A project commissioned and produced by The Who’s Pete Townshend, that’s built around the music of veteran British folk singer-songwriter, Reg Meuross, and is all about celebrating the life and times of who many consider to be America’s greatest ever folk-singer, Woody Guthrie, Fire & Dust certainly ticks plenty of boxes in the legends stakes.
Featuring twelve original songs penned by Meuross alongside four of Guthrie’s own songs, Townshend approached Meuross convinced that he was the right choice tell Guthrie’s story and, in Townshend’s own words: “draw a direct line from Woody, through Bob Dylan, to Reg Meuross.”
That notion of a baton being passed from Woody Guthrie to Bob Dylan, is reflected in the album’s final track, ‘Gypsy Singer’.
Reg Meuross:“It was because of Dylan’s visits to Woodie, his mimicking of his songs and singing, his hobo style, and his courage that I – and probably many more contemporary music fans – became interested in Woody. I already knew some of his folk songs, in fact my very first gig I played two of them. But Dylan drew my attention to the side of Woody for which he has since become famous: the compassionate, flawed and fiery fighter for freedom and equality, the protest balladeer, the Gypsy Singer.”
Joining Meuross (vocals, guitar, harmonica, banjo) a host of top-notch guest musicians (including Phil Beer, Marion Fleetwood, Gerraint Watkins and Simon Edwards) each work their magic. Townshend, himself, also contributes keyboards and bass guitar on two of the tracks
Pete Townshend: “Reg’s terrific songs tell Woody’s life story with respect and affection, but also truth.”
Highlights include the anthemic title track, the ‘Fire’ aspect representing the family tragedies that marred Guthrie’s personal life and the ‘Dust’ aspect representing the dust storms that forced millions, including Guthrie, to flee their homes in 1930s America. A change of tempo comes with the beautiful poignant ‘Woody Come Home’, written from the perspective of Guthrie’s wife. Among the Guthrie covers is, of course, Meuross’s rousing interpretation of that perennial protest anthem, ‘This Land is Our Land’. As the US of today descends into increasing authoritarianism, it’s a timely inclusion.
Throughout his career, Reg Meuross has been writing and performing songs brimming with passion, empathy and defiance. Probably no contemporary folk artist in Britain was better placed to make an album celebrating the life and music of Woody Guthrie – the protest singer’s protest singer. Fire & Dust is an outstanding project featuring an incredible set of songs.
“We were spellbound by her ability to highlight unique perspectives with her songwriting” – Maverick magazine
Released on 7 March, ‘The River’ is the second single from the forthcoming EP by London-based Americana singer-songwriter, Little Lore. A burgeoning presence on the UK Americana scene, Little Lore has received many plaudits, both for her astute, observational songwriting and for her warm, heartfelt vocals.
‘The River’ is one of six songs that will appear on the brand-new Little Lore EP, River Stories, which comes out in April. From rivers, to boats, to canals, to swimming, all six songs on the EP are inspired in some way by the theme of water. The concept for the EP came about following an invitation for Little Lore to become songwriter in residency on Johnson’s Island, an artists’ community set on a tiny island on the Grand Union Canal and the River Brent in West London.
A gentle, reflective song with gorgeous instrumentation, sumptuous vocals and beautiful harmonies ‘The River’ reminds us that rivers can be beautiful, tranquil places but can also be very powerful forces that can wreak great devastation.
Little Lore:“This song was inspired by two enormous storms that battered the UK in November 2023 causing great damage and floods. I had been invited to become songwriter in residence on Johnson’s island- an artists’ studio located in the mouth of the Grand Union Canal and the River Brent. A week before the residency the whole island was flooded including the artist’s room I was due to use. When I got the call letting me know that it was looking 50/50 for the residency to go ahead, I sat on the sofa with my guitar and I thought – damn that river has two sides. And the song came from there, with that phrase and the little guitar riff coming first, unusually for me as I am almost always a lyrics-first kinda gal.”
“The song reflects on the incredible beauty of the river and the destruction it can reap when the right combination of high tides, gravitational pull from the moon and storms collide. I love how Oli interpreted the song – and the addition of violins and cello really evoke the feelings of the water.”
