Tag Archives: London

Live review: Judy Dyble at WM Jazz at The O2 16/3/14

Before iconic singer-songwriter, Sandy Denny, joined Fairport Convention the band had a previous and lesser-known female vocalist, Judy Dyble, who sang on their first album. After her time with Fairport, Judy was involved in a handful of projects before quitting the music business altogether in the early 70s, spending time bringing up a family and working as a librarian. The story doesn’t end there, though, as the early 2000s saw Judy begin writing, recording and performing once more.

Which brings us to today’s gig in the O2. The main arena at the O2 is one of the busiest and largest music venues in the world, with a seating capacity of 20,000. The WM Jazz bar at the O2 is a somewhat smaller affair, with a seating capacity of 84. But the intimate setting was perfectly suited to Judy’s performance. Judy and her talented six-piece backing band performed numerous songs from her two most recent albums, 2009’s Talking with Strangers and 2013’s Flow & Change, delivered with the same pure, fresh, English vocals that we heard on that first ever Fairport album. They are beautifully written songs, too, such as Jazzbirds, Grey October Day, Wintersong and The Sisterhood of Ruralists

We also got a few glimpses back into the past, too. She gave us Jenny May, a track from her album with her post-Fairport band, Trader Horn, and a perfect recreation of If I Have a Ribbon Bow, the wonderfully eccentric first ever single from Fairport Convention.

Judy is quite possibly the least showbizzy singer you could ever hope to meet: the complete lack of ego meant they didn’t even have an encore prepared and thus gave a repeat performance of If I Had a Ribbon Bow. However, what you do get is beautiful songs, beautifully performed. And, as Judy’s first and very wonderful album with Fairport Convention edges closer towards its 50th anniversary, it would be nice if her more recent music also became known to a wider audience.

http://judydyble.com/

Live review: Fairport Convention at Union Chapel 9/3/14

“Don’t worry, if you are not enjoying it and can’t wait for me to finish – I’m only on for twenty minutes.” So explained support act Edwina Hayes. The singer-songwriter turned out to be very much more than bearable and was later welcomed back on to the stage by Fairport Convention towards the end of the night to join them in a performance of the Sandy Denny-era classic “Who Knows Where the Time Goes.” I’ve seen Fairport fifteen times now. Although they have always been adamant that they could not and should not attempt to replace the late Sandy Denny; for me, what turns a good Fairport performance into something very special  indeed is when they are able to enlist the assistance of a talented female guest vocalist to sing one or two of Sandy’s songs.

This wasn’t the only noteworthy thing about the performance, tonight either. The setlist, which has possibly been getting a bit samey these past few years,  has been spruced up for this tour with some new songs as well as some old favourites that had not been heard for a while being brought back. Also notable, on this tour has been the addition of a stand-in bass player. Dave Pegg, who has played with the band since 1970, managed to damage the tendons in his hand and has been unable to play. Although he came on stage to introduce the band and hung around for some occasional backing vocals and on-stage banter, it was his son Matt Pegg on the bass. An excellent replacement who was warmly applauded.

The audience were far more reserved than at Fairport’s Cropredy Convention, their Summer festival which takes place each August and which got constant plugs throughout the night. Nevertheless, it was a fitting performance for the final night of their winter tour in what is one of London’s most beautiful venues. To absolutely no-one’s surprise and everyone’s delight the band finished with their usual sing-along encore “Meet on the Ledge.”

Setlist:
Jewel in the Crown
Doctor of Physick
Already There/Sailing into Walpole’s Marsh
Home
Theodore’s Song
Dirty Linen
Cell Song
Mercy Bay
– Interval –
Festival Bell
Wassail Song
Farewell Farewell
Happy Man
Myths and Heroes
Close to the Wind
Grace and Favour
Who Knows Where The Time Goes
Danny Jack’s Reward
Matty Groves
Meet on the Ledge

http://www.fairportconvention.com/

Live review: The Young ‘uns at Cecil Sharp House 5/3/14

Fascism. Fighting it, defeating it, singing about it. Fascism looms large in the life of the Young ‘uns, three twenty-somethings who’ve been singing together ten years now (hence the cringe-worthy name). But if anyone was expecting  unsubtle diatribes, as ranty as a street-corner seller of the Socialist Worker, you couldn’t be further from the truth. What you get is beautifully sung, evocative and thoughtful songs. Their last album “When our Grandfathers’ Said No” marks the time poverty-stricken Hartlepool sent Oswald Mosely and his crew packing in the 1930s. Their latest album similarly reflects on how members of a Bradford mosque disarmed an EDL rally outside through the simple act of offering them tea and biscuits. Songs from each of these albums were performed beautifully at Cecil Sharp House, HQ of the English Folk Dance and Song Society.

But as the Cecil Sharp House Director made clear in her introduction it’s not just the beautiful songs and amazing harmonies that you get at a Young ‘uns  gig, a major part of it is their brilliant on-stage humour;  three friends who are constantly taking the piss out of each other, the audience and fellow musicians in a warm but hilarious and totally unscripted way.

They sing a mixture of traditional and original songs and, don’t worry, it’s not all about Oswald Mosley or the EDL. One of my favourite songs of theirs is “Love in a Northern Town” describing how the group’s songwriter Sean Cooney’s nana met her husband and reflecting on the changing fortunes of Hartlepool. Highly recommended.

http://www.theyounguns.co.uk/

Live review: Uriah Heep at Koko 4/3/14

When I first saw the Heep in 1985 it was virtually a completely different band compared to what we saw tonight – with only guitarist, Mick Box, remaining from that appearance. What has remained though is consistency in delivering melodic hard rock. Tonight we got many of the classic songs from the early and mid 70s but also material from the coming new album, too.

Highlights for me were Traveller in Time, Gypsy, July Morning and what Mick Box introduced as a “happy hippy song” for strumming around campfires: Lady in Black. The new material was very much in the style of 70s era classic Heep (you are not going to buy a new Uriah Heep album if you are looking for something up to the minute and contemporary are you?) and new songs like One Minute fitted in well. They encored with a repeat performance of this new song, followed by Free and Easy and the wonderful Easy Living.

The quality of the musicianship was superb, the vocals were amazing and all in all it was a pretty spectacular gig. It was being filmed so those present may catch a glimpse of themselves on DVD at some point in the future.

Koko itself is a great venue. It’s been through many different incarnations over the years and although it’s been sympathetically restored in a way that shows of its Edwardian-era music hall grandeur, it’s done in a way that works really well as a rock venue.

Setlist:
Against the Odds
Overload
Traveller in Time
Sunrise
Stealin’
I’m Ready
Between Two Worlds
Can’t Take That Away
One Minute
Nail on the Head
Into the Wild
Gypsy
Look at Yourself
July Morning
Lady in Black
One Minute
Free ‘n’ Easy
Easy Livin’

http://www.uriah-heep.com/newa/

Image

Photo credit: Elise Benjamin