Back in the early 80s, I was on a voyage of discovery voraciously buying up the back catalogues of some of the great bands of the late 60s and 70s. Many of the big beasts – the likes of Deep Purple and Humble Pie and, yes, Mott The Hoople had called it a day by then. Even though such bands were at their commercial height less than a decade previously they seemed to inhabit a completely different world to the early 80s music world of my teenage years. I loved the records. I absolutely adored both the ‘Mott’ and ‘The Hoople’ albums, in particular, but I never really entertained the idea of seeing Mott The Hoople live on stage. A brilliant slice of rock n roll history? Indeed. But they were the past and I could, at least, enjoy Ian Hunter’s impressive solo career.
That all changed in 2009, of course, when the short run of reunion concerts by the original line-up were announced. Jubilant, emotional and electric the one small niggle about the reunion, and of a further run in 2013, is that while they rightly celebrated the band’s original line-up, they didn’t do justice to the input of the later members – namely Ariel Bender on guitar and Morgan Fisher on keyboards.
Again, I accepted this as a small niggle in an otherwise perfect reunion. I never really entertained the idea that I’d get the chance to see it put right. On the way to Shepherd’s Bush Empire I was feeling quite emotional about having the opportunity to see it become reality after all, and remembering back to the time when I first happened upon this veteran band in a second-hand shop in Preston as a teenager. This was always going to be more than just a gig. I want it to be special. They more than deliver on that.
Songs from ‘The Hoople’ – Mott The Hoople’s brilliant final studio album (and the only one to feature Fisher and Bender) feature prominently: the camp splendour of ‘The Golden Age of Rock n Roll’, the glammed-up deliciousness of ‘Roll Away The Stone’, the glorious insanity of ‘Marionette’ and many more.
At earlier dates on the tour there had been some online disquiet from fans about the quality of Bender’s playing. True, he was never going to be Jimmy Page (or Mick Ralphs for that matter) but his over the top antics and tongue-in-cheek craving for adulation were an essential component of late-period Mott’s 70s stage act – and so it proves tonight. Moreover, Bender’s blunt in-yer-face guitar work really suits the proto-punk of those early Mott songs like ‘Walking With a Mountain’ and ‘Rock n Roll Queen’ that Bender made his own when he became part of the band.
Fisher, always a magnificently talented pianist, when he’s not tottering around the stage with copious glasses of white wine, gives us many wonderful musical flourishes on the keys. With the untimely deaths of Dale Griffin and Overend Watts the ranks of Hooples are sadly depleted but Ian Hunter’s long-time side-kicks in the Rant Band, gifted musicians all, do a seamless job co-opted into the on-stage madness that is Mott The Hoople.
Hunter’s unmistakable voice, as ever, is in fine form. At 80 he shows no signs of slowing down, of losing his grip as a performer or his creativity as a songwriter. However, if this tour is to be the final chapter in the ballad of Mott the Hoople it serves as a fitting end to the career of a wonderful, unique and utterly, utterly irreplaceable band. Mott the Hoople – thanks for a great trip….
American Pie / The Golden Age of Rock ‘N’ Roll
Rest in Peace
I Wish I Was Your Mother
Pearl ‘n’ Roy (England)
Walking With a Mountain
Roll Away the Stone
Jerkin’ Crocus / One of the Boys
Medley: Rock ‘n Roll Queen / Crash Street Kidds / Whole Lotta Shakin’ Goin’ On / Mean Woman Blues / Johnny B. Goode / Violence / Cleveland Rocks / You Really Got Me
All the Way From Memphis
All the Young Dudes