A bit of humorous banter between songs and a few amusing anecdotes do often help bring a folk gig to life and allow the artist to interact properly with the audience. But all too often the off-the-cuff “spontaneous” banter starts to become a bit repetitive when you see the same artist trotting out the same old carefully rehearsed lines gig after gig. No-one could ever, ever accuse the Young ‘uns of doing this, however. So side-splittingly hilarious are these three twenty-something Teesiders that a gig like tonight’s at times threatens to descend into riotous chaos. The music they produce together, though, is to be taken very seriously indeed. The three, Sean Cooney, David Eagle and Michael Hughes, got into folk in their teens and have been performing together ever since. Beautiful harmony singing with simple accordion and acoustic guitar backing they are definitely one of the highlights of this year’s Great British Folk Festival, which comes to Skegness’s out-of -season Butlin’s holiday camp each December
Traditional sea shanties, juxtaposed with songs reflecting the north-east’s industrial heritage, mixed in with some biting but elegantly-written social commentary, together with a few well-chosen covers – it all makes for a varied and fascinating set-list. And given it’s almost Christmas we also get a few traditional wassailing songs thrown in as well. Tonight’s performance saw them introducing some songs from their forthcoming album (to be released next Spring). When a film crew from the notorious Channel 4 show, Benefits Street, descended on one street in Stockton-on-Tees they were physically chased away by local residents. You Won’t Find Me on Benefits Street appears on the album and is performed tonight – celebrating proud defiance in the face of grinding poverty and humiliating set-backs.
Having already released three albums, the trio have now gathered a strong back catalogue of material to draw on. One song that always goes down exceptionally well at live shows is Cooney’s Love in a Northern Town, documenting not only the true story of how his grandparents met but also the wholesale decline of the Wearside shipyards “where all her ships and men are gone.”
Well-written meaningful songs that are beautifully sung it is well worth getting hold of the Young ‘uns albums. But for a real taste of the trio’s infectious humour and brilliant stage presence you have really, really got to see them live as well.
Previous review: Young ‘uns at Cecil Sharp House