While she was born in Lancaster grew up in the Yorkshire Dales and graduated from Leeds Conservatoire, it is the Hebridean island of Rum that provides the inspiration for Iona Lane’s debut album. Rising 723 metres, Hallival, is one of the mountains on the picturesque Isle of Rum, the location of which is also the theme for the album’s opening track.
Iona Lane:“Spending my childhood in the Dales was wonderful but pretty much all our family holidays were north of the border so I’ve grown to love the Scottish as well as the English landscape.”
As well as highland landscapes, Lane’s songwriting tackles such themes as eighteenth-century scientific discovery, nineteenth-century palaeontology and ancient Celtic myth. In her finely crafted songs, Lane demonstrates a real gift for storytelling and introduces us to a fascinating cast of characters, both real and imagined.
Lane’s delicate yet immensely expressive vocals accompanied by her own skillful guitar playing as well as a talented cast of supporting musicians (Mia Scott, Louis Bertoud, Jay Taylor, Sol Edwards, Jenny Sturgeon, Rachel Newton and Lauren MacColl) all serve to ensure that Hallival is a very fine debut folk album indeed.
Featuring ten esteemed Scottish folk artists, the Sense of the Place album was commissioned by Stonehaven Folk Club with support from Aberdeenshire Council as part of the club’s Folk-In-Crisis-Fund to provide financial relief to performing artists whose livelihoods were seriously impacted by the Covid-19 pandemic.
An impressive endeavour in itself but this Sense of the Place no random ‘best-of’ style sampler but rather a collection of specially-commissioned and newly-recorded songs drawn from a reference archive of historical and geographical material relating to the coast lands between Findon and St. Cyrus in the north-east of Scotland.
To bring the project to fruition ten songwriters, were invited to use the archive to create ten new songs inspired by the area’s history, culture and geography. It’s a spectacularly ambitious projects with stunning results.
Some internationally acclaimed, others well known locally, there’s a top-notch array of folk singer-songwriters including Iona Fyfe, Kris Drever, Jenny Sturgeon, Findlay Napier andPaul McKenna. Musical accompaniment is provided by Aaron Jones, Mhairi Hall, Emma Smith, Jen Austin and Mike Vass.
Themes for the songs include the tale of Lady Finella – who was assassinated by a Scottish king; a celebration of Aberdeenshire’s Todhead Lighthouse – and those who worked to keep it alight; and the story of the Cutty Sark – told from the point of view of the ship!
It’s a really lovely album raising much-needed funds for an important initiative. Last year, the folk world came together under the #folkforchristmas hashtag to encourage folk fans to support folk artists by buying an album. I’m not sure if there is going to be a similar initiative this Christmas but one way or the other if you’re a folk fan I recommend you put this on your Christmas list.
The hashtag #FolkForChristmas was dreamt up as a means of supporting artists whose income has been devastated by the impact of coronavirus and lockdown this year. People are encouraged to support independent artists and their wonderful music and shop with them this Christmas rather than heading off to Amazon. In putting this list of recommendations together I’ve used nothing more than the totally scientific method of ranking them in order according to the number of hits each of these reviews received on my website.
No. 1: The Longest Johns – Cures What Ails Ya
If no-one has done more than Port Isaac’s Fisherman’s Friends to repopularise sea shanties in recent years, then surely no-one has done more than Bristol’s Longest Johns to give them an alt-folk makeover, pull them into the twenty-first century and make them cool. Cures What Ails Ya is the Longest Johns’ third album. A brilliant album from the men who made shanties sexy – buy it!
No. 2: Peter Knight’s Gigspanner Big Band – Natural Invention
Forming first as a violin-guitar-percussion trio creating a wonderful fusion of traditional English folk and a beguiling blend of international influences, the duo of Phillip Henry and Hannah Martin subsequently joined for occasional tours and a live album under the delightful Gigspanner Big Band moniker. Now, the big band has got even bigger – with former Bellowhead legend John Spiers joining. A stunningly good album, even if you’re stingy enough to only buy one folk album this year make sure it’s this one.
Inspired by Nan Shepherd’s memoir, once described by the Guardian as “the finest book ever written on nature and landscape in Britain,” Sturgeon’s album of the same name celebrates Shepherd’s nature writing and the Cairngorms mountain range in the eastern Highlands. Each of the twelve songs on the album take their titles from the chapter headings in Shepherd’s celebrated volume. Beautifully sung and exquisitely played The Living Mountain is a captivating celebration of the natural world and timeless and inspirational nature writing.
