Virginia Kettle’s vocals have been a key element of of Merry Hell’s sound since the band’s inception a decade ago. Before joining her husband John, brothers-in-law Bob and Andrew, and sundry others in the eight-piece folk-rock outfit, however, she’d established herself as a singer-songwriter in her own right. As Virginia Barrett, she released two solo albums: ‘The Quiet Bridge’ and ‘Sense of Human’ prior to joining the band. No Place Like Tomorrow is her first solo album since Merry Hell began, however.
It’s a more intimate affair than a typical Merry Hell album, both in terms of personnel and in terms of subject matter. The songs have far less of an obvious political tone than many Merry Hell songs and here Kettle tends to touch on more personal matters: love, relationships, family life. ‘Union Jack House’ is the most political song on the album but is structured and delivered in a way that has surprising echoes of Victoria Wood (with a little bit of Are You Being Served thrown in!)
Fans of Merry Hell will already be familiar with the title track, given it appeared on their 2015 album The Ghost in Our House and Other Stories, sung by Andrew, was reworked for their 2018 album Anthems to the Wind, sung by Virginia, and is now reworked once again. A beautifully tender, less anthemic and more delicate rendering than before, this is now the definitive version in my view.
Although Kettle is not backed by the full band she is, at various points, supported by the Hell’s fiddle-player Neil McCartney, bass-player Nick Davies and her guitarist husband John Kettle. Indeed, on a couple of tracks the stripped-back, more intimate feel of the solo album really allows McCartney’s elegant fiddle-playing to take centre-stage: the title track and ‘Valentine’s Waltz’. For me, that tailor-made combination of Kettle’s vocals and McCartney’s fiddle make these two of the real stand-out tracks on the album.
A mellower and more personal offering than a Merry Hell release No Place Like Tomorrow is a charming album that showcases Virginia Kettle’s obvious talents as a singer-songwriter.
Released: 12th July 2020