Category Archives: Album reviews

Latest folk reviews: Gnoss, Rachel Hair & Ron Jappy, Gavin Marwick & Wendy Stewart, Jo Miller and Dallahan

Album reviews, Folk music, , , , , , , , , , , , , ,

Gnoss – Stretching Skyward

“Vibrant, inventive and joyful” is how I summed up The Light Of The Moon, the second album from Gnoss, when it was released back in 2021. Now they are back with a follow-up, Stretching Skyward. Always vibrant and joyful, the inventiveness, too, certainly continues on this, their third album. Containing all original material, save for a cover of Gillian Welch’s ‘Hard Times’, the album fizzes with virtuoso musicianship, enticing melodies and rich sound textures. And in ‘Hamnavoe’ the second track on the album that celebrates Orkney’s Viking heritage and mythology (written, like the other original songs on the album, by vocalist Aidan Moodie), they have turned out a genuine, bona fide folk anthem.

Aidan Moodie: “Each track is centred around a story that has change at its heart. Those stories gave us pause to look at the change that’s taken place in our own lives over the past few years. We wanted to reflect this idea within the sounds we used to construct the album.”

Once more with the established line-up of Aidan Moodie, Graham Rorie, Connor Sinclair and Craig Baxter, this album again features Braebach’s James Lindsey on electric and double bass. In keeping with the theme of change though, the band embrace less traditional sounds, too, including synths, electronic samples and state-of-the-art production techniques.

A stunning album from a band demonstrating they are still very much at the top of their game and passionate about their rightful place at the cutting edge of Scottish folk.

Released: 12 May 2023 https://gnossmusic.com/

Rachel Hair & Ron Jappy – Élan

Both highly sought-after musicians on the Scottish traditional scene, harpist, Rachel Hair, and guitarist, Ron Jappy, first came together to record as a duo back in 2019 with the album Sparks. Élan is the pair’s long-awaited follow-up comprising Hair’s original compositions alongside a number of traditional tunes and a handful by other contemporary writers.

Rachel Hair: “Élan is more closely related to who we are as musicians and people, than my previous releases. There are nods to my Highland background, with tunes from the Captain Simon Fraser collection, tunes I’ve written to do with Ullapool and Lochbroom, as well as pipe tunes. There are also sets of Irish tunes as a nod to the Glasgow-Irish music scene, and from the Isle of Man where my husband is  from.”

A delightful album, the distinctive combination of acoustic guitar and harp brings a fresh perspective to traditional Celtic music and the duo’s treatment of tunes, both new and old, is invigorating and rather moreish. An album I’ll definitely want to return to.

Released: 19 May 2023 https://www.rachelhair.com/about/duo/

Gavin Marwick & Wendy Stewart – Quarterdays: Whitsun

Whitsun is the second release in a series of EPs released by fiddle-player, Gavin Marwick, under the banner of the Quarterdays series of EPs being released across 2023. On this release, featuring new contemporary tunes composed by Marwick in a traditional style, he is joined by the renowned Galloway harpist, Wendy Stewart, with whom he also works in the alternative/folk string quintet, the Galloway Agreement.

Gavin Marwick & Wendy Stewart: “This second EP is a voyage of discovery into the lore and history of Whitsun. It’s a celebration of May and the beginning of the summer – the beasts are now all out in the fields, the primroses are still blooming – and in religious/spiritual terms it is mixed in with Pentecost and Beltane, holy wells and weddings. There are balmy warm days yet still the chance of bitter cold.”

While I’m late coming to this, the beautiful melodies and gentle interplay between Gavin Marwick’s fiddle and Wendy Stewart’s harp perfectly capture the atmosphere of a warm late-spring and come next May I’ll definitely be celebrating my favourite time of the year with a few spins of the Quarterdays: Whitsun EP.

Released: 15 May 2023 https://www.gavinmarwick.co.uk/

Jo Miller – A’ The Way To Galloway

An album of traditional songs and tunes from the Galloway area of south-west Scotland, singer and fiddler, Jo Miller, is joined by several musicians with close connections to the area. Miller is well-known for her work in community-based traditional music, formal education, and academic research. This recording draws on her research in the uplands of the Glenkens where she grew up, interviewing local residents and investigating historical sources.

