A noteworthy figure on the Scottish music scene, Barry Reid has made his presence felt both through membership of bands like the Treacherous Orchestra and Croft No. Five, and also as a studio engineer and producer. Breathing Space, however, is Reid’s debut solo album.
Inspired by the rural landscapes of Ross-Shire and Inverness-Shire and recorded at his own Rose Croft Studio in the Highland village of Muir of Ord, Breathing Space fuses folk and electronica to create ten self-composed instrumental tracks.
Alongside Reid, the album boasts an impressive line-up of guest musicians in Lauren MacColl, Hamish Napier, Laura Wilkie, Innes Watson and Ali Hutton.
“For many years I’ve wanted to make an electronic based album of music that not only reflects myself as a musician but also the places I love to be in, where I find calm amongst all the chaos,” Reid writes in the album sleeve-notes.
He’s not the first to do this, of course. A number of musicians have been tempted to explore that intersect of folk and electronica and in recent years we’ve been seeing more albums treading this same path. However, both for the sheer wealth of instruments involved (which include acoustic guitar, synthesizers, harmonium, drums, samples, keyboards, percussion and vocal drone as well as fiddle, flute and whistles from the assorted guest musicians) and for the incorporation of mood-setting sounds from the natural landscape, Reid has come up with something that’s both evocative and highly inventive.
Released: 2 March 2022