Tag Archives: EP review

This week’s featured artist: original Rock and Roll / Americana from Sufferin’ Fools

Album reviews, americana, Rock music, , , , , ,

Assembled as a showcase for the songwriting of North Carolina-based Cameron Thomas, songs that “share the humble joys, struggles and mysteries of Southern life”, the North Carolina-based four-piece Sufferin’ Fools  recently released their second EP.

Sufferin’ Fools are singer/songwriter and guitarist, Cameron Thomas (who played and toured with The Delta Drift and The Corduroy Road); lead guitarist/pedal steel man, Andrew Wagley (a former member of Po Boyz); bass-player, Christopher (a former sound engineer); and drummer, Pete Schreiner (ex- Songs: Ohia/Magnolia Electric Co.)

Following an excellent debut (the four-track EP Bound To Get Burned, released in 2024) a five-track follow-up Forest for the Trees, came out in September this year.

Announcing the release of Forest for the Trees, Thomas said: “Even the best memories fade. Art, and music specifically, is a way to capture moments, preserve emotions good and bad, and memorialise life’s victories and failures – because they tell a story of who we are.”

Indeed, Forest for the Trees doesn’t shy away from the times when life hits you hard and the hard-learned lessons that stem from that. Most of the songs were written in the months preceding Hurricane Helene which caused catastrophic damage and numerous fatalities across the Southeastern United States, then promptly recorded in the aftermath of the storm.

“Musicians’ feelings can’t help but come out through soundwaves,” reflected Schreiner. “We were lucky to have a place to channel our emotions.”

“One of the greatest pleasures of this project for me,” added Thomas, “is being accompanied by an authentic and experienced group of musicians who perform as if the stories are their own to tell. I think they make my voice as a songwriter stronger, more real and far more effective.”

Rootsy and gutsy but deliciously laid-back, with gorgeous pedal steel and heartfelt vocals addressing everyman themes, whether you’re in the rugged mountain regions of North Carolina or here on the south-coast of England, what you’ll find in Forest for the Trees is warm, honest rock and roll Americana, for the heart and for the soul.

Released: 26 September 2025 https://sufferinfools.live/home

Folk / Singer-songwriter: EP review – Greenshanks ‘Stormbird’

Album reviews, Folk music, , , , , , ,

Greenshanks is the alter-ego of Will Boyd-Wallis from Strathspey in the Scottish Highlands. He gained recognition performing at Glasgow’s Celtic Connections in 2023 where he was a finalist at the Danny Kyle Open Stage. Stormbird is his debut EP and after forty years of playing and writing music, this is the first time any of his songs have been officially released.

The five-track EP features a stellar cast of notable musicians from the Scottish contemporary folk scene. As well as Boyd-Wallis (vocals, guitar, guitalele), Stormbird boasts Hamish Napier (harmonium, organ, piano); James Lindsey (double bass, electric bass): James Mackintosh (percussion); Ross Ainslie (low whistle); Becky Doe (viola, violin); and Iain Forrest (slide guitar).

Will Boyd-Wallis: “This EP has been a long time coming. The first track Fistful of Sand has been growing in me ever since I was a boy when my mother told me that my great-great-grandfather was born on the Isle of Rum on the West Coast of Scotland. He was evicted and sailed to Nova Scotia, eventually settling in New Zealand.  This story led me to move to the Highlands in my early twenties with a vow to put something back. I dedicate this EP to my mother Maha, great-granddaughter of John Mòr McLean.”

Putting that something back has, for Boyd-Wallis, resulted in him dedicating the past thirty years to working in caring for woodlands, moorlands, mountains and coasts in hard-to-reach places in the Highlands and Islands of Scotland and he adds:

“All of the other songs have been inspired by the many people, places and creatures I have met on my daily life and work with the National Trust for Scotland.  I am grateful to all of them – animal, plant and mineral – for all the joy and comfort they have given me.”

From the aforementioned ‘Fistful of Sand’, which immortalises the pain and suffering of the Rum islanders as a result of the clearance of 1826; to ‘Sandstone’, described as a modern-day Selkie song; to the title track which outlines a life-enhancing encounter with a storm petrel chick on the island of Hirta in St Kilda, the Stormbird EP reveals Boyd-Wallis to be a fine storyteller and songwriter. The songs are sung with passion and conviction but also genuine tenderness. Along with some seriously good musicianship and some lovely cover art and beautifully-written liner notes, it makes for a highly impressive recording debut.