Renowned New York-based producer and multi-instrumentalist, Oli Deakin, (who records under the name of Lowpines) is Little Lore’s principal musical collaborator and again produced the single and the forthcoming EP and provides much of the instrumentation.
Written and performed by: Little Lore AKA Tricia Duffy Produced by: Oli Deakin Violin: Francesca Dardani Cello: Sasha Ono Drums: Morgan Karabel All other instruments: Oli Deakin Artwork: Afiya Paice
About Little Lore:
Little Lore is a London based, Indie-Americana singer-storyteller whose songs are both charmingly accessible and beguilingly challenging. You’ll want to listen twice. When you combine British wit and wordplay with cherished Americana roots, musical magic starts to happen. Based in Chiswick, West London, and originally hailing from Portsmouth, Tricia Duffy started her singing career as a teenager, which included a stint on cruise ships in the United States. She began writing and performing her own material with Americana duo Duffy & Bird and they released a well-received album 5 Lines in 2017 and a follow-up EP Spirit Level in 2019.
Tricia’s solo project Little Lore was created in 2020 during the pandemic. Her debut solo EP, Little Lore, was released in 2021 to glowing reviews. The singles, ‘Shallow’, ‘Brown Liquor John’ and ‘Birds’ were released in 2022 to similar acclaim, followed by another equally well-received single ‘Normal’ in January 2023. Two follow-up EPs Seven Stories Part One and Seven Stories Part Two were then released in late 2023 and early 2024 to enthusiastic reviews and extensive radio airplay. Little Lore has become a force to be reckoned with on the UK Americana scene, picking up a slew of enthusiastic reviews and extensive radio airplay – including BBC Radio Scotland, BBC Radio Ulster, Nashville Worldwide Country Radio and the International Americana Music Show. In her songs, Little Lore brings together an affection for the heart and heritage of Americana music, with an intelligence and maturity of storytelling that can sweep you away into new and unexpected emotional worlds.
An enthusiastic advocate for songwriters, she is the London Chapter Coordinator for NSAI (Nashville Songwriters Association International), and a member of Ivors Academy and the Americana Music Association UK. She is especially passionate about creating opportunities for female, transgender and non-binary songwriters.
“We were spellbound by her ability to highlight unique perspectives with her songwriting” – Maverick magazine
‘I Can Breathe Underwater’ is the new single from Little Lore, the highly sought-after singer-songwriter on the UK Americana scene. Released on 7 February, it is one of six songs that will appear on a brand-new Little Lore EP called River Stories, which comes out in April.
From rivers, to boats, to canals, to swimming, all six songs on the EP are inspired in some way by the theme of water. This followed an invitation for Little Lore to become songwriter in residency on Johnson’s Island, an artists’ community set on a tiny island on the Grand Union Canal and the River Brent in West London.
With its gorgeous vocals, thoughtful lyrics, irresistible choruses and sumptuous production, ‘I Can Breathe Underwater’ is a tale of resilience that will bring a touch of joy to the seasonal gloom and act as the perfect antidote to those winter blues.
Little Lore:“The inspiration behind this song came from a family tale that when I was two years-old, I fell over in a swimming pool. I wasn’t in the water for long, I was scooped up quickly with no lasting physical impact. I was so young, that I have no recollection of the incident, it was shared with me when I was older by my parents. But although I didn’t remember it something in my psyche held on to this experience because as a child I refused to learn to swim. I can’t emphasise enough what a good girl I was as a kid, I did as I was told most of the time and was pretty compliant but when it came to swimming, I was adamant. There was absolutely no way I was getting into water. I certainly wasn’t going to put my face in and blow bubbles like the other children at swimming lessons. It didn’t matter what anyone said or did – I was immovable.”
“In my teens I got over it enough that I learned to swim, but I still don’t put my face in the water. Some incidents last but they give you strength and a way to prove that you can overcome difficult times. This song is a testimony to overcoming pain, suffering and not allowing it to destroy you but rather to give you a glossy mermaids tail and resilience in all aspects of your life. Sometimes I feel as though nothing can hurt me because I can (metaphorically) breathe underwater.“
The single is again produced by renowned New York-based producer and multi-instrumentalist, Oli Deakin, who records under the name of Lowpines.
