Tag Archives: singer songwriter

This week’s featured artist: singer-songwriter, Mark Neal – debut solo album out now

Cool Waters is the debut solo album from singer-songwriter and multi-instrumentalist, Mark Neal. While he’s been playing and recording as part of the Scottish traditional music scene for many years, this is the first time he’s worked solo.

Based in Helensburgh in the west of Scotland, Neal is mainly a guitarist and singer but ever since he started playing music as a young child he’s enjoyed the challenge of picking up and learning new instruments and different musical styles. Having a keen interest in science and technology (having studied a degree in Physics and a PhD in musical acoustics) he has always enjoyed the technical side of music. He’s been heavily involved in sound engineering and recording since his university days and is co-owner of the Edinburgh recording studio ‘The Sonic Lodge’ with fellow musician and producer Phil McBride.

Mark Neal: “I have been writing songs for many years and over 2023 I decided to take a bit more time to do more writing and ended up completing this collection of songs. This album started as a solo songwriting project but as it developed it seemed like a nice idea to make the whole album completely solo with me playing all the instruments, producing, recording and mixing.”

“The songs are mostly all based around my acoustic guitar playing but move away from the trad/folk style that has been a feature of most of my recording and performing and pulling in influences from jazz, pop, rock and classical music which I also love. Much of the songwriting has been inspired by nature and many of these songs come from thoughts that have popped into my head when wandering around the land and seascapes in the West of Scotland.”

Cool Waters is a highly enjoyable album with some lovely guitar, both acoustic and electric. Although Mark Neal’s musical background is very much in Scottish traditional music, this album is much more in the gentle, laid-back singer-songwriter vibe. Think of a Scottish James Taylor and you won’t go far wrong. Beautifully written and performed and well worth checking out.

Photo credits: Gordon Russell

Cool Waters available on CD via Bandcamp and released on all major platforms from 1st November 2024

Visit website here

Singer-songwriter: album review – Steve Knightley ‘The Winter Yards’

In 2023 Phil Beer and Steve Knightley announced a final tour before putting Show of Hands on indefinite hiatus, pledging to “prioritise their well-being, creativity, and longevity above the demands of the road.” There was no suggestion, thankfully, that either of them would be giving up performing altogether and for those feeling a Show-of-Hands-sized gap in their lives the good news is that Steve Knightley is back with a brand-new solo album – his first in seventeen years.

Steve Knightley: “I’ve spent much of my career weaving the West Country and English landscapes into my music, seeking to capture the essence of rural life and the stories that define it. But with Show of hands now on sabbatical, I’ve found myself at a crossroads – a moment to pause, reflect and consider new directions.”

“This album marks a significant departure for me, both musically and personally. Inspired more by the likes of Bruce Springsteen and Peter Gabriel, The Winter yards reflects a fresh journey, venturing more into urban and transatlantic landscapes. But while it explores unchartered territory I believe it stays true to the voice I’ve always had, finding new ways to tell stories that matter.”

The Winter Yards is not simply Show of Hands in exile but without the fiddle and the mandolin. Clearly, however, Knightley’s unmistakeable voice, both as a singer and a lyricist, is very much at the heart of the album and there’s plenty here to appeal to long-term fans of the duo.

Lyrically, the album tackles themes as diverse as the Post Office scandal, immigration, the emotional toil when friendships breakdown and youthful, sun-kissed, summer romance. Knightley also revisits a handful of Show of Hands songs, including ‘Requiem’ and ‘Exile’ but one of the few ‘everyday story of country life’ songs that Show of Hands were best known for is one inspired, not by the tribulations of rural life in Devon or Somerset, but rather an anthemic celebration of the village of Wickham in Hampshire, the county Knightley was born in.

Musically, there’s a lush palette of sounds, incorporating keyboards, guitar, drums, dobro, violin and more, and Knightley has pulled in a wealth of talent to perform alongside him on the album. Phil Beer even gets to guest on a couple of tracks.

Poignant, tender, thought-provoking and rousing, in turn, The Winter Yards marks a triumphant return for Steve Knightley as a solo artist.

Released: 4th October 2024

Visit Steve Knightley’s website here

Related posts:

Folk: album review – Show Of Hands ‘Roots 2: The Best Of Show Of Hands’

Live review: Show Of Hands at St Mary in the Castle 4/5/18

This week’s featured artist: singer-songwriter Jon Budworth – new album ‘In Sight of Home’

Born and raised in Leigh in Lancashire and now living in Otley, Yorkshire, Jon Budworth started playing guitar at the age of 11 and has been honing his skills, diversifying his repertoire and experimenting with various genres ever since, with rock, blues, folk, and jazz all featuring on his musical horizons.

