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Folk-rock: album review – Julie July Band ‘Lady of the First Light’

The Julie July Band and their reinterpretation and celebration of the music of Sandy Denny have been proving quite a hit on the festival and live folk circuit in recent years. So much so that last year they released a tribute album ‘Who Knows Where The Time Goes?’ – an album that certainly caught my attention along with other reviewers.

However, as extensive as Sandy Denny’s back catalogue is and as impressive as Julie July and her band’s interpretations are I doubt that there is an entire recording career to be built around simply recording more and more of her past material. The question then comes as to what form a follow-up album would take. Would it be covers of traditional songs that are given a suitably Sandy-esque treatment? Would the band seek inspiration from other singer-songwriters of that era? Would there be some new material, perhaps?

In fact, the band have opted for the latter approach with Lady of the First Light presenting eleven originals, each penned by various members of the band. Musically, it’s probably more within the vibe of Denny’s early to mid 70s solo singer-songwriter albums than, say, the more overt folk rock from her time with Fairport Convention and Fotheringay. However, it’s worth stressing that this is far more than simply a Sandy Denny pastiche or a North-Star-Grassman-and-the-Ravens-by-numbers. The Sandy influence is there, of course (and why not she remains one of the greatest singer-songwriters this country has ever produced) but it’s an influence rather than a straitjacket. There’s some quality songwriting here and, combined with Julie July’s beautifully clear voice and the strength of the band’s musicianship, the album more than stands up in its own right.

Title track, the upbeat ‘Lady of the First Light’ is an absolute stunner. More rockier than some of the other material with some gorgeous lead guitar and Julie July in fine voice, it’s not impossible to imagine a parallel universe where it’s a recently-discovered track from Fairport’s Unhalfbricking sessions. Likewise, ‘The Ballad of Rory Starp’ could equally have come from some long-lost session for the Liege & Lief album. These provide a nice contrast to the more sombre and reflective, yet no less gorgeous, material like the opening number ‘Broken Wing’. The end result is a lovely palette of contrasting textures, emotions and influences. The anthemic ‘Shine Together’ finishes the album in a pleasingly celebratory mood.

If the last album was a gorgeous tribute to the songs of Sandy Denny then this one is very much a celebration of the influences that combined to make the late 60s and early 70s such an incredibly exciting, vibrant and creative time for British music. Buy it!

Released: June 2019

https://juliejuly.co.uk/

Lady-of-the-First-Light-cd-cover

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Julie July Band – Who Knows Where The Time Goes?

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Folk-rock: album review – Julie July Band ‘Who Knows Where The Time Goes?’ – A Tribute To Sandy Denny

Sandy Denny died forty years ago this year. Although her old band, Fairport Convention, never let a gig go by without still playing at least a couple of songs in tribute to her and although Fairport’s Simon Nicol has a wonderfully rich voice, there is something about hearing Denny’s songs delivered live with a beautiful pure female vocal that has made the Julie July Band a popular choice at festivals and folk gigs. I was certainly immediately won over when I saw them at Warwick Festival last year.

However, with my Sandy Denny boxed set, my Fotheringay boxed set, all my Fairport albums and everything else Sandy-related in my collection the question is do I really need a CD of someone singing Sandy’s songs? I’ve certainly played it a fair few times since it arrived so that’s looking like a very definite yes.

Although not necessarily a complete carbon copy of Denny’s unmistakable vocals, Julie July certainly has a lovely voice and delivers her songs sympathetically. The band, themselves, are a talented bunch and what I find pleasing is that when covering some the material from Denny’s solo albums rather than going for those over-produced slightly schmaltzy arrangements that you get on some of the originals, the band have gone for a more stripped-back sound that lets the songs and the vocals do the main work.

As a devoted Sandy fan there’s absolutely nothing not to love on this gorgeous and heartfelt album. Eleven timeless songs written by Sandy Denny along with Richard Farina’s ‘The Quiet Joys Of Brotherhood’. My only niggle is maybe there could have been one or two left-field surprises as well to make this album just that little bit more unique – say a cover of one of the unearthed Sandy lyrics that Thea Gilmore put to music a few years ago, or a traditional song not generally associated with Denny, or perhaps even a post-Denny Fairport song that was given a full-on Sandy-esque makeover, that just might have given us a glimpse of an alternative universe. But these are minor niggles.

I salute the July Julie Band for their dedication in keeping Sandy Denny’s music alive. Both their live performances and this album do justice to her enormous legacy.

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Released 27th July 2018 by Aurora Folk Records

http://www.juliejuly.co.uk/