Tag Archives: Cleveland International Records

News: 40th anniversary re-release for Hunter/Ronson/Van-Zandt-produced classic by the Iron City Houserockers

Forty years ago former Mott and Bowie alumni Ian Hunter and Mick Ronson teamed up with Steven Van Zandt (Bruce Springsteen and Southside Johnny), co-producers the Slimmer Twins (Steve Popovich Sr. and Marty Mooney) and the Iron City Houserockers to create the band’s legendary second album Have a Good Time (But Get Out Alive).

Hailed by Rolling Stone magazine at the time as “a new American classic” Cleveland International Records is now releasing the album as an expanded 40th anniversary deluxe reissue on 22nd May.

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Although their debut album Love’s So Tough essentially took the band’s live show and brought it to the studio, they were looking for something more far-reaching for the follow-up. Lead singer Joe Grushecky wrote the title track ‘Have a Good Time (But Get Out Alive)’ at the time Pittsburgh’s steel industry was “going down the chutes,” he says. 

“I started really zeroing in on the characters of Pittsburgh, the people who lived in my neighbourhoods, the guys who were coming out and seeing us play every night,” says Grushecky. “The whole identity of Pittsburgh was changing.”

During one particular show, as the audience was becoming a bit too enthusiastic, Grushecky told a fan, “Man, have a good time, but get out alive!” He suddenly realised he had a great song title, which ended up becoming the moniker for the album as a whole.

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Grushecky credits Van Zandt for making him a better writer by encouraging him to make every lyric of every song count and guiding him through that process. “Steve was great with arranging,” he says. “He gave invaluable input and ideas to the band.”

Ronson and Hunter may have looked the archetypal rock and roll stars of the day, but Grushecky recalls the reality being somewhat different. “They were salt of the earth guys and they were a team,” he says. “You could tell the strong affection they had for each other. It was an honour for me to work with both of them. I’ll say that to my dying days. It was just a tremendous experience for me.”

Ian Hunter looks back fondly on his time working with the band:

“Joe and the Houserockers were and are an actual rock and roll band. So many ‘rock and roll’ bands are not real – they just look and act like they are – and fool people most of the time. These guys are for real – and what a lovely man Joe is.”

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In the liner notes Grushecky offers his own reflection of the record that emerged:

“We had great songs and the band was smoking,” he writes. “We all knew something special was happening. The results were a mixture of Pittsburgh rock and roll, Jersey Shore savvy and soul, and English mystic and muscle. Add a dash of Cleveland moxie and an anything goes attitude and a legendary album was born.”

The core group was Grushecky on vocals and guitar, Gil Snyder on piano and vocals, Ned E. Rankin on drums, Art Nardini on bass, Marc Reisman on harmonica and background vocals, and new recruit Eddie Britt on guitar, who replaced founding member Gary Scalese following an injury.

Featuring many of the Houserockers’ signature tunes like ‘Pumping Iron, ‘Junior’s Bar’, and, of course, the title track, the album is released by legendary indie label Cleveland as a remastered two-CD set that includes a bonus disc with 16 previously unreleased tracks of demos and other rarities. The new vinyl edition will include a download card of those same 16 tracks to go with a vinyl replica of the original album.

Cleveland International Records was originally launched in 1977 by Steve Popovich and was relaunched in 2019 by Popovich’s son.

More information at www.clevelandinternational.com

Have a Good Time (But Get Out Alive) is released on 22nd May 2020

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Ian Hunter at Shepherds Bush Empire 2014

News: Cleveland Rocks – iconic independent record label relaunches

Cleveland International Records, the US independent record label that brought us the likes of Meat Loaf’s Bat Out of Hell and Ronnie Spector’s collaboration with the E Street Band in the late 70’s and early 80’s, is back in business,  relaunched earlier this year by the son of its late founder, Steve Popovich Sr.

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“My dad’s story is pretty fascinating, here’s this guy who grew up in a small coal mining town in Pennsylvania to becoming one of the most beloved and respected people in the history of the record business,” says Popovich Jr. He began working at the label out of high school during its second incarnation (1995-2003). “The idea to relaunch had been simmering for a while,” he adds, “when my father’s estate was finally settled after seven in a half years after his passing, it seemed like the perfect segue to me transitioning away from my company, Wrecking Ball Entertainment to relaunching Cleveland International.”

In the 90’s Popovich Sr. famously took on the might of Sony – and won. Popovich sued Sony for non-payment of royalties from Bat Out of Hell royalties. The case was settled out of court for nearly $7 million. As part of the settlement, Sony was required to place the Cleveland International logo on reissues of Bat Out of Hell. When Sony failed to comply, Popovich took to the courts once again and a jury awarded him an additional $5 million in damages in 2005. In 2012, Sony reached a final out-of-court settlement with Popovich’s estate over more unpaid royalties revealed in an audit performed prior to Popovich’s death in 2011.

The label is marking its relaunch with a CD and LP re-release of its mid-90’s all-star compilation called, Cleveland Rocks. In addition to Meat Loaf’s “Paradise By The Dashboard Light,” the 13 track collection includes classics by Ian Hunter (“Cleveland Rocks”), Ronnie Spector & the E Street Band (“Say Goodbye to Hollywood”), Southside Johnny & The Asbury Jukes (“I Don’t Wanna Go Home”), Just Us Girls (“Time Warp”), Iron City Houserockers (“Have a Good Time But Get Out Alive”), Euclid Beach Band (“There’s No Surf in Cleveland”), The Boyzz (“Too Wild To Tame”), Essence (“Sweet Fools”), Mike Berry (“I Am A Rocker”), The Rovers (“Wasn’t That A Party”) and Bat out of Hell collaborators Jim Steinman (“Rock and Roll Dreams Come Through”) and Ellen Foley (“We Belong To the Night”).

The album ends with Ian Hunter’s iconic paean to Cleveland. Although originally released by Chrysalis on the You’re Never Alone With A Schizophrenic album it became something of an anthem for both the city and the label. Hunter writes on his website The Horses Mouth, “The inspiration for Cleveland Rocks goes back to the old days when people used to make fun of Cleveland. Cleveland was ‘uncool’ and LA and NYC were ‘cool’. I didn’t see it that way. Lotta heart in Cleveland.”

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Cleveland Rocks released by Cleveland International Records April 5th 2019

https://www.clevelandinternational.com/