Budworth’s  debut EP as a singer-songwriter, Time Machine, was released back in 2013 which was followed up by a second EP, Trees Turn To Fire, in 2014 which I was asked to review for the Bright Young Folk website. I remember being impressed by the release, writing at the time:

“Budworth’s bright, fresh sounding vocals and lovely melancholic guitar work extremely well. Budworth’s music definitely deserves a wider audience.”

What I wrote must have struck a chord because, ten years later, reading the publicity blurb for his latest album, I find that sentence staring back at me. In the intervening years, Budworth released his well-received debut full-length album, We all Share the Same Sky, back in 2020, with the excellent follow-up, In Sight of Home, coming out in June this year.

Jon Budworth: “The seed for In Sight of Home was sewn in 2019 after watching an incredibly moving BBC documentary commemorating the one hundredth anniversary of the Iolaire Disaster. I was immediately inspired to write a song and decided there and then it would become the title track on a new album.”

“It wasn’t until a certain pandemic hit that I had the time and space to continue writing. Shadow of the Chevin is a love song to my wonderful home-town of Otley. I’m originally from Leigh in Lancashire, but in 2017 I traded in my Lancashire passport, moved over the border, and became an honorary Yorkshireman! All is Quiet was written after taking a stroll around Otley on a beautiful April evening during the first lockdown – the normally bustling market town was eerily quiet and still. I wrote December on a dark and misty winter’s night as I found myself contemplating growing older and how quickly life passes by.”

“After covid, my normally hectic existence resumed and I wrote several songs dealing with the everyday stresses and strains of real life. In This Moment is about finding those rare moments of peace and tranquillity, a situation very often aided by a glass or two of wine! I Don’t Need Tomorrow is a song dedicated to anyone, who for whatever reason, is not looking forward to what tomorrow might bring. 1000 Faces is a song about fate and not taking anything for granted. Never deals with the thought of being forced to move away from a place you love.”

“Two of the songs are observations on modern life. Flatlining addresses first world problems  and many peoples need to live their lives through social media. I wrote Holyhead after visiting the town and seeing a homeless girl set against a backdrop of opulent cruise ships in the harbour. Ghost of a Girl was written after discovering a ghostly statue of Alice in Wonderland in a garden behind York Minster. She looked lost, alone and frozen in time on that grey and damp February afternoon.”

Most of the instruments on the album are played by Budworth himself, including drums, bass and guitar, but he’s also enlisted the assistance of several highly talented local musicians, as well as the as well as the highly acclaimed singer-songwriter, Edwina Hayes, who shares lead vocals on the title track.

With thought-provoking yet easily relatable lyrics, appealing melodies, impressive guitar-work and vocals that are still as fresh-sounding as ever, Budworth has come up with an extremely likeable album here which is well worth checking out, as is the rest of his back catalogue.

In Sight of Home was released by Flying Folkie Recording Co. on 7th June 2024

For Jon Budworth’s website visit here

‘Watery Moon’ – the new single from singer-songwriter Jake Aaron

The UK guitarist and singer-songwriter, Jake Aaron, has released a new single ahead of what will be his third album next year. ‘Watery Moon’ was released digitally on 25th October 2024.

Jake Aaron: “Watery Moon is the first single from a new album due out next year. I was strumming the opening chords and starting thinking about the brilliant doo-wop songs of the 1950s. I like the melodrama and nostalgia of the piece and enjoyed the lyric writing process too. It was great to record with the same line up from my last two albums: Steve Lodder on piano and Hammond, Davide Mantovani on double bass, Marc Parnell on drums. They just got it immediately and I think this was the first take. Kenny Jones again is engineering.”

A British guitarist and songwriter who has “moved among both folk and jazz circles” (‘Cosmic Jazz’ – Feb 2023) Jake’s first EP of acoustic pieces was released in 2015 to positive reviews from folk and indie reviewers. His 2018 single ‘Give Me Your Horse’ was a bigger, jazzier number which had airplay on both folk stations as well as jazz, including the BBC’s Jazz Nights. He released his first album in 2019 Fag Ash and Beer, a collection of songs, longer lyrical offerings and instrumentals which was nominated for Debut Album of The Year by Fatea Magazine. That was followed up by a second album, Always Seeking, released in May 2023 to positive reviews and extensive airplay.