‘I Can Breathe Underwater’ is released digitally on 7 February 2025 via:
Written and performed by: Little Lore AKA Tricia Duffy
Produced by: Oli Deakin
Violin: Francesca Dardani
Cello: Sasha Ono
Drums: Morgan Karabel
All other instruments: Oli Deakin
Artwork: Afiya Paice
About Little Lore:
Little Lore is a London based, Indie-Americana singer-storyteller whose songs are both charmingly accessible and beguilingly challenging. You’ll want to listen twice. When you combine British wit and wordplay with cherished Americana roots, musical magic starts to happen. Based in Chiswick, West London, and originally hailing from Portsmouth, Tricia Duffy started her singing career as a teenager, which included a stint on cruise ships in the United States. She began writing and performing her own material with Americana duo Duffy & Bird and they released a well-received album 5 Lines in 2017 and a follow-up EP Spirit Level in 2019.
Tricia’s solo project Little Lore was created in 2020 during the pandemic. Her debut solo EP, Little Lore, was released in 2021 to glowing reviews. The singles, ‘Shallow’, ‘Brown Liquor John’ and ‘Birds’ were released in 2022 to similar acclaim, followed by another equally well-received single ‘Normal’ in January 2023. Two follow-up EPs Seven Stories Part One and Seven Stories Part Two were then released in late 2023 and early 2024 to enthusiastic reviews and extensive radio airplay. Little Lore has become a force to be reckoned with on the UK Americana scene, picking up a slew of enthusiastic reviews and extensive radio airplay – including BBC Radio Scotland, BBC Radio Ulster, Nashville Worldwide Country Radio and the International Americana Music Show. In her songs, Little Lore brings together an affection for the heart and heritage of Americana music, with an intelligence and maturity of storytelling that can sweep you away into new and unexpected emotional worlds.
An enthusiastic advocate for songwriters, she is the London Chapter Coordinator for NSAI (Nashville Songwriters Association International), and a member of Ivors Academy and the Americana Music Association UK. She is especially passionate about creating opportunities for female, transgender and non-binary songwriters.
Prior to 2020, the sum total of Martin Flett’s songwriting was a solitary song. That’s not to say he’s ever been idle. He’d been a local government officer, gym owner, housing manager, TV quiz show champion and a successful powerlifter, with numerous championship titles under his belt as well as being the main commentator for the World and European Powerlifting Championships. However, as many of us discovered, the Covid lockdown period provided an ideal opportunity for nurturing latent talents and exploring new-found interests. Flett renewed his acquaintance with the guitar and soon turned his hand to crafting his own songs.
Martin Flett: “Sitting indoors day after day, apart from venturing out to exercise my dogs, I picked up a long neglected guitar and started getting to know it again. After a few weeks, song ideas started forming in my head. I likened it to muses planting seeds, and it was my job to grow them.”
He has since written over a hundred songs, eleven of which feature on this debut album, When The Introverts Come Out, recorded at the age of 68.
Flett: “I never intended or wanted to be a performer but I soon realised that if I didn’t ‘take my songs to market’ then no one else was going to and they would wither on the vine. My dream is still that one or more of the songs are taken forward by an established artist, but in the meantime it would be great to bring the songs to a wider audience and use the proceeds from CD sales and downloads to fund a follow up album. The next set of songs is ready and waiting…”
Based in the Outer Hebrides of Scotland where he was born and brought up and returned to more recently, Flett recorded the album at Wee Studio in Ness, at the northern tip of the Isle of Lewis. A talented bunch of local musicians joined him in the studio, adding piano, accordion, fiddle, mandolin, electric guitar and percussion where it was required.
Combining folk, country and classic-era singer-songwriter influences, the result is this highly-impressive debut. Showcasing poignant, often highly-personal, lyrics and instantly-appealing melodies, When The Introverts Come Out is a thoughtful album with bags of charm and well worth exploring.
Cool Waters is the debut solo album from singer-songwriter and multi-instrumentalist, Mark Neal. While he’s been playing and recording as part of the Scottish traditional music scene for many years, this is the first time he’s worked solo.
Based in Helensburgh in the west of Scotland, Neal is mainly a guitarist and singer but ever since he started playing music as a young child he’s enjoyed the challenge of picking up and learning new instruments and different musical styles. Having a keen interest in science and technology (having studied a degree in Physics and a PhD in musical acoustics) he has always enjoyed the technical side of music. He’s been heavily involved in sound engineering and recording since his university days and is co-owner of the Edinburgh recording studio ‘The Sonic Lodge’ with fellow musician and producer Phil McBride.
