Following his 2020 album Highfield (reviewed here), Canandian singer-songwriter, Garnett Betts, has a new album out. Like its predecessor, this latest offering Moonlight Door is another pleasingly eclectic selection of original songs rounded off with a couple of instrumentals.
“The thread of story is always central to my love of songwriting, and often the twill is spun from my observance of a friend, the village that surrounds us, or a personal event,” says Betts. “Gone Like The Wind is my telling of a friend’s life with his band-mates, who would throw their gear and a generator in the van and head out to the Joshua Tree Forest, from their regular house gig at the Starwood in L.A., to play in the desert for a day or two. Though his recounting of those days was richly detailed, I found that I could only ‘speak’ of it from the point of view of my imagined and mystified listeners in the desert.
With his laid-back country-tinged, bluesy vocal delivery and influences that take in rock, jazz and blues, Betts makes for a compelling storyteller. He’s also a fine guitarist, too. Top-notch musical back-up courtesy of acclaimed jazz pianist Karel Roessingh (piano and keyboards), Rick May (bass) and Sascha Enns (hand percussion) makes for a highly listenable package. Beautiful original cover art is provided by Lorraine Thorarinson Betts. Once again, another fine album from Mr Betts and well worth checking out.
Canadian singer-songwriter Garnett Betts‘ work springs from a folk/roots sensibility but there is no shortage of other influences, too, from jazz to blues to country to easy listening. With Highfield, his latest album, the result is some compelling story-telling in the best singer-songwriter tradition mixed in with some cool, laid-back jazz-tinged piano.
Featuring Betts on vocals, guitar and penny whistle, the album also includes Rick May on bass, Karel Roessingh on piano and keys and Alex Campbell on hand percussion.
“I definitely think that an up beat and more energetic feel runs through this album than my past work,” says Betts.
Betts’ story-telling really comes to the fore on ‘Smart Guys Don’t Fade Away’ described as a tale of unsolicited advice from youth through to maturity and one of the stand-out tracks on the album.
‘Farther On’ one of the two instrumentals on the album takes on a more overt folky feel with some atmospheric penny whistle giving the track something of a Celtic touch.
The more upbeat ‘Rendezvous’ meanwhile, with its catchy melody and slightly bluesy feel, immediately puts me in mind of one of those classic, mid 70s albums with that sun-kissed, west coast vibe and is another stand-out track.
A singer-songwriter with plenty to say and a diverse set of musical influences distilled into an interesting and coherent album. Check it out.