Jo Miller: “I’m delighted to be sharing these songs and tunes which all have a personal association for me. You will also hear the spoken word, birdsong and singing for dancing – an aural landscape which not only evokes the former life of the Glenkens and its people, but also points toward its lively music culture in the present.”

Both poignant and entertaining, not to mention being a wonderful piece of living social history (with the performances on the album seeking to recreate the intimate atmosphere of performances at rural schools, individual homes and small schoolhouses where these songs were traditionally performed), A’ The Wat To Galloway is a wonderful celebration of the music and cultural life of this particular corner of Scotland.

Released: 4 June 2023 https://www.jomiller.scot/

Dallahan – Speak of the Devil

With a blend of traditional Scottish and Irish folk, fused from a melting pot of gypsy melodies, bluegrass, Spanish, and Balkan influences (and much more besides!) Dallahan are Jack Badcock (guitar), Ciaran Ryan (banjo and mandolin), Andrew Waite (accordion and Benedict Morris (fiddle). Formed a decade ago, Speak of the Devil is the band’s fourth album.

Jack Badcock: “We believe it’s the band’s most accomplished and assured album to date. It’s been a while in the melting pot because each member of the band was incredibly busy with commitments as Covid eased off and the music world opened up again – not least Ciaran who was still working at a job he picked up during the pandemic as a fine dining chef!”

Featuring ten tracks of original material (four songs and six tunes) Speak of the Devil showcases a band that exudes confidence and creativity and is never afraid to be that bit different. The plethora of different influences and traditions that the band pull into their music, from the nifty banjo-playing to the jazz-like licks to the Spanish and Latin-American themes in the song lyrics, means that this album will appeal far beyond the confines of traditional folk, with much to enjoy here for devotees of bluegrass, world music and more.

Released: 16 June 2023 https://www.dallahanmusic.com/

This week’s featured artist: The Artist Formally Known as Vince Band – new album ‘A Problematic Opera’

Album reviews, Music news, Rock music, , , , , , ,

Combining elements of glam, punk, power-pop and rock and roll, The Artist Formally Known as Vince Band (or TAFKAVince Band for short) formed in 1996, releasing their debut album in 2002 and building a reputation as a fearsome live act in their home-town of Chicago as well as out on tour around the US. TAFKAVince is Vince SanFilippo (vocals and guitar), Lauren Kurtz (vocals), Brian Chinino (drums, percussion and backing vocals) Chris Geisler (bass, percussion and backing vocals) and Vee Sonnets (guitar, backing vocals and keyboards).

The band’s latest album, A Problematic Opera, is a six-track album released in May this year and features guest performances from Brian Smith, Joe Vitti, Yoko Schmadeke, and Maureen Grady. I instantly warmed to the band’s brand of trashy glam-punk and, hopefully, this latest album should bring them to the attention of a wider audience and win them plenty of new fans.

Vince tells Darren’s music blog:

“The tracks from A Problematic Opera came quickly in a songwriting binge. I chose these six songs as they seem to all mesh together and cover all aspects of what the band does. There is variety yet consistency; late-night thoughts and late-night experiences; theatrical imagery that always slips in. I envisioned these songs together on a 10-inch record so we headed into the studio to make this album. A couple long weekends in the studio gave us time to add a little extra to the solid base we worked out in our rehearsal room. Every band member individually suggesting “A Problematic Opera” as the title really brought it to completion.”

A Problematic Opera – released 26th May 2023

https://theartistformallyknownasvince.bandcamp.com/album/a-problematic-opera

https://www.facebook.com/theartistformallyknownasvinceband

This week’s featured artist: Appalachian singer-songwriter, Lucas Pasley – new album ‘Ponies Back Home’

Album reviews, americana, Folk music, , , , , , ,

Lucas Pasley is an old-time fiddler/banjo-player and singer-songwriter from Sparta, North Carolina in the heart of the southern Appalachian mountains. Pasley has spent most of his musical life performing traditional Appalachian music and formed the band, Gap Civil, in 2018 with a motto to “honour and innovate” traditional mountain music. In recent years, however, he has also moved into singer-songwriter territory.

Ponies Back Home is his second solo album and follows Souls Living On, released in 2020.

Still very much rooted in traditional Appalachian music, Pasley is heavily influenced by his grandmother’s songwriting, while also bringing in wider country influences together with his own sense of originality. The result is an album packed full of appealing melodies, heartfelt lyrics and authentic playing.