Mark Neal:“I have been writing songs for many years and over 2023 I decided to take a bit more time to do more writing and ended up completing this collection of songs. This album started as a solo songwriting project but as it developed it seemed like a nice idea to make the whole album completely solo with me playing all the instruments, producing, recording and mixing.”
“The songs are mostly all based around my acoustic guitar playing but move away from the trad/folk style that has been a feature of most of my recording and performing and pulling in influences from jazz, pop, rock and classical music which I also love. Much of the songwriting has been inspired by nature and many of these songs come from thoughts that have popped into my head when wandering around the land and seascapes in the West of Scotland.”
Cool Waters is a highly enjoyable album with some lovely guitar, both acoustic and electric. Although Mark Neal’s musical background is very much in Scottish traditional music, this album is much more in the gentle, laid-back singer-songwriter vibe. Think of a Scottish James Taylor and you won’t go far wrong. Beautifully written and performed and well worth checking out.
Photo credits: Gordon Russell
Cool Waters available on CD via Bandcamp and released on all major platforms from 1st November 2024
In 2023 Phil Beer and Steve Knightley announced a final tour before putting Show of Hands on indefinite hiatus, pledging to “prioritise their well-being, creativity, and longevity above the demands of the road.” There was no suggestion, thankfully, that either of them would be giving up performing altogether and for those feeling a Show-of-Hands-sized gap in their lives the good news is that Steve Knightley is back with a brand-new solo album – his first in seventeen years.
Steve Knightley:“I’ve spent much of my career weaving the West Country and English landscapes into my music, seeking to capture the essence of rural life and the stories that define it. But with Show of hands now on sabbatical, I’ve found myself at a crossroads – a moment to pause, reflect and consider new directions.”
“This album marks a significant departure for me, both musically and personally. Inspired more by the likes of Bruce Springsteen and Peter Gabriel, The Winter yards reflects a fresh journey, venturing more into urban and transatlantic landscapes. But while it explores unchartered territory I believe it stays true to the voice I’ve always had, finding new ways to tell stories that matter.”
The Winter Yards is not simply Show of Hands in exile but without the fiddle and the mandolin. Clearly, however, Knightley’s unmistakeable voice, both as a singer and a lyricist, is very much at the heart of the album and there’s plenty here to appeal to long-term fans of the duo.
Lyrically, the album tackles themes as diverse as the Post Office scandal, immigration, the emotional toil when friendships breakdown and youthful, sun-kissed, summer romance. Knightley also revisits a handful of Show of Hands songs, including ‘Requiem’ and ‘Exile’ but one of the few ‘everyday story of country life’ songs that Show of Hands were best known for is one inspired, not by the tribulations of rural life in Devon or Somerset, but rather an anthemic celebration of the village of Wickham in Hampshire, the county Knightley was born in.
Musically, there’s a lush palette of sounds, incorporating keyboards, guitar, drums, dobro, violin and more, and Knightley has pulled in a wealth of talent to perform alongside him on the album. Phil Beer even gets to guest on a couple of tracks.
Poignant, tender, thought-provoking and rousing, in turn, The Winter Yards marks a triumphant return for Steve Knightley as a solo artist.
Born and raised in Leigh in Lancashire and now living in Otley, Yorkshire, Jon Budworth started playing guitar at the age of 11 and has been honing his skills, diversifying his repertoire and experimenting with various genres ever since, with rock, blues, folk, and jazz all featuring on his musical horizons.
Budworth’s debut EP as a singer-songwriter, Time Machine, was released back in 2013 which was followed up by a second EP, Trees Turn To Fire, in 2014 which I was asked to review for the Bright Young Folk website. I remember being impressed by the release, writing at the time:
“Budworth’s bright, fresh sounding vocals and lovely melancholic guitar work extremely well. Budworth’s music definitely deserves a wider audience.”
What I wrote must have struck a chord because, ten years later, reading the publicity blurb for his latest album, I find that sentence staring back at me. In the intervening years, Budworth released his well-received debut full-length album, We all Share the Same Sky, back in 2020, with the excellent follow-up, In Sight of Home, coming out in June this year.
