A simple, slightly quirky but effective idea, every year the Traditional Music & Song Association of Scotland (TMSA) run the Young Trad Tour project where they offer young musicians the opportunity to record an album with their contemporaries and tour their home towns. TMSA launched the project back in 2004 when the six finalists from BBC Scotland’s Young Traditional Musician Of The Year awards were brought together to tour and make an album and its been repeated each year since.
This year’s CD features the six finalists of the 2018 competition along with the winner of the 2017 competition and the full lone-up is as follows: Hannah Rarity (vocals and 2018 winner), Charlie Stewart (fiddle and 2017 winner), Ali Levack (whistles/pipes), Rory Matheson (piano), Luc MacNally (guitar/vocals), Amy Papiransky (vocals) and David Shedden (bagpipes).
The album contains a nice mix of original material and arrangements of traditional tunes. There’s a real maturity to both the playing and the writing but one of the undoubted highlights of the album is the wonderful voice of 2018 competition winner Hannah Rarity. Rarity’s talent had already come to my notice when I reviewed her debut release for the sadly now-defunct fRoots magazine back in 2017. It’s certainly encouraging to see her getting the recognition she deserves, not that the CD is merely a showcase for the winner. There’s some fine fiddle playing and bagpipes on this album and it is impressive to see this ad-hoc ensemble coming together with something as cohesive as this.
A wonderfully creative project and one that has delivered a fine album.
Released: 6th August 2019 by TMSA
EP review – Hannah Rarity – Beginings
My review was originally published in the April 2017 issue of fRoots
Beautifully engaging vocals, thoughtful interpretations of traditional songs and some highly promising song-writing, Scottish folk singer Hannah Rarity makes a very strong début with this six-track EP Beginnings.
She is supported by Innes White on guitar and keyboards, Sally Simpson on fiddle and viola and Conal McDonagh on whistle. Together, they provide sensitive, empathetic accompaniment that delivers a clean, uncluttered sound and some beautiful melodies, while rightly leaving Rarity’s voice very much at the forefront.
There are two originals. The lead track, Anna’s Lullaby, does exactly what it says on the tin but is in the same league as the likes of Cara Dillon when it comes to softly-sung tender emotion. The dreamily enchanting and inventive Stevenson’s, meanwhile, has some lovely string arrangements and utilises some of the words of Robert Louis Stevenson (who gets a co-write alongside Rarity) in the lyrics.
Of the traditional material, Rarity’s interpretation of Erin Go Bragh, the tale of a Highlander mistaken for an Irish immigrant and mistreated at the hands of an Edinburgh policeman, is a definite highlight. Rarity’s clear but impassioned vocal delivery draws you in so that you end up hanging on to every word of a story song like this.
At six tracks this debut certainly gives good value and shows exceptional musical promise. Having already begun making her mark in her native Scotland, Beginnings will certainly help bring Hannah Rarity’s captivating voice to wider public attention. Hers is definitely a name to watch. I cannot wait for a full album to appear.
Released: November 2016