Released: 7th March 2025 https://greenshanks.com/

Folk/singer-songwriter: EP review – Joe Danks ‘Take Courage’

Album reviews, Folk music, , , ,

I reviewed Joe Danks’ last full album, the maritime-themed Seaspeak, when it came out in 2021. Gosh, was that three years ago already? How time flies. Anyway, he’s followed that up with a four-track EP of original material that’s already been out some four months. I’m rather later to the party with this one but never mind. This is a release that’s certainly still worth writing about.

Take Courage marks the first time Danks has released original music under his own name in a decade. I remember seeing that slogan everywhere when I was younger. In particular, it was a familiar sight whenever I passed the Amersham Arms as a student at Goldsmiths in southeast London and later when I was as a local councillor for the area. Artist, Henry Fothergill has come up with some suitably irreverent pub-themed cover art which gives me quite a nostalgic glow. And it’s only when I research a little further that I release the pub on the cover is actually the Amersham Arms and did, indeed, inspire the title track, Danks, like myself, being a former resident of the area.

 So what of the music? “Old-fashioned, melodramatic and beautifully recorded,” Danks promises in the accompanying blurb, which turns out to be a perfectly apt description.

The four songs range from the highly personal (‘Take Courage’ where Danks draws lessons from passing that familiar pub sign and ‘Bluster’ reflecting on that return to everyday life after the untrammelled joy of a summer festival that many of us have experienced); to classic story songs (‘Mr McDonald’ about undercover policing and fraudulent identities); to the charmingly eccentric (‘Station Jim’ a tribute to the Victorian-era stuffed dog on display at Slough railway station).

As promised, the EP is exquisitely produced, with collaborating musicians (Danny Pedler, Lukas Drinkwater, Beth Noble and Ben Davies providing additional depth to Danks’ warm, sincere vocals, charming storytelling and appealing melodies. Namechecking Scott Walker, The Divine Comedy, Villagers and Nick Drake as influences, that’s not merely hyperbole but points to the singular but eclectic display of talent that’s on offer here.

Joe Danks – Vocals, Acoustic Guitar, Electric Guitar, Bouzouki, 5 String Banjo, Drums, Percussion, Programming

Danny Pedler – Accordion, Hurdy Gurdy

Lukas Drinkwater – Double Bass

Beth Noble – Violin, Viola

Ben Davies – Hammond Organ

Released: March 22, 2024

Visit Joe Danks website

Related post:

Folk: album review – Joe Danks ‘Seaspeak’

Blues-rock: EP review – Big River ‘Beautiful Trauma’

Album reviews, Rock music, , , , , ,

Kent-based blues rock band, Big River, have been picking up airplay left, right and centre along with a slew of glowing reviews for their latest EP. Deservedly so, Beautiful Trauma is a very classy release. As the band acknowledge, they’ve been on something of a journey since their debut album, Redemption, was released back in 2019.

Bass-player, Ant Wellman, departed recently to be replaced by Simon Gardiner but the biggest change has been the acquisition of front-man, Adam Barron, who replaced original vocalist, Adam Bartholomew, back in 2021. Barron had already made an impact as a contestant on TV’s The Voice, and was snapped up by Mick Ralphs for his own solo band, the Mick Ralphs Blues Band, prior to Ralphs’ debilitating stroke putting an end to that. I’d witnessed Baron in action with Mick Ralphs a couple of times previously, and once with another ex-Bad Company alumni, Dave Bucket Colwell. And I’ve been following the career of Big River with interest ever since they first formed so when the two joined forces it seemed like a match made in heaven to me. And this EP is definite proof of that!

As drummer, Joe Martin, says: “These songs have been performed live and have gone down a storm with all audiences. Through the changes Big River have maintained their thunderous live sound, but it’s that bit sweeter. The future is bright.”

‘Don’t Hold Out’, with its upbeat acoustic passages (courtesy of Barron on ukulele), a blinding guitar solo from Damo Fawsett and its summery vibe opens the four-track EP nicely, showcasing Adam’s Barron’s soulful, bluesy vocals to perfection.

The band then come in hard and heavy for the next track ‘The Long Way’, a great slice of meaty, classic rock which is then followed by another rocker, ‘Slow Burn’, with its striking, jaggedy riff, superb bass and powerful energy. The band then take things down a notch for the final track and the EP’s title rack. With shades of Free and early Whitesnake, ‘Beautiful Trauma’ is everything you could ask for from a classic blues rock song: soulful, emotive, anthemic, with some gorgeous guitar and vocals to die for, not to mention meaningful, relatable lyrics.