A number of additional guest vocalists, together with a stellar line-up of musicians complementing Pasley on vocals, guitar and fiddle, makes for a strong album. Ponies Back Home will certainly appeal to those with a love for the Appalachian traditions but there’s plenty here to tempt anyone who enjoys some fine Country/Americana-flavoured singer-songwriting.

Released: 7th May 2023

https://www.lucaspasleymusic.com/home

Glam rock: album review – Sir Prize & The Twomorrow Knightz ‘Glitter, Gum & Bubble Pop’

Album reviews, Glam rock, , , , ,

A collaboration between UK-based singer-songwriter , Tim Izzard, and US-based lyricist, DJ and owner of Dandy’s Stardust Dive online radio station, Gregory Dobbins, Glitter, Gum & Bubble Pop is twelve tracks of shiny, sparkly, retro pop. It’s an album that unashamedly celebrates both the late ’60s US bubblegum scene and the early ’70s UK glam scene, while also paying homage to the golden age of Hanna-Barbera cartoons through the creation of the duo’s animated alter-egos, Sir Prize & The Twomorrow Knightz.

Tim Izzard and Gregory Dobbins:

“Hear ye, Hear ye!……..The future of the music of the past has arrived……50 years in the making, ‘Glitter Gum and Bubble Pop’ is an album that takes the lyrics of a young American teenager in the 70’s to create a retro-modern Bubble Gum Pop and Neo-Glam sound. The 12 original songs are performed by the fictional, ‘cartoon-like’ Sir Prize & The Twomorrow Knightz just like the old, Saturday morning cartoons of the past.”

“Imagine being young again. A new, weekly cartoon is on TV on Saturday mornings. Each episode includes a song that you can’t help but sing along to till next week’s episode …..when you hear another new song!!!”

“The memories of Hanna-Barbera hang with the ghosts of US 60’s Bubble Gum pop and UK 70’s Glam Rock to produce something for the future from the spirit of the past. Arise ‘Sir Prize & The Twomorrow Knightz’……and strut your stuff!!”

The collaboration came about because Dobbins has been playing Izzard’s solo music on his station for the last three years. A friendship grew out of their shared love of 70s pop with the idea for an album eventually emerging.

Lead single, ‘Automatic Satin Circus’, is an irresistible slice of glam-inspired pop with a crunchy riff, an infectious beat, a Bowie-esque vocal and lyrics celebrating many of the Glam heroes of the era.

‘Little Lambs Dressed As Mutton’ is more the art-school glam favoured by the likes of Roxy Music et al, while songs like ‘Bubble Gum Kisses’ and ‘Stewy Stewy’ nicely capture that archetypal bubblegum sound of The Archies and early Sweet. 70s space rock and the middle of the decade’s Doo-Wop revival also get a look in on the album, too

Packed full of instantly-recognisable sounds even if the songs themselves are unfamiliar, If I didn’t know any better I’d have assumed this was another of those ‘Junkshop Glam’ compilations that had unearthed and repackaged yet more delightfully obscure singles of the era. But it isn’t. These are all brand-spanking-new songs, and Sir Prize & The Twomorrow Knightz are here to inject a much-needed dose of glam-pop into our twenty-first century lives.

Released: 1 July 2023 and available digitally via https://sirprize.bandcamp.com/album/glitter-gum-and-bubble-pop

Related Posts:

21st Century Exposé: New EP from Tim Izzard celebrates fifty years of Glam Rock

Tim Izzard and the new glammed-up Ziggy-esque album ‘Starlight Rendezvous’

Latest folk reviews: Ímar, Westward The Light, James Kerry, Neil Pearlman and Owen Moore

Album reviews, Folk music, , , , , , , , , , , , , , ,

Ímar – Awakening

Awakening is the third album from Glasgow-based folk aces, Ímar – their first in five years. Featuring Mohsen Amini (concertina), Tomas Callister (fiddle), Adam Rhodes (bouzouki), Ryan Murphy (pipes, flute and whistle) and Adam Brown (bodhran, guitar), the album (featuring cover art of the 9th century king from which the band takes its name) offers up ten tracks of mainly original tunes.

