Tag Archives: Rakoczy

Folk: album review – Jon Loomes ‘Dust in the Sun’

Dust in the Sun by Jon Loomes is presented as a ‘lost’ English folk album, recorded in the long hot summer of 1976.

According to the press blurb: “A troubled artist made a remarkable folk album whose creation was beset by difficulties. Almost immediately, the label collapsed into insolvency. A pressing plant fire destroyed almost the entire original run, after which the album slipped into rumour and half-memory, after which the album slipped into rumour and half memory. Dust in the Sun was long thought lost forever. Miraculously, a single copy arrived into the present day, and the album has now been reissued to mark its fiftieth anniversary.”

This is an all an elaborate scene-setting fiction, of course. Unlike yours truly I doubt Loomes was even old enough to be spending the summer of ’76 tearing around the streets on a chopper bike, let alone recording long lost folk albums.

What the album does do, however, is authentically capture the ambience and repertoire of some of the great folk albums of that era, with an affectionate nod to artists such as Martin Carthy and Nic Jones.

There’s plenty of tried and tested classics from the Trad. Arr. repertoire that seasoned folk fans will be more than familiar with (‘Bonnie Bunch of Roses’, ‘Maid on the Shore’ ‘The Female Drummer’ et al). Yet in spite of the luridly tongue-in-cheek nature of the album’s back-story there is a sincerity and a passion behind Loomes’ interpretations that immediately brings the songs, and their vivid story-telling, to life.

https://jonloomes.bandcamp.com/track/bonnie-bunch-of-roses

Add in some authentic period production, some beautiful accompaniment to Loomes’ vocals and guitar (Rachel Crowther – bass; Tom Kitching – fiddle; Trolsynx – side drum; Rakoczy – English pipes; recorder, concertina; Gill Loomes-Quinn – Dulcimer; and Becky Turner – Uillean pipes) and you have the makings of a genuinely compelling folk album. And for those who are intrigued to find out more about the album’s fictional back-story, there’s even an accompanying novel.

Released: June 2026 https://jon-loomes.com/home

Folk: album review: Rakoczy ‘Frontrunner’

This review was originally published by Bright Young folk here

From traditional horse fairs, to the wooden ’obby ’oss, to the racehorse, to more mystical creatures, the horse has been an enduring fixture in traditional folk song. Racokzy brings such songs together in an inspired and ambitious approach for her debut album.

Rakoczy, full name Fruzsina Zsofia Rakoczy, was born in Budapest but has lived most of her life in Manchester. Coming to folk music via the Euro dance scene and local sessions, she sings and plays recorder, concertina and bagpipes, all of which can be heard on the album.

The album draws together traditional favourites like Skewbald, Poor Old Horse and Creeping Jane along with covers from the likes of US singer-songwriter Tucker Zimmerman and pastoral prog rockers Jethro Tull, in addition to a couple of originals.

In her biography Rakoczy cites influences as diverse as British and European traditional song, early music, classic rock, gothic and steampunk and draws inspiration from artists like Tom Waits, Marilyn Manson, Lady Gaga, David Bowie and Joan Jett. With a versatile vocal delivery and excellent musical accompaniment, the spectrum of emotions, moods and influences the artist and her backing band take us on over the course of this album is an exhilarating ride.

From the powerful bagpipe and drumming arrangements which lend atmosphere to opening track Hooden Horse, a Kentish calling-on song celebrating the parade of the wooden hobby horse through the streets of Broadstairs, to the sparse and mournful guitar and vocal arrangement on Little Dun Dee collected from septuagenarian Gypsy traveller Mary Anne Haynes in the 1970s, there is plenty for the traditional folk enthusiast to fall in love with on this album.

For their cover of Zimmerman’s Taoist Tale meanwhile, Rakoczy and her band, the Horror Show, channel the spirit of Mancunian indie favourites The Stone Roses. The album ends with a little bit of folk rock – not the late 60s variety but a blast of 1950s rock and roll as the traditional song Dead Horse is repurposed as a vintage electric guitar romp, a glorious and fitting tribute to our equine friends everywhere.

Quirky, inspired and creative Frontrunner is a superb debut and Rakoczy will most definitely be a name to watch out for.

https://www.facebook.com/pages/category/Musician-Band/Rakoczy-Music-101253771590149/