Send My Soul is the fifth studio album from singer song-writer Lorraine Jordan. Memorably described as ‘Celtic soul’ her music builds on her family’s Irish roots while also embracing more contemporary influences. It’s a combination that works fantastically well and from the moment you put it on the album oozes soulful sophistication and captivating musicality. Indeed, such is the powerfully understated beauty of the title track that I had to double-check that this was a brand new song and not a modern interpretation of a long lost gospel soul classic.
An Edinburgh-based singer-songwriter whose writing cuts across a number of styles, encompassing Americana, folk, country and blues – Tom Fairnie and has built up a considerable reputation on the Scottish folk circuit. Over in Austin, Texas, Grammy-nominated producer, Merel Bregante, came across Fairnie’s music, was inspired by his songs and invited him over to Austin to record. Friends, family and fans rallied round to make that happen, courtesy of a crowdfunding campaign and a series of benefit gigs and Fairnie pitched up in Texas. An absolute gem of an album.
With a name like that, songs that tell tales of heartbreak, cheap whiskey and Jesus, not to mention some deliciously effortless musicianship that just seems to ooze Nashville, I was somewhat surprised to learn that Mr Steinberg hails not from Nashville but from Norfolk (at least these days – although he’s from Yorkshire originally). What surprised me even more, however, was learning that Shadowland is, in fact, Steinberg’s debut album. Outstanding songs, exquisitely well-played and beautifully sung this album radiates such class that I’m still getting my head around the fact it’s a debut album.
All Is Not Forgotten is the fourth solo album from Scottish folk singer Siobhan Miller, three times winner of MG Alba Scots Trad Music Awards and a 2018 BBC Folk Awards recipient. A beautifully pure voice that is just made for Scottish folk along with some exquisitely lovely musical arrangements and some instantly appealing songwriting ‘All Is Not Forgotten’ commends itself to you as a stand-out album as soon as you put it on.
Virginia Kettle’s vocals have been a key element of of Merry Hell’s sound since the band’s inception a decade ago. Before joining her husband John, brothers-in-law Bob and Andrew, and sundry others in the eight-piece folk-rock outfit, however, she’d established herself as a singer-songwriter in her own right. A mellower and more personal offering than a Merry Hell release No Place Like Tomorrow is a charming album that showcases Virginia Kettle’s obvious talents as a singer-songwriter.
Edge of the Wild is a collection of original songs from Hebridean-based author and artist Judy Fairbairns. Drawing inspiration from several decades spent living on the Isle of Mull and celebrating the wild beauty of its dramatic Atlantic shoreline, Edge of the Wild can be seen as something of a companion piece to Fairbairns’ acclaimed 2013 memoir ‘Island Wife’. An immensely satisfying listen and a fine musical debut.
Both Amos and Rocks are each accomplished song-writers and their reflective, thoughtful but easy-on-the-ear lyrics align nicely with some gentle, catchy melodies. The Americana as well as the Celtic influences shine through and it makes for a very pleasing mix. An engaging and likeable album from this duo let’s hope there’s a good few more gigs and a few more albums in them yet.
“The Living Mountain was written by Aberdonian Nan Shepherd, in the last years of the Second World War and it sat in her desk drawer until it was published in 1977,” writes Jenny Sturgeon in the album sleeve-notes.
Inspired by Shepherd’s memoir, once described by the Guardian as “the finest book ever written on nature and landscape in Britain,” Sturgeon’s album of the same name celebrates Shepherd’s nature writing and the Cairngorms mountain range in the eastern Highlands. Each of the twelve songs on the album take their titles from the chapter headings in Shepherd’s celebrated volume.
From the gentle birdsong and low mournful dulcimer hum of the opening track ‘The Plateau’ to the hypnotic piano and slowly pounding percussion of the final song ‘Being’, Sturgeon uncannily captures a sense of the beauty, bleakness and wonder that this very special landscape instils. Ten of the twelve songs are inspired directly by Shepherd’s writing while the remaining two are Shepherd’s own poems, set to music.
Joining Sturgeon who plays piano, harmonium , dulcimer, whistle and guitar are Mairi Campbell (viola and vocals), Su-a Lee (cello), Grant Anderson (bass and vocals) with additional field recordings from Jez Riley-French and Magnus Robb.
Beautifully sung and exquisitely played The Living Mountain is a captivating celebration of the natural world and timeless and inspirational nature writing.
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