Mohsen Amini: “The idea behind this album was to take it back to where we came in with all the vibes of our debut album, Afterlight. As the band progressed, the music became more produced. We loved it but we never had more enjoyment that those original days at the inception of Ímar.”

Fresh, exhilarating and inventive, Awakening sees Ímar take us on a breathtaking ride through a stunning new collection of tunes that both showcase their virtuosity while giving every impression of a band having a huge load of fun during the making of it.

Released: 21 April 2023 https://www.imarband.com/

Westward The Light – Flow Country

Westward The Light are Charlie Grey, Sally Simpson, Owen Sinclair and Joseph Peach. Formed in 2018, the band have won acclaim on the folk scene for their innovative arrangements of Scottish traditional tunes on fiddle, viola, piano and guitar. Flow Country, named after the region of rolling peatland between Caithness and Sutherland, is their second album.

Joseph Peach: “Flow Country is a record on which the tune takes precedence. There are no gimmicks, there’s jus straight up traditional music which we feel really captures the essence of our Scottish culture and heritage.”

A lovely collection of tunes that instantly transport the listener to the rugged landscapes and long-cherished musical heritage of the north of Scotland and which showcase some stunning interactions between these highly-skilled instrumentalists, Flow Country leaves its mark from the very first listen.

Released: 31 March 2023 https://westwardthelight.com/

James Kerry – Source

Still only in his mid-20s, melodeon-player and composer, James Kerry, has been a noted presence on the UK folk scene, playing at festivals such as Warwick Folk Festival and Broadstairs Folk Week and establishing a reputation for passionate, rhythmic playing rooted in the folk dance tradition. Source is Kerry’s first solo project and features mainly traditional English tunes with a handful of original compositions and a couple of contemporary pieces by other writers thrown in as well.

“Source is a true representation of James’ style and passions and reflects his huge respect for traditional music and his desire to pass it on,” we are told in the album sleeve-notes.

A fine showcase for James Kerry’s skilful playing, supporters of traditional English dance tunes will simply love this album – which also boasts a stunning line-up supporting musicians  in Tom Kitching, James Delarre and Danny Tonks.

Released: 1 April 2023 https://jameskerrymusic.com/

Neil Pearlman – Refractions

Neil Pearlman is best known for his ground-breaking approach to the piano in Celtic music. In that capacity he tours regularly with Kevin Henderson, Katie McNally, The Pine Tree Flyers, and as a solo pianist, while playing more irregularly with a wide variety of side projects featuring top Celtic, Americana and Jazz musicians. His latest project, Refractions, is a collection of traditional Scottish and Gaelic tunes, arranged especially for solo performance on the piano.

Neil Pearlman: “The choice to focus on traditional Scottish  melodies is my way of paying respect to my roots. Traditional Scottish tunes are some of the very first music I ever heard or played, so going into that repertoire and having a conversation with it as the artist I am today was a powerful experience, and a good way to explore both who I am now and where I come from.”

Some of the tunes on Refractions are familiar, others less so, but what Pearlman does throughout the whole album is find the inherent beauty in each individual tune and present them in an entirely new light. It makes for a poignant and highly intimate album with some exceptional playing.

Released: 5 May 2023 https://neilpearlman.com/

Owen Moore – Songs From The Shamrock Bar

And finally, while there’s been a heavy focus on instrumental albums in this latest round-up, the ever industrious Irish-born, Dorset-based singer songwriter Owen Moore also has a new album out, another compilation – this one with an Irish theme.

Owen Moore: “My new album is called Songs From The Shamrock Bar and is an anthology of recordings that have all appeared on previous Owen Moore albums and singles over the past ten years or so. All of the songs have a link of some sort with Ireland, which is where I was born (70 plus years ago) and many of them take a nostalgic look at days gone by.”

Always entertaining, with a penchant for engaging storytelling, catchy melodies and gentle guitar picking, Owen Moore’s own brand of Americana-infused singer-songwriting with that special touch of Celtic magic is very much on display here.

Released: 17 March 2023 http://www.owenmooremusic.com/

Folk: album review – The Young ‘uns ‘Tiny Notes’

Album reviews, Folk music, , ,

When I first started Darren’s music blog back in 2014, The Young ‘uns were among the first set of artists I wrote about, when I reviewed a performance of theirs at Cecil Sharp House. Since then, I’ve seen them at a whole range of venues, from big festivals, to medium-sized theatres to small folk clubs and I’ve followed their career with interest. They had already been going a decade by the time I first saw them and this year the not-quite-so-young ‘uns celebrate twenty years together. Tiny Notes is their latest album.

