Folk/acoustic: album review – The Lost Notes ‘Lowlifes and High Times’

From Moseley in Birmingham, The Lost Notes are a five-piece acoustic outfit who fuse folk, jazz and bluegrass influences to create their own unique but accessible sound with their gorgeous three-part harmonies taking centre-stage.

Lowlifes and High Times is the follow-up album to the band’s well-received debut. Comprising eleven tracks plus a couple of bonus reworkings, the songs “celebrate the ups and downs of journeymen, despots, sleazeballs, fools, the planet and the consciously idle,” the band tell us.

The band are: Ben Mills: vocals, guitar, piano, harmonica; Oli Jobes: lead guitar, vocals; Lucy Mills: vocals; Silas Wood: double bass; and Max Tomlinson: drums. The key songwriters are Mills, a jazz fan, and Jobes, a folkie. Those creative differences clearly blend together well. There’s enough jazz on the album to really make it swing and instantly get your foot tapping but enough folk to ensure the songs are based around storytelling and catchy melodies. What it means is that things never get in the slightest bit self-indulgent but they never get worthy and dull either.

Notching up appearances at the likes of Moseley Folk Festival, Bromsgrove Folk Festival and Beardy Folk Festival, I can see exactly whey their irresistible blend of folk, jazz and Americana and those beautiful harmonies would go down a storm at festivals. Definitely ones to watch.

Released: 5th December 2020

https://www.thelostnotes.co.uk/

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