Jon Budworth:“The seed for In Sight of Home was sewn in 2019 after watching an incredibly moving BBC documentary commemorating the one hundredth anniversary of the Iolaire Disaster. I was immediately inspired to write a song and decided there and then it would become the title track on a new album.”
“It wasn’t until a certain pandemic hit that I had the time and space to continue writing. Shadow of the Chevin is a love song to my wonderful home-town of Otley. I’m originally from Leigh in Lancashire, but in 2017 I traded in my Lancashire passport, moved over the border, and became an honorary Yorkshireman! All is Quiet was written after taking a stroll around Otley on a beautiful April evening during the first lockdown – the normally bustling market town was eerily quiet and still. I wrote December on a dark and misty winter’s night as I found myself contemplating growing older and how quickly life passes by.”
“After covid, my normally hectic existence resumed and I wrote several songs dealing with the everyday stresses and strains of real life. In This Moment is about finding those rare moments of peace and tranquillity, a situation very often aided by a glass or two of wine! I Don’t Need Tomorrow is a song dedicated to anyone, who for whatever reason, is not looking forward to what tomorrow might bring. 1000 Faces is a song about fate and not taking anything for granted. Never deals with the thought of being forced to move away from a place you love.”
“Two of the songs are observations on modern life. Flatlining addresses first world problems and many peoples need to live their lives through social media. I wrote Holyhead after visiting the town and seeing a homeless girl set against a backdrop of opulent cruise ships in the harbour. Ghost of a Girl was written after discovering a ghostly statue of Alice in Wonderland in a garden behind York Minster. She looked lost, alone and frozen in time on that grey and damp February afternoon.”
Most of the instruments on the album are played by Budworth himself, including drums, bass and guitar, but he’s also enlisted the assistance of several highly talented local musicians, as well as the as well as the highly acclaimed singer-songwriter, Edwina Hayes, who shares lead vocals on the title track.
With thought-provoking yet easily relatable lyrics, appealing melodies, impressive guitar-work and vocals that are still as fresh-sounding as ever, Budworth has come up with an extremely likeable album here which is well worth checking out, as is the rest of his back catalogue.
In Sight of Home was released by Flying Folkie Recording Co. on 7th June 2024
The UK guitarist and singer-songwriter, Jake Aaron, has released a new single ahead of what will be his third album next year. ‘Watery Moon’ was released digitally on 25th October 2024.
Jake Aaron: “Watery Moon is the first single from a new album due out next year. I was strumming the opening chords and starting thinking about the brilliant doo-wop songs of the 1950s. I like the melodrama and nostalgia of the piece and enjoyed the lyric writing process too. It was great to record with the same line up from my last two albums: Steve Lodder on piano and Hammond, Davide Mantovani on double bass, Marc Parnell on drums. They just got it immediately and I think this was the first take. Kenny Jones again is engineering.”
A British guitarist and songwriter who has “moved among both folk and jazz circles” (‘Cosmic Jazz’ – Feb 2023) Jake’s first EP of acoustic pieces was released in 2015 to positive reviews from folk and indie reviewers. His 2018 single ‘Give Me Your Horse’ was a bigger, jazzier number which had airplay on both folk stations as well as jazz, including the BBC’s Jazz Nights. He released his first album in 2019 Fag Ash and Beer, a collection of songs, longer lyrical offerings and instrumentals which was nominated for Debut Album of The Year by Fatea Magazine. That was followed up by a second album, Always Seeking, released in May 2023 to positive reviews and extensive airplay.
“Her songwriting hasn’t gone astray, with catchy lines coming thick and fast, alongside the wistful observational writing. The musicality sways in with reverberating, almost shoegaze guitar embellishments and constantly strumming acoustic guitar to ground each song with the brushed drums and light piano accompaniment. – Maverick magazine on Little Lore’s 2023 EP, Seven Stories Part One
With three acclaimed EPs of lush Americana, superb songwriting and heart-felt vocals under her belt, Little Lore has become a force to be reckoned with on the UK Americana scene, picking up a slew of enthusiastic reviews and extensive radio airplay – including BBC Radio Scotland, Nashville Worldwide Country Radio and the International Americana Music Show. Now Little Lore is back with a brand-new single, ‘This Building Is Condemned’, featuring that trademark blend of sharp, observational songwriting, top-notch musicianship and gorgeous vocals.