“Taking its name from messages tied to the Wearmouth Bridge in Sunderland by Paige Hunter, Tiny Notes is a collection of songs that find hope and humanity in grief and despair,” the group write in the album’s sleeve notes.

Poignancy abounds, with powerful songwriting from Sean Cooney, trademark harmony vocals from the trio of Cooney, Michael Hughes and David Eagle and evocative musical accompaniment in the form of piano from Eagle and a string quartet who guest on the album with arrangements by Jon Boden.

Writing songs about real, everyday heroes has become Cooney’s “personal passion”. Tackling subjects such as the London Bridge terror attacks, the Lockerbie bombing and one young woman’s heartfelt and very personal contribution to suicide prevention (the title track) the album very much showcases the trio’s more sensitive side – and Cooney is clearly in his stride writing songs of this nature.

What it does mean is that there’s no space on the album for the rousing covers and traditional songs that were often a feature of the trio’s earlier albums but perhaps that can safely be left to others these days? The Young ‘uns have certainly carved out an impressive niche for themselves and have proved to be a valuable and highly unique asset to the UK folk scene these past twenty years. Here’s to the next twenty.

Released: 7th April 2023 https://www.theyounguns.co.uk/

Related posts:

The Young ‘uns – The Ballad of Johnny Longstaff, Hastings 2018

The Young ‘uns at Cecil Sharp House 2014

The Young ‘uns at Great British Folk Festival 2014

Folk-rock: album review – Merry Hell ‘Let The Music Speak For Itself’

Album reviews, Folk music, Rock music, , , , ,

A fixture on the adjacent “festival fringe” of Fairport Convention’s annual Cropredy extravaganza each year, Wigan-based folk-rockers, Merry Hell, have finally made it to the main stage and will appear there this August. With impeccable timing (and something that will sell like hot cakes at this and other festivals this summer, I’m sure) the band have released their first ever ‘best of’ compilation.

Emerging back in 2010 from the ashes of 90s folk-punk outfit, The Tansads, the band weren’t quite sure how things would take off but six albums later Merry Hell have more than proved themselves and there’s no shortage of strong material for a proper career retrospective.

Never afraid of wearing their hearts on their sleeves and standing up for what they believe in, Merry Hell have developed a strong niche as purveyors of rousing folk-rock anthems with socially-conscious lyrics, all delivered with characteristic good humour, energy, verve and passion.

In compiling the album the band had some assistance from fans, alongside each individual band member also choosing their own particular favourite. The result is a whopping 28 tracks over two discs and, for me, there’s plenty of personal favourites among the final selection: from the ecologically-themed paean to decluttering, ‘Bury Me Naked’; to the band’s self-proclaimed “alternative national anthem” ‘Come On England!’; to the rousing ‘Leave It In The Ground’ from the climate-themed Emergency Lullabies album.

With over half of the members of the eight-piece band also being songwriters, Merry Hell explore a variety of styles and influences in their output and so it’s not all rousing, amped-up sing-alongs, albeit that is very much their forte. The compilation has its mellower, tender moments, too, such as the beautifully-poignant acoustic number, ‘No Place Like Tomorrow’.

Whether you’re a long-term follower of Merry Hell or just discovering them for the first time at a festival this summer, Let The Music Speak For Itself is a strong compilation which is sure to find favour with fans both new and old. Role on Cropredy!

Released: 12th May 2023 http://www.merryhell.co.uk/

Band photo credit: Jenfoto

Live dates:

May 26th: Chester Folk Festival

June 3rd: Wessex Folk Festival

June 16th: National Forest Folk Club: Moira, Leicestershire

June 18th: Beardy Festival, Shropshire

July 14th: Folk On The Farm Festival: Anglesey

July 28th: Chickenstock Festival: Kent

July 28th: Trowbridge Festival

July 29th: Oswestry TBC

August 5th: Grayshott Folk Club: Hampshire

August 6th: Wickham Festival

August 10th: Fairport Convention’s Cropredy Festival, Oxfordshire

August 24th: Towersey Festival

August 28th: Towersey Festival

September 10th: Swanage Festival

September 14th: Hungry Horse Festival, Ellesmere Port

September 16th: The Peace Through Folk Gathering, Staffordshire/Peak District

October 4th– 10th: Costa Del Folk Festival: Portugal

Related posts:

