My review was originally published in the March 2017 issue of fRoots
Formed in 2010 while studying music at the University of East Anglia, Norwich-based band Inlay released their well-received debut album in 2012. A wait of over four years for a follow-up seems like an age and, according to the sleeve-notes, various other ideas have been tried out and lain unreleased. However, with a collection of self-composed tunes and songs and a few traditional numbers thrown in as well, Inlay have come up with a folk album that is fresh-sounding and coherent, and, most importantly, something that is worth waiting for.
Built largely around fiddle, banjo, guitar and accordeon, Inlay have developed a trademark sound but one that doesn’t risk becoming predictable. Classically trained but with a shared and long-standing passion for the folk tradition, the band have not been afraid of bringing a wide variety of influences both to their playing and to their compositions.
The Road To Varanasi is inspired by a north Indian ‘Kalyan’ rag following a trip around India by two of the band members, with suitably evocative sounds played on a bansitar (a cross between a sitar and a banjo) and melded with some lovely accordeon playing. Other tracks draw their influences from closer to home, whether it’s the Norfolk landscape, the Pembrokeshire coast or the London tube.
Choral influences are evident in much of the singing which, again, helps to make Inlay more than simply one more talented folk band on the scene. Subtle but beautifully atmospheric percussion also adds to the mix making Forge a fine album.
This second album from Inlay helps showcase both their considerable musical talents as well as the breadth of their musical influences. Let’s hope we don’t have to wait another four years for the next one.
Released October 2016