Now at a pivotal point in their career trajectory, Big River have delivered an EP of pure class. Anyone with any love of classic-era blues rock is urged to buy Beautiful Trauma right now. You will not be disappointed!

Released: 19th August 2022

https://bigriver1.bandcamp.com

Related posts:

Live review – Big River at The Carlisle, Hastings 2021

Single review – Big River – Don’t Hold Out

Album review – Big River – Redemption

Mick Ralphs Blues Band at Giants of Rock 2016

Dave “Bucket” Colwell at Leo’s Red Lion, Gravesend 2016

This week’s featured artist: Hastings-based folk duo The Limbs of Romney

Album reviews, Folk music, Hastings music scene, , , , ,

The Limbs of Romney are a duo formed during lockdown by East Sussex musicians Andrew Myers and Chris Watkins. Although they are Hastings-based both have connections to Lancaster, where Myers is originally from. So, as a Hastings-based blogger also originally from Lancashire, this was bound to pique my interest.

The pair have just released a digital-only four-track EP Home to Shore.

Explaining how the duo came about, Andrew Myer explains:

“Chris and I met during one of the gaps between lockdowns. He literally knocked on my door one day and asked if I wanted to make music with him. Someone had told him I was a musician. We live in Hastings but we both have connections with Lancaster, where I’m originally from. So – we had a chat and started playing together. We immediately established a great rapport and working relationship. We write everything together, although Chris writes all the lyrics and so far has been responsible for the final mixes, laying up from the basic piano and guitar. We managed to play together regularly for a few weeks, then it was the second? third? lockdown and we had to resort to communicating by email and sending stuff backwards and forwards.”

The EP is very much inspired by tales of the sea. They weren’t trying to cash in on sea shanty craze, they are keen to assure me, as neither of them claim to be up to date enough with modern day culture to cash in on any new-fangled craze. The duo’s music is narrative folk very much driven by piano and guitar but they aren’t afraid to throw in some experimental touches, too, giving the EP a slightly ethereal, other-worldly quality. The maritime themes clearly provide a rich basis for the duo’s storytelling and down here in Hastings, of course, there’s no shortage of source material to provide inspiration.

“Our first effort ‘Home to Shore’ is a celebration of the sea – it’s three songs, with a ‘storm interlude’ which depicts a shipwreck. Chris likes to research a topic and base lyrics on that, so these songs are the fruit of many an hour spent at the Shipwreck museum in Hastings.”

All four tracks are available on YouTube here, as well as being available on Spotify.

And what next for The Limbs of Romney?

“Our current project is writing music for the ‘Town Explores A Book’ festival in St Leonards – all based on the life of Edward Lear. We should be getting some local exposure through the festival.”

Home to Shore is available on Spotify here

https://www.facebook.com/The-Limbs-of-Romney-100311922040915

Folk/singer-songwriter: EP review – Alison Benson ‘Paths & Stories’

Album reviews, Folk music, , , ,

Paths & Stories is the debut EP from Liverpool-based folk singer-songwriter Alison Benson. The five-track release comprises five of Benson’s own songs, each looking at the life of an individual, both real and imagined. From a tragic Victorian fortune-teller to a First World War conscientious objector to the heroine of a pioneering piece of 1950s lesbian fiction, Benson draws from a wide range of historical and artistic sources for her inspiration, be it paintings , novels or local landmarks. And she produces some quite unique and utterly captivating folk storytelling in the process.

“Folk music doesn’t exist without stories,” says Benson. “Whether real, mythical or fictional.”

“Focusing on one person’s experience, for me, is a way to get even deeper into a story – to empathise and think about motivations. Singing songs in the first person, as someone else , also gives the narrative a different quality.”

Showcasing her distinctive and appealing vocals, Paths & Stories is pretty much Benson, her songs and her ukulele. I’ll be honest and say that this is not normally my favourite instrument but Benson’s technique is such that any preconceptions about overly-upbeat enforced jollity and cloyingly twee melodies are instantly cast aside as soon as you hear her playing. Gently evocative, the ukulele in Benson’s hands makes for the perfect accompaniment to her thoughtful and poignant storytelling.

And what storytelling there is. Well-produced and highly listenable this is a lovely EP from a singer-songwriter who is clearly emerging as a serious and noteworthy talent.