Album review – Merry Hell ‘Emergency Lullabies’

Album review – Virginia Kettle ‘No Place Like Tomorrow’

DVD review: Merry Hell ‘A Year In The Life’

Album review: Merry Hell ‘Anthems To The Wind’

Latest folk reviews: Amelia Hogan, RURA, Milton Hide, Joy Dunlop and Megson

Album reviews, Folk music, , , , , , , ,

Amelia Hogan – Taking Flight

Amelia Hogan is a San Francisco-based Celtic folk singer who performs both traditional and contemporary folk. She sings in the Irish music tradition of Sean-Nós, or “old style” as well as accompanied. Amelia also plays bodhran and a small 22-string Welsh lap harp, and has toured internationally to popular acclaim. Her latest album Taking Flight features sixteen tracks of which the title track is an original composition and the remainder are a mixture of traditional numbers and Hogan’s own interpretations of songs by contemporary songwriters.

Amelia Hogan: “Birds are featured in a number of songs on the album. Often seen as a symbol of loss and sorrow, birds also represent healing and the ability to find healing in the midst of hardship. The intent of this work is to take the listener on a journey through grief and out the other side, as a bird taking flight might.”

Some well-chosen songs from a diverse range of sources and Hogan’s distinctive vocal style along with some beautiful musical accompaniment and a fine cast of supporting musicians all serve to make Taking Flight an extremely cohesive album, and a deeply immersive experience for the listener. Highly recommended.

Released: 1 March 2023 https://ameliahogan.com/

RURA – Dusk Moon

The Scottish instrumental folk band RURA (Jack Smedley, Steven Blake, Adam Brown, and David Foley) celebrated their tenth anniversary back in 2020 with a live album – Live At The Old Fruit Market. Now they are back with a new full-length studio album – Dusk Moon. While the previous album fizzed with energy from a barnstorming live performance, Dusk Moon sees the foursome in a mellower and more contemplative mode.

Jack Smedley: “Much of the music has been inspired by a deep sense of reflection, hope and the people and places we’ve been so fortunate to meet and experience over the years. We’ve tried to focus on what we enjoyed most about our last studio album In Praise of Home and build on that sound.”

The nine-track album sees RURA come up with a stunning set of new compositions and there is some wonderful interplay between the foursome as they deliver their trademark sound of pipes, guitar, bodhran, flute and fiddle. All four members have contributed compositions and while they may have slowed down the tempo, there is no sign yet of RURA slowing down on the creative front. Another fine album.

Released: 17 March 2023 https://www.rura.co.uk/

Milton Hide – The Holloway

Following their ecologically-themed debut album, Temperature’s Rising, two years ago, husband-and-wife acoustic duo Milton Hide are back with a follow-up. While their debut was something of a departure for the duo with its host of guest musicians and extensive, multi-layered production, the follow-up captures more of the essence of what Milton Hide are all about on stage: stripped-back acoustic playing, engaging melodies and thought-provoking, observational songwriting.

There’s a couple of beautifully poignant instrumentals on the album, too, including the title track.

Jim Tipler: “We got the idea for the album name, The Holloway, from a beautiful place we walk the dog. The path has got lower and lower over the centuries and the trees have grown overhead to form a kind of tunnel. You can’t help but imagine the thousands of feet that have trodden it. We didn’t have a title track, so I said Josie should write a tune on the clarinet to finish the album. It’s one of my favourite bits.”

All in all, a very fine album from this charmingly inventive East Sussex folk duo.

Released: 31 March 2023 https://www.miltonhide.com/

Joy Dunlop – Caoir

Caoir (pronounced Koor and meaning a blaze of fire) is the third solo album from Scottish traditional singer and Gaelic language champion, Joy Dunlop. It’s appropriately named, the infectious beats and catchy melodies definitely make for a fiery combination and a very contemporary take on Gaelic folk.

Joy Dunlop: “I’ve always loved music that pushed the boundaries of what was considered ‘trad’, without losing the soul of the songs. As a Gaelic singer, I’m always trying to make my music accessible to those who don’t speak the language. With this recording I wanted to capture the sentiment of the songs, whether the listener understands Gaelic or not, while adding new engaging elements to the music.”