You can stream or download ‘Watery Moon’ at https://jakeaaron.com/watery-moon or listen to it on Spotify or iTunes

You can read my interview with Jake Aaron here

‘This Building is condemned’ – the new single from Americana singer-songwriter, Little Lore

Released: 11 October 2024

“Her songwriting hasn’t gone astray, with catchy lines coming thick and fast, alongside the wistful observational writing. The musicality sways in with reverberating, almost shoegaze guitar embellishments and constantly strumming acoustic guitar to ground each song with the brushed drums and light piano accompaniment. – Maverick magazine on Little Lore’s 2023 EP, Seven Stories Part One

With three acclaimed EPs of lush Americana, superb songwriting and heart-felt vocals under her belt, Little Lore has become a force to be reckoned with on the UK Americana scene, picking up a slew of enthusiastic reviews and extensive radio airplay – including BBC Radio Scotland, Nashville Worldwide Country Radio and the International Americana Music Show. Now Little Lore is back with a brand-new single, ‘This Building Is Condemned’, featuring that trademark blend of sharp, observational songwriting, top-notch musicianship and gorgeous vocals.

Little Lore: “This song was inspired at a cross section between a play by Tennessee Williams called This Property is Condemned, and the idea of a condemned building as a metaphor for how it feels to be a post-menopausal women. Yes really! When I was a teenager I did a lot of acting and I often used a monologue from the play for auditions and exams. A 1966 American film inspired by this one act play stared Natalie Wood in the part of Alva and it was her character, oppressed, misunderstood and frustrated that formed the starting point for my writing. I was finding the word ‘property’ wasn’t very singable, so I evolved to building and that inspired me to lean into my own story using the building figuratively. “

“Musically I wanted to capture some of that 1930s Americana feel I got from the film and so I worked with long-time Little Lore collaborator Oli Deakin to create a rich sonic-sound scape using the brilliant talents of Francesca and Sasha for the violin and cello, Morgan on drums with all other instruments played by Oli. I couldn’t be prouder of this song, both lyrically and harmonically, and I am delighted with how it has turned out.”

The single is again produced by renowned New York-based producer and multi-instrumentalist, Oli Deakin (who records under the name of Lowpines). Released digitally on October 11th 2024 it is available via: https://littlelore.bandcamp.com

Release information ‘This Building is Condemned’:

Written and performed by Little Lore / Tricia Duffy

Produced by Oli Deakin

Violin by Francesca Dardani

Cello by Sasha Ono

Drums by Morgan Karabel

All other instruments Oli Deakin

Artwork Afia Paice

About Little Lore:

Little Lore is a London based, Indie-Americana singer-storyteller whose songs are both charmingly accessible and beguilingly challenging. You’ll want to listen twice. When you combine British wit and wordplay with cherished Americana roots, musical magic starts to happen. Based in Chiswick, West London, and originally hailing from Portsmouth, Tricia Duffy started her singing career as a teenager, which included a stint on cruise ships in the United States.  She began writing and performing her own material with Americana duo Duffy & Bird and they released a well-received album ‘5 Lines’ in 2017 and a follow-up EP ‘Spirit Level’ in 2019.

Tricia’s solo project Little Lore was created in 2020 during the pandemic. Her debut solo EP, Little Lore, was released in 2021 to glowing reviews. The singles, ‘Shallow’, ‘Brown Liquor John’ and ‘Birds’ were released in 2022 to similar acclaim, followed by another equally well-received single ‘Normal’ in January 2023. Two follow-up EPs Seven Stories Part One and Seven Stories Part Two were then released in late 2023 and early 2024 to enthusiastic reviews and extensive radio airplay.

An enthusiastic advocate for songwriters, she is the London Chapter Coordinator for NSAI (Nashville Songwriters Association International) and is especially passionate about creating opportunities for female, transgender and non-binary songwriters. In her songs, Little Lore brings together an affection for the heart and heritage of Americana music, with an intelligence and maturity of storytelling that can sweep you away into new and unexpected emotional worlds.

Website: https://littlelore.uk

Related posts:

The gripping tale of Little Lore: interview with Americana singer-storyteller, Tricia Duffy

Seven Stories (parts one and two): the new project from acclaimed Americana singer-songwriter, Little Lore

Little Lore: the magical new project from UK Americana singer-storyteller Tricia Duffy

‘Normal’: a gorgeous slice of lush Americana – the new single from Little Lore

New single: ‘Look At Me’ from Eliza Delf & The Wilderness – out 31 October

Following a hugely-impressive debut album released in 2022, Norwich based indie-folk outfit Eliza Delf and The Wilderness will be unveiling their latest single at the end of this month.