Little Lore:“This song was inspired at a cross section between a play by Tennessee Williams called This Property is Condemned, and the idea of a condemned building as a metaphor for how it feels to be a post-menopausal women. Yes really! When I was a teenager I did a lot of acting and I often used a monologue from the play for auditions and exams. A 1966 American film inspired by this one act play stared Natalie Wood in the part of Alva and it was her character, oppressed, misunderstood and frustrated that formed the starting point for my writing. I was finding the word ‘property’ wasn’t very singable, so I evolved to building and that inspired me to lean into my own story using the building figuratively. “
“Musically I wanted to capture some of that 1930s Americana feel I got from the film and so I worked with long-time Little Lore collaborator Oli Deakin to create a rich sonic-sound scape using the brilliant talents of Francesca and Sasha for the violin and cello, Morgan on drums with all other instruments played by Oli. I couldn’t be prouder of this song, both lyrically and harmonically, and I am delighted with how it has turned out.”
The single is again produced by renowned New York-based producer and multi-instrumentalist, Oli Deakin (who records under the name of Lowpines). Released digitally on October 11th 2024 it is available via: https://littlelore.bandcamp.com
Release information ‘This Building is Condemned’:
Written and performed by Little Lore / Tricia Duffy
Produced by Oli Deakin
Violin by Francesca Dardani
Cello by Sasha Ono
Drums by Morgan Karabel
All other instruments Oli Deakin
Artwork Afia Paice
About Little Lore:
Little Lore is a London based, Indie-Americana singer-storyteller whose songs are both charmingly accessible and beguilingly challenging. You’ll want to listen twice. When you combine British wit and wordplay with cherished Americana roots, musical magic starts to happen. Based in Chiswick, West London, and originally hailing from Portsmouth, Tricia Duffy started her singing career as a teenager, which included a stint on cruise ships in the United States. She began writing and performing her own material with Americana duo Duffy & Bird and they released a well-received album ‘5 Lines’ in 2017 and a follow-up EP ‘Spirit Level’ in 2019.
Tricia’s solo project Little Lore was created in 2020 during the pandemic. Her debut solo EP, Little Lore, was released in 2021 to glowing reviews. The singles, ‘Shallow’, ‘Brown Liquor John’ and ‘Birds’ were released in 2022 to similar acclaim, followed by another equally well-received single ‘Normal’ in January 2023. Two follow-up EPs Seven Stories Part One and Seven Stories Part Two were then released in late 2023 and early 2024 to enthusiastic reviews and extensive radio airplay.
An enthusiastic advocate for songwriters, she is the London Chapter Coordinator for NSAI (Nashville Songwriters Association International) and is especially passionate about creating opportunities for female, transgender and non-binary songwriters. In her songs, Little Lore brings together an affection for the heart and heritage of Americana music, with an intelligence and maturity of storytelling that can sweep you away into new and unexpected emotional worlds.
Following a hugely-impressive debut album released in 2022, Norwich based indie-folk outfit Eliza Delf and The Wilderness will be unveiling their latest single at the end of this month.
‘Look At Me’ will be released across all digital platforms on 31 October 2024, and is the first taste of a brand-new album scheduled for release in Spring 2025
Reviewing thedebut album at the time I wrote: “The term folk barely covers what Into The Wilderness is about. This boundary-defying debut album spans indie, folk, prog, singer-songwriter and much more besides.” That impressive debut album brought forth comparisons with everyone from Kate Bush to Sandy Denny to PJ Harvey.
Now with this new single Delf and the band establish an even more vivid direction for their music revealing, as they explain: “…the darkly poetic lyricism of Eliza’s extraordinary vocal performance. All set against the lush percussive rhythms of drummer Tim Skinner, and the rich textures of cellist Eva Wright and guitarist Jacob Browne.”
For a sneak preview of the song, prior to its formal release on October 31st, the band uploaded a live version to YouTube. This is from a performance at The Bear Club in Luton on 15 June 2024.
Delf sums it up deftly, by adding: “This is the sort of song you don’t just sing…you howl!”