With Caoir, Dunlop certainly pulls off what she set out to achieve. The vibrant instrumentation of Ron Jappy, Mhairi Marwick, Gus Stirrat, Ifedade Thomas and Euan Malloch provides the perfect backdrop for Dunlop’s beautiful vocals makes for a captivating album from start to finish.

Released: 24 March 2023 https://www.joydunlop.com/

Megson – What Are We Trying To Say?

Husband-and-wife duo, Stu and Debbie Hanna, have been a fixture on the folk scene for almost twenty years now. What Are We Trying To Say? is the duo’s thirteenth album and their first studio album in four years. Featuring eight original songs, one traditional number (Cannie Old Blind Willie’) and the words of another (‘The Barbers News’) set to newly-composed music. The central theme of the album is about how we, the public, absorb news and information in the modern age.

Debbie Hanna: “We spent so much time during the pandemic watching the news and endlessly scrolling – social media became a vital source if information but it also became clear there were so many different takes on what was happening it became hard to figure out the real truth. We began to think about the different ways news can be used – to inform, entertain us or even control us and these are the themes we have touched on in songs on the album.”

Don’t worry though – the album not a conspiracy theorist’s charter and the duo’s song ‘The Conspiracy Trap’ tackles that unfortunate modern-day obsession head on. What the album does do, however, is offer intelligent writing, sharp social commentary and heartfelt lyrics, all delivered in those rich Teeside voices and the trademark Megson sound, with captivating melodies and stacks of beautiful fiddle and mandolin.

Released: 24 March 2023 https://www.megsonmusic.co.uk/

Latest folk reviews: Mary Beth Carty, Paul Anderson, John McCusker, Will Pound & Jenn Butterworth, Gillebrìde MacMillan

Album reviews, Folk music, , , , , , , ,

Mary Beth Carty – Crossing The Causeway

Vocalist and multi-instrumentalist, Mary Beth Carty, is from Antigonish in Novia Scotia and has been a performer of note on Canada’s traditional music scene for some time now, earning a nomination for Singer of the Year at the Canadian Folk Music Awards back in 2009. The album title takes it name from the causeway that links Antigonish to Cape Breton Island, and helps symbolise the fusion of English, Gaelic and French influences that inspired the album.

Mary Beth Carthy: “Crossing The Causeway is my second solo CD, and it fuses traditional songs, instrumental tunes, and original songs.  The album could be categorized as Canadian Celtic, folk, and world music. I play multiple instruments on the album including accordion, guitar, bass, jaw harp, bones, triangle, shakers, tambourine, feet, cow-bells, and washboard, and the project also features some of Cape Breton’s best Celtic musicians and singers.”

Carty is a strong believer in the therapeutic power of music and from the evidence presented here it is really not hard to see why. A refreshingly joyful, surprisingly varied and hugely entertaining album from an artist I was not previously familiar with, this one is well worth checking out.

Released: 1 March 2023 https://marybethcarty.com/

Paul Anderson – Iona

This album from acclaimed Scottish traditional musician and composer, Paul Anderson, forms part of a multi-media artistic project which celebrates the people, history and landscape of the tiny Scottish island of Iona off the coast of Mull in the Inner Hebrides. The project, In the Footsteps of Colm Cille, features Anderson’s musical compositions alongside work by the painter, John Lowrie Morrison (whose beautiful paintings are incorporated into the album’s artwork), and the poetry of Francy Devine (extracts of which can be heard on the album).

Paul Anderson: “Iona is a special place; few places can rival it for scenic beauty, a sense of the spiritual and for the undeniable weight of Scottish history. Some places just seem to have an intangible feel about them and Iona is certainly one of them.”

With exquisite fiddle-playing from Anderson, a stellar cast of supporting musicians, evocative poetry and beautiful artwork, Iona is a delightful album arising out of a fascinating project.

Released: 9 December 2022 https://www.inthefootstepsofcolmcille.com/

John McCusker – The Best Of

A double-disc CD celebrating the career of celebrated Scottish fiddler, John McCusker, it features thirty stand-out tracks from the past thirty years, including four brand-new tracks, heard here for the first time.