Released 28th March 2020

https://alisonbensonmusic.weebly.com/

Folk-rock/west-coast: EP review – Fred’s House ‘Walls and Ceilings’

Album reviews, Folk music, Rock music, , , ,

On these bright warm sunny days is there anything more perfect than those classic laid-back 70s west coast sounds? Sunny and upbeat with a hint of sadness and a touch of drama, you know the score. The Eagles knew it. Fleetwood Mac knew it in spades. So how lovely, therefore, on just one of those very days, to get the latest Fred’s House EP dropping through my letterbox.

Cambridge-based Fred’s House celebrate their tenth anniversary with this brand new four-track EP Walls and Ceilings.

Following a slight re-jig in the line-up the band is now entirely female-fronted, with newcomer Prue Ward on fiddle and vocals joining Vikki Gavin on vocals and keyboards, Gafyn Jameson on bass and backing vocals, Lachlan Golder on guitar and backing vocals and Paul Richards on drums.

Truly conjuring up the spirit of Rumours-era interpersonal intrigue (although hopefully not the cocaine bill) ‘Only The Sun’ is about former frontman (and Vikki Gavin’s ex-partner) Griff saying his farewells and moving on. The other tracks also cover familiar themes of relationship angst, unrequited lust and new beginnings.

Harmonies, hooks, gorgeous melodies and exquisite production Walls and Ceilings is a work of beauty from start to finish.

Released: 29th June 2020

http://fredshousemusic.co.uk/

Hard rock: EP review – Animal Drive ‘Back To The Roots’

Album reviews, Rock music, , , , , , , ,

This review was originally published by Get Ready To Rock here

Following their well-received 2018 debut, and to give impatient fans something ahead of a promised new album, Croatian hard rockers Animal Drive have recorded a covers EP. The four-track EP comprises covers of Roxette’s ‘The Look’, Whitesnake’s ‘Judgement Day’, Skid Row’s ‘Monkey Business’ and Warrant’s ‘Uncle Tom’s Cabin’.

Although formed in 2012 the band it took the band some six years before they released their debut album Bite! The polished professionalism of Animal Drive’s hard rocking debut, which drew comparisons with the likes of Whitesnake and Skid Row, showed the wisdom of their decision not to rush straight into the studio. However, given the positive impact of their first album I can fully understand why they now feel the pressure to get something into the hands of newly-won over fans, while they await the arrival of a follow-up. A covers EP makes perfect sense, therefore, but why these four songs in particular? Lead vocalist Dino Jelusic explains, “People used to, and still do sometimes, compare Animal Drive to Skid Row and their “Slave To The Grind” era. That song (Monkey Business) opens the “Slave To The Grind” album and it’s a monster jam, so it felt like a logical fit. Of the other covers on “Back To The Roots”, Jelusic continues, “the other three songs are “Uncle Tom’s Cabin” by Warrant, “Judgement Day” by Whitesnake and “The Look” by Roxette. I’ve always wanted to cover “The Look” in a heavy way, so it was cool to finally do it. We are big Whitesnake fans and had to go for one of their more epic jams. The Warrant song is one of their absolute best and shows what a great songwriters Jani and the band are, plus it’s a great fit for a heavy band to cover.”

The biggest surprise in terms of the choice of material is the inclusion of late 80s pop hit ‘The Look’ here given a hard rock makeover. It was clear from the songwriting on the debut album , however, that Jelusic has an ear for a catchy melody. And no-one can deny the catchiness of this particular little ditty when it was first released. Once Jelusic’s Coverdale-esque vocals and the band’s trademark polished, melodic hard rock sound is applied the band transform it into a great, great rock song. ‘Judgement Day’ is a fairly faithful if slightly more rocked-up cover of the Whitesnake original and their version of Skid Row’s ‘Monkey Business’ is hardly a million miles away from the original, either. However, both tracks demonstrate that these young guys can really play and celebrate two of their biggest influences as well. The ‘Uncle Tom’s Cabin’ cover is more of a departure from the original and, once again, really gives Animal Drive a chance to do the magic with their trademark sound.

If you are tempted to purchase something from Animal Drive I would definitely recommend you start with their album Bite! but if you have it already and are clearly won over and hungry for more then this EP is worth checking out.

Released by: Frontiers 5th April 2019

http://animal-drive.com/

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Related review:

Album review: Animal Drive – Bite!