‘Look At Me’ will be released across all digital platforms on 31 October 2024, and is
the first taste of a brand-new album scheduled for release in Spring 2025

Reviewing the debut album at the time I wrote: “The term folk barely covers what Into The Wilderness is about. This boundary-defying debut album spans indie, folk, prog, singer-songwriter and much more besides.” That impressive debut album brought forth comparisons with everyone from Kate Bush to Sandy Denny to PJ Harvey.


Now with this new single Delf and the band establish an even more vivid direction for their music revealing, as they explain: “…the darkly poetic lyricism of Eliza’s extraordinary vocal performance. All set against the lush percussive rhythms of drummer Tim Skinner, and the rich textures of cellist Eva Wright and guitarist Jacob Browne.”

For a sneak preview of the song, prior to its formal release on October 31st, the band uploaded a live version to YouTube. This is from a performance at The Bear Club in Luton on 15 June 2024.

Delf sums it up deftly, by adding: “This is the sort of song you don’t just sing…you howl!”

Released digitally: October 31st 2024

Visit Eliza Delf website here


Folk/singer-songwriter: EP review – Joe Danks ‘Take Courage’

I reviewed Joe Danks’ last full album, the maritime-themed Seaspeak, when it came out in 2021. Gosh, was that three years ago already? How time flies. Anyway, he’s followed that up with a four-track EP of original material that’s already been out some four months. I’m rather later to the party with this one but never mind. This is a release that’s certainly still worth writing about.

Take Courage marks the first time Danks has released original music under his own name in a decade. I remember seeing that slogan everywhere when I was younger. In particular, it was a familiar sight whenever I passed the Amersham Arms as a student at Goldsmiths in southeast London and later when I was as a local councillor for the area. Artist, Henry Fothergill has come up with some suitably irreverent pub-themed cover art which gives me quite a nostalgic glow. And it’s only when I research a little further that I release the pub on the cover is actually the Amersham Arms and did, indeed, inspire the title track, Danks, like myself, being a former resident of the area.

 So what of the music? “Old-fashioned, melodramatic and beautifully recorded,” Danks promises in the accompanying blurb, which turns out to be a perfectly apt description.

The four songs range from the highly personal (‘Take Courage’ where Danks draws lessons from passing that familiar pub sign and ‘Bluster’ reflecting on that return to everyday life after the untrammelled joy of a summer festival that many of us have experienced); to classic story songs (‘Mr McDonald’ about undercover policing and fraudulent identities); to the charmingly eccentric (‘Station Jim’ a tribute to the Victorian-era stuffed dog on display at Slough railway station).

As promised, the EP is exquisitely produced, with collaborating musicians (Danny Pedler, Lukas Drinkwater, Beth Noble and Ben Davies providing additional depth to Danks’ warm, sincere vocals, charming storytelling and appealing melodies. Namechecking Scott Walker, The Divine Comedy, Villagers and Nick Drake as influences, that’s not merely hyperbole but points to the singular but eclectic display of talent that’s on offer here.

Joe Danks – Vocals, Acoustic Guitar, Electric Guitar, Bouzouki, 5 String Banjo, Drums, Percussion, Programming

Danny Pedler – Accordion, Hurdy Gurdy

Lukas Drinkwater – Double Bass

Beth Noble – Violin, Viola

Ben Davies – Hammond Organ

Released: March 22, 2024

Visit Joe Danks website

Related post:

Folk: album review – Joe Danks ‘Seaspeak’

This week’s featured artist: Singer-songwriter Anita Abram – debut EP ‘The First Escapade’

Anita Abram is a singer-songwriter, radio presenter and producer who also has a passion for the visual arts. A member of the DIY female musicians’ ‘Rise and Release’ community, she composes, records and produces music from her home in Suffolk, and is the founder of Every Bird Records, a community interest company supporting independent female musicians with unique voices.

Abram herself performs as part of folk trio, The Copper Foxes, as well as a solo artist. The First Escapade is her debut EP.

Opening track, the poignant and beautifully-atmospheric ‘Gravity Running’, is a personal commentary on the “futility, inevitability and insanity of human conflict driven by fear and greed”. The song’s final line “we will never back down” pays tribute to the strength and determination of the Ukrainian people.

Comprising five original songs, other themes explored on this charming and thought-provoking EP include love (‘Go Again’), ongoing threats to our natural environment (‘Shift Away’) and loss (‘Stars Above’), which is dedicated to NHS staff. Bearing striking hand-painted cover art, the CD artwork also incorporates an additional images created by Abram.