Not only does the album delve deep into McCusker’s own back-catalogue as a solo artist, it also includes work from his many notable collaborations, too, and the album features artists as varied as Billy Connolly, Kris Drever, Graham Coxon and Eddie Reader (below).

John McCusker: “It’s been an incredible three decades making and performing music. I wanted to celebrate this milestone moment by releasing a compilation of the different albums and stages of my career, alongside including recordings from the many fantastic collaborations and wonderful artists I’ve been fortunate enough to work with.”

A cracking album that showcases McCusker’s absolute mastery of the fiddle alongside some of the UK’s most celebrated artists.

Released: 20 January 2023 https://www.johnmccusker.co.uk/

Will Pound & Jenn Butterworth – Volume 1

As a big fan of the harmonica, it’s fair to say that it’s an instrument not heard nearly enough in English folk. Will Pound has been on a mission to change that, of course. After teaming up with acoustic guitarist, Jenn Butterworth, for a series of live shows (after a chance encounter at a 2018 folk session became a viral sensation) the pair have now released their first album as a duo.

There is some great musical interplay between Pound (on melodeon and harmonica) and Butterworth (on guitar) as they work their way through a series of energetic tune-sets that combine traditional material with new compositions in a way that is sure to put a smile on your face. Plus there’s one song two, a beautiful rendering of Peggy Seeger’s anti-nuclear anthem, ‘Better Things’, with Butterworth on vocals.

I really enjoyed Pound’s previous album, A Day Will Come, (which Butterworth also guested on) and we can safely assume from the title of this latest album that the pair are in it for the long haul. They have made a superb start here, for sure.

Released: 24th February 2023 https://willandjenn.bandcamp.com/album/volume-1

Gillebrìde MacMillan – Sèimh: The State of Calm

This is the second album from Gaelic singer-songwriter, Gillebrìde MacMillan. The songs on the album deal with a range of personal, political and social issues as well as songs in praise of nature and community.

Gillebrìde MacMillan: “It is so important to have new Gaelic songs and this album is part of the resurgence of new Gaelic songwriting.”

If Will Pound and Jenn Butterworth take us on an exhilarating ride then Sèimh: The State of Calm does exactly what it says on the tin and immediately transports us to a place of tranquillity.

MacMillan: “In the modern world our lives are filled with speed and rushing from one thing to the next, so for this album I really wanted to give a sense of calm, space and reflection in the songs and in the arrangements.”

The album certainly achieves that. I particularly loved the soothing whistles of guest player, Fraser Fifield, alongside Mhairi Hall’s equally soothing and reflective piano. Joining MacMillan there’s a range of other guest musicians and vocalists and the album is beautifully packaged with extensive sleeve-notes in both English and Gaelic.

Released: 3 February 2023 http://www.gillebride.com/

Indie-folk/Americana: EP review – Mist & Wing ‘Step Into The Light’

Album reviews, americana, Folk music, , , , , ,

Mist & Wing are a Scottish musical duo made up of Alan and Grace Murray and their debut EP, Step Into The Light, was released at the back-end of last year.

Hailing from the Isle of Skye and growing up with a stammer, Alan Murray found music to be a way of connecting with others that, for him, was easier than speaking.

The EP comprises five tracks of Americana-tinged indie-folk, four songs written by Alan plus a self-composed instrumental. Joining Alan Murray (vocals, guitar, fiddle, mandolin) and Grace Murray (vocals, piano, acoustic guitar) are Jack Henderson (guitars, bass, keyboards, percussion) who also produced the album, Donal McCruden (drums) and Calum Munroe (accordion).

Lead single ‘Country Mile’ (with accompanying video filmed on the Isle of Skye) is a classic driving song, all about wanting to escape the city and take off to the coast.

The duo’s name is inspired by Gaelic words for the Isle of Skye and the influence of the island’s landscape and heritage runs deep through the music. It’s not the only influence, however, by any stretch of the imagination. For a start, they are more indie-folk than trad- folk but the duo also look west from Skye right across the Atlantic for other inspiration and the country influences of the United States very much seep into their songs. Add in a gift for some good old-fashioned storytelling, some catchy choruses and some easy-on-the-ear melodies and you have a compelling combination that makes Step Into The Light an extremely likeable debut.  

Released: 18th November 2022

https://mistandwing.com/