 

Rock: EP review – Jim Lea ‘Lost In Space’

Album reviews, Glam rock, Rock music, , , , , ,

This review was originally published by Get Ready To Rock here

Formed in the 60s, massive in the 70s and enjoying something of a revival in the 80s, the original Slade finally came to an end in 1991. Since then vocalist, Noddy Holder, has become a a perennial favourite on the nation’s chat show sofas talking about the old days. Guitarist, Dave Hill, and drummer, Don Powell, have resurrected the Slade name and continued to tour Britain and Europe belting out the old hits, with the latter also involved in a well-received collaboration with Suzi Quatro and Sweet’s Andy Scott. Arguably, however, it is bass-player, Jim Lea, who has delivered the most interesting musical output, post-Slade, of all four members. It’s not been a prolific output – family caring responsibilities and health issues put paid to that. However, 2007’s excellent solo album ‘Therapy’ has now been followed up with a six-track EP of new material: ‘Lost In Space’.

The title track is a great catchy slice of melodic pop-rock, proving that Lea has not lost none of his song-writing knack in that department. Semi-autobiographical, lyrically, the words are a paean to living life in an inner world, barely aware of what’s going on in normal life.

The rest of the EP takes on a decidedly more rocky approach. Whereas the the previous solo album took on a wistful, slightly Lennon-esque tone, a number of tracks here put me in mind of Slade in the early 80s – when the former glamsters enjoyed something of a renaissance at the hands of the emerging New Wave Of British Heavy Metal movement thanks to the band’s triumph at Reading festival in 1980. Tracks like ‘What In The World’, all catchy choruses, pounding drums and crunching guitars, would not have been at all out of place on Slade’s 1983 album ‘The Amazing Kamikaze Syndrome’.

Although it’s all previously unreleased tracks some of these songs have been around in demo form for quite some time prior to being worked up for release. Lea’s ‘Going Back To Birmingham’, which appears as a live track on the ‘Live At The Robin’ bonus disc accompanying ‘Therapy’, also finally gets a studio release here.

Anyone who has ever been wowed by Slade at one time or another should rush to buy this EP – not because it’s an interesting curio from the latter years of a former member but because it’s a great rocking EP with some great new songs and some great new music. It’s excellent. Buy it!

Lost in Space EP is released on 22nd June 2018 by Wienerworld

Read my interview with Jim Lea ahead of the release of his new EP here

Jim Lea - Lost In Space - EP artwpork

http://www.jimleamusic.com/

Related posts

Jim Lea For One Night Only – At The Robin
Slade at Donnington 1981
Slade, strikes and the three-day week: the greatest Christmas record ever made

Folk: EP review – Zoe Wren ‘Gold & Smoke’

Album reviews, Folk music, , , ,

Zoe Wren is a singer-songwriter working very much in the folk tradition. She clearly knows her folk history, having studied this at university, and has been performing on the folk scene since her mid-teens, not to mention spots of busking in Camden. Importantly, she is able to bring all this into the mix as a song-writer.

With a stunningly beautiful voice, some gently captivating acoustic guitar and some equally beautifully-written songs, there’s a definite nod to that classic era of singer-songwriters and interpreters of traditional material à la Joni Mitchell, Joan Baez and co. At the same time there is enough about both Zoe Wren’s performance and her songwriting that is new, original and just so damned good that it really helps her stand out on today’s folk scene.

Five of the EP’s six songs are written by Wren herself but she uses her undoubted knowledge of traditional folk songs to revisit a number of familiar themes in the folk canon. What she does so well is take the stories of the overwhelmingly male songwriters and male narrators of traditional songs from past centuries and recast them from a female perspective.

“It’s probably a bit of an odd thing to say as a singer-songwriter, but my EP was partly inspired by my university dissertation. It was called ‘voicing the unsung experiences of women in contemporary folksong’ and it got me thinking a lot about not only how gender is portrayed in traditional folk music, but also what that means for contemporary female singer-songwriters. Some of the songs on the EP explore women’s voices, others just voices and personas in general, but each of the original songs retells a story from a traditional folk song in some way, “ says Wren.

A gifted songwriter and exceptional singer, Zoe Wren brings a welcome perspective and impressive originality to traditionally-inspired music and Gold & Smoke is highly recommended.

Released: 2018 on Folkstock Records

http://www.zoewren.com

Zoe Wren - Gold and Smoke CD on body (2)