I had the privilege of reviewing Hannah Rarity’s debut EP, Beginnings, for the now defunct fRoots magazine back in 2016. I predicted hers was a name to watch, Rarity’s voice reminding me of a young Cara Dillon, a comparison it seems a few others went on to make along the way. Since then, she went on to pick up BBC Scotland’s Young Traditional Musician of the Year award in 2018 and release her extremely well-received debut full album, Neath The Gloaming Star, that same year.
Four years later she returns with the follow-up, To Have You Near. The vocals are as captivating as ever and the songs, whether originals or Rarity’s interpretations of others’ material, are always both highly engaging and thought-provoking. With this new album, however, she brings in other influences alongside the expected Scottish folk, with touches of jazz and blues.
Hannah Rarity: “A second album is a daunting task for any artist, and To Have You Near has been born out of a turbulent, difficult time in the world. Which I think is reflected in the freshly penned songs and my choice of poignant covers. Artistically and stylistically, I wanted it to be an intimate experience for a listener, tackling more complex subject matters along the way and experimenting further with production techniques and sounds – still grounded in traditional folk song but allowing space for other influences to permeate.”
Rarity’s own songs (whether her solo compositions or collaborations with co-songwriter, Gordon Maclean) explore themes such as home, friendship, insecurity and dementia, the latter taking the form of a touching song called ‘Kaleidoscope, based on Rarity’s work bringing music to residents in care homes through the Live Music Now initiative.
Covers include the 19th century parlour song, ‘Hard Times Come Again No More’, a cover of Tom Waite’s ‘Take It With Me’ and Julie Matthews’ ‘Comes The Hour’, originally written for a BBC Radio Ballads documentary.
To Have You Near is produced by long-time collaborator, Innes White, who also provides acoustic guitar, alongside John Lowrie (keyboards), James Lindsey (bass) and Scott McKay (drums and percussion). Lush strings courtesy of Seonaid Aitken, Katrina Lee, Patsy Reid and Alice Allen give the album additional depth and sensitivity.
Still a name to watch and still as captivating as ever, Hannah Rarity has created a thing of beauty with this, her second album.
Released: 3rd June 2022
EP review – Hannah Rarity ‘Beginnings’