. Fortunately, I was able to catch them on the Sunday at Flairz, as part of the Off Axis event, for a half-hour full electric set. I’m a total fan. I’ll be seeing a lot more of this band I hope.

http://www.matildas-scoundrels.com/

2. Harry Osborne – While all the acts were well-received I did stress that the 15 minute format in a crowded pub probably created a bit more of a challenge for some of the less raucous, more reflective sets. One act who absolutely rose 100% to that challenge was guitarist/singer, Harry Osborne, who was able to create an immediate connection with the audience and went on to deliver some fine songs and sensitive guitar playing. Definitely on my ‘one to watch’ list, a talented, engaging singer-songwriter who can also be found performing with a band Someone /Anyone.

https://www.facebook.com/harry.harryosborne

3. Le Skiv – The last act of the afternoon I the Royal Standard Le Skiv were a brilliant way to finish. Describing themselves on their Facebook biog as “incorporating the feeling of a Nova Scotian kitchen party to create a good ol’ sonic hoedown” they pulled off that vibe perfectly. Banjo, guitar and percussion, lovely harmony vocals and some lively but beautiful songs they went down a storm and are another band I want to catch more of.

https://www.facebook.com/weareleskiv/

A brilliantly fun (if fairly drunken) afternoon with a list of bands I am keen to see more of, Fat Tuesday’s Unplugged Saturday was a definite hit.

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Preview: Hastings Fat Tuesday 2017

A newcomer to Hastings finds out what’s it’s all about.

This is my recent piece for local independent music website The Stinger. You can find the link here

For those new to Hastings the sheer range of festivals, parades and community events can be exhilarating, exciting but sometimes bewildering. Just what on earth is Fat Tuesday? Is it on a Tuesday and does it have anything to do with being fat?

As a relative newcomer to this small but fun-loving town on the south coast I’ve been on a mission to find out. While few people outside Hastings may be familiar with the term “Fat Tuesday” most will have heard of “Mardi Gras” and, literally, Fat Tuesday is the French to English translation of Mardis Gras. Traditionally held on Shrove Tuesday, such celebrations were a chance for people to let their hair down before the onset of Lent and, supposedly, a long period of sobriety. New Orleans and Venice have renowned Mardi Gras celebrations, Venice has Carnivale and, for the past eight years, Hastings has had Fat Tuesday. Running from Friday, 24th February through to Tuesday 28th, it’s a long weekend of fun, colourful parades and lots (and lots!) of live gigs.

You can find the full programme on the website: Hastings Fat Tuesday, but highlights include:

Fat Friday – Friday 24th: Things kick off on the Friday evening with a performance from 20yo singer-songwriter Marie White. Compared to the likes of Tracey Chapman and Macy Gray, she’ll be performing short sets over the course of the weekend but this is a chance to see a full show.

Unplugged Saturday – Saturday 25th: 40 acts play fifteen minute sets in a variety of venues, equating to an afternoon of 200 gigs across Hastings Old Town, from acoustic rock to Folk to Blues and much more besides.

Off Axis – Sunday 26th: Again, Hastings comes alive with a mega-run of gigs. 32 acts from across the country, play in 4 town centre venues, with a gig starting every 15 minutes between 1pm and 9pm. It’s a live showcase for some of the best emerging, unsigned acts in the UK and afterwards it’s followed by an after party with Hastings-based punk folkies Matilda’s Scoundrels at The Fountain on Queen’s Road.

Thee Sunday Sonics – Sunday 26th: On the more arty side there’s Thee Sunday Sonics, a one-day celebration of avant garde electronic music, video art and spoken word.

UnConvention – Monday 27th: UnConvention is a one-day music conference aimed at the grass roots of the industry and The Palace on the seafront plays host to the official launch of Hastings & Rother as a Music City. There will be a session on Music Cities and Music Tourism at 11am, followed by the formal launch at 1pm. It’s free but do register in advance here: UnConvention/Monday/

The Fat Tuesday Tour – Tuesday 28th: Fat Tuesday night itself runs from 8pm-11pm and as well as fancy dress and all kinds of frivolity there are 24 bands playing 20 minute sets across 12 venues, headlined by Britpop trio, Dodgy.

No serious music lover could deny what a fantastic and varied selection of music will be available over the course of the weekend. But for someone like me, who can get spoilt for choice at a summer festival when there are just two stages, how can you make the most of it and how can you take in as much as possible without getting completely overwhelmed?

I sought advice from seasoned Fat Tuesday regulars via social media. David advises: “The participating pubs do get very crowded and if you eventually find somewhere you like my advice is to stay where you are and let the bands come to you!”

See you there folks.
Let the good times roll.

http://www.hastingsfattuesday.co.uk/

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