Luke Concannon, best known from the folk duo Nizlopi while influencing a young Ed Sheeran, says: “There is something classic in Anita’s song writing. Simple, mythic, deep…”

In addition to Anita Abram (lead vocals, rhythm guitar, field recordings), the release also features Pete Moody (vocals, piano, arrangements), Chris Lockington lead guitar) and Mark Sewell (percussion)

Released: 1 January 2024

https://anitamusic.uk/

Singer-songwriter: album review – Jack Badcock ‘Cosmography’

I’ve been really impressed with Jack Badcock’s work in Dallahan, the Scottish/Irish/World folk band that he helped found a decade ago. This month, however, sees him release Cosmography, his first ever solo album.

As with Dallahan’s 2023 album, Speak Of The Devil, it’s a showcase for his gifted acoustic guitar-playing and distinctive tenor voice. But whereas that last album took us on an exhilarating, frenetic journey across a number of folk traditions, this one takes us into lush, atmospheric, singer-songwriter territory. And a very fine debut he’s turned out in this new guise, too.

Badcock’s vocals are soulful and emotive and he’s proving himself to be an ever more impressive songwriter, here tackling themes from the future of humanity (‘Life In Three Dimensions’); the sixteenth century explorer who was the first Englishman to reach Japan, (‘The English Samurai’); and the much more personal ‘Too Many Things’, described as “almost a therapy session that tackles the excessive indulgences of myself and peers in the music industry.”

What really makes this album, however, beyond the poignant songwriting and superbly mellow vocals, are the rich layers of instrumentation. Euan Burton, who also plays bass on the album, does a sterling job as producer and leaves us with a solo album that’s polished and fully-formed. With a stellar line-up of supporting musicians, including some especially beautiful piano from Tom Gibbs and simply gorgeous pedal steel from Connor Smith, there’s much to fall in love with here. Folk luminaries like Siobhan Miller, Josie Duncan and Joy Dunlop line up to provide lush backing vocals.

Don’t expect Cosmograpy to be much like Dallahan but do expect it to be exceptional. It really is outstanding.

Released: 3 May 2024

https://www.jackbadcock.com/

Related posts:

Folk reviews: Gnoss, Rachel Hair & Ron Jappy, Gavin Marwick & Wendy Stewart, Jo Miller and Dallahan

This week’s featured artist: Yorkshire-based singer-songwriter Serious Sam Barrett

New album: A Drop Of The Morning Dew: Live At Bacca Pipes Folk Club released 1 March 2024

Distilling both folk and country influences and performing a heartfelt mixture of self-penned and traditional songs on 12-string guitar and banjo, Serious Sam Barrett was raised in the Dales village of Addingham and began performing in and around Leeds in 2004. With the release of his debut album Close To Home in 2009, word began spreading further afield and Sam was soon grabbing the attention of audiences both around the UK and in the US.

Having performed at SXSW in Austin, Texas in 2010, he has toured the US widely, usually in the company of friends and fellow skaters The Pine Hill Haints. Along the way, Sam has shared stages with the likes of Martin Carthy, Dave Burland, Katherine Tickell, Lucero, The Young Un’s, Frank Fairfield, Deer Tick and Karine Polwart, and received airplay and praise plaudits from the BBC’s Bob Harris, Marc Riley, Mark Radcliffe and Mike Harding.

Recorded live at a gig at a celebrated Keighley folk club in January 2023, Sam’s forthcoming album A Drop Of The Morning Dew: Live At Bacca Pipes Folk Club includes eleven self-penned highlights from his career, along with his own arrangements of a further seven traditional songs. A folk club has existed in Keighley in one form or other since the early 60s, adopting the name Bacca Pipes during the early 70s and playing host to a long line of notables such as Mike Harding, Swan Arcade, Julie Felix, Peter Bellamy, Norma Waterson, Martin Carthy and many more. It was a tradition into which Sam Barrett was born.

Serious Sam Barrett: “Folk clubs have always been part of my life. My parents met in one and I was taken to the clubs and festivals from a young age. The clubs have always been a massive source of inspiration for my music. The magic that happens week in and week out is impossible to put into words. Sometimes the experience is almost transcendental. The old pubs, the reverence for the singers, the jokes, the raffle, the stories and the music. There’s nothing like it.”

Ahead of the album release, Serious Sam Barrett is touring throughout February and March this year including a gig at the Music Room in the world-famous Liverpool Philharmonic on Thursday 15 February.

When I asked for a quote for this piece, Sam came straight back:

“What an honour to be part of Darren’s Music Blog!! Thanks so much I can’t wait! I’m in some very esteemed company there!!! Can’t believe I’m getting to play the world famous Liverpool philharmonic!! What an honour. And it’s all thanks to Mellowtone!!”

For all gigs visit:

https://www.serioussambarrett.co.uk/