Monthly Archives: October 2018

Folk/singer songwriter: album review – Steve Tilston ‘Distant Days’

This review was originally published in the Autumn 2018 issue of fRoots magazine

Just as Richard Thompson went down the acoustic retrospective route a few years ago with the very well-received Acoustic Classics, Steve Tilston follows with this excellent nineteen-track album which reworks songs from across his almost five-decade career. À la Thompson, it’s just Tilston, his guitar, his voice and his songs. There’s a beautifully laid-back vibe to the whole affair which really gets you focusing on the songs and appreciating just what a finely talented song-writer Tilston is.

Highlights include the autobiographical On The Road When I Was Young, which originally appeared on his 2008 album Ziggurat; I Really Wanted You, from his first album in 1971 An Acoustic Confusion; and his most covered song The Slip Jigs And Reels, originally released in 1992. There is also some deft guitar work on the previously unreleased instrumental Shinjuku, dedicated to Bert Jansch.

It’s efficiently packaged rather than lavishly so, with all nineteen tracks squeezed on to a single disc. However, detailed liner notes from Tilston himself give a track by track run-down on the inspiration behind each song as well as details on where they first appeared.

Much admired as an artist, much covered as a song-writer Distant Days is a timely celebration of the gentle force of nature that is Steve Tilston. With some lovely guitar, poignant lyrics and gorgeous melodies Distant Days is turning out to be one of my favourite releases of the summer. Highly recommended.

Released by Riverboat Records July 2018

http://www.stevetilston.com/

61FIHoeZiZL._SL1200_

Advertisements

Live review: John Fogerty at the O2 25/10/18

A few years ago when, tragically, we began to lose more and more of our rock ‘n’ roll icons I made list of artists I had never seen live before but wanted to catch before they finally stopped touring. I had pretty much ticked off everyone on my list (Alice Cooper, Deep Purple, Ritchie Blackmore, Jerry Lee Lewis, Sabbath with Ozzy, The Who, Steve Winwood, Roger McGuinn) apart from two – Chuck Berry and Creedence Clearwater Revival’s John Fogerty. Sadly, a Chuck Berry gig was not to be but at London’s O2 I finally got the chance to see John Fogerty.

Before Fogerty we have a full set from the Steve Miller Band, Miller himself celebrating fifty years in the business as he delights us with classics like ‘Abracadabra’, ‘Space Cowboy’ and ‘The Joker’. I’ve sometimes found the atmosphere in the O2 a bit sterile at times, particularly for support acts, and even though I can’t help feeling I would have liked to have seen this hour-long set in a more intimate venue nevertheless he and his band are warmly received and there is genuine affection for Miller and co.

After the interval the atmosphere is simply buzzing as John Fogerty takes the stage. His voice, his guitar, his songs and his stage demeanour leave every member of the packed O2 in no doubt that we are in the presence of one of the true icons of American rock music. The classic songs come thick and fast: ‘Travelin’ Band’, ‘Up Around The Bend, ‘Who’ll Stop The Rain’, ‘Born On The Bayou’ and many, many more. And paying tribute to the musical traditions of the American south the band deliver fine covers of ‘My Toot Toot’, ‘Jamabalya’ and ‘New Orleans’ before launching into another round of era-defining Creedence classics, including ‘Have You Ever Seen The Rain’, ‘Fortunate Son’ ‘Bad Moon Rising’, ‘Proud Mary’. Fogerty’s post-Creedence output is represented by ‘The Old Man Down The Road’ (the track for which Fogerty was famously accused of plagiarising one of his own earlier songs in one of his many legal battles) and ‘Rockin’ All Over The World’ (indelibly imprinted in the minds of every British rock fan due to Status Quo’s legendary cover – but it’s great, for once, to see the song performed by the man who wrote it).

My one tiny regret is that we don’t get ‘Some Day Never Comes’ a moment of sheer unadulterated brilliance on CCR’s very patchy final album, recorded just as the band were imploding. Nevertheless, every single second of John Fogerty’s set tonight is a bucket-list performance at a bucket-list gig. I am very happy I was there to witness it.

Set-list:

Travelin’ Band
Green River
Hey Tonight
Up Around the Bend
Who’ll Stop the Rain
Lookin’ Out My Back Door
Rock and Roll Girls
Good Golly Miss Molly
Psycho
Long as I Can See the Light
Mystic Highway
Born on the Bayou
My Toot Toot
Jambalaya (On the Bayou)
New Orleans
Have You Ever Seen the Rain?
Rockin’ All Over the World
Down on the Corner
The Old Man Down the Road
Keep On Chooglin’
Fortunate Son
Bad Moon Rising
Proud Mary

https://johnfogerty.com/

b545741774f3b6f912190275f41736d2-rimg-w720-h288-dc27606f-gmir

Singer/songwriter: album review – JR Harbidge ‘First Ray of Light’

This review was originally published by Get Ready To Rock here

Involved in the Midlands music scene since his teens, in bands such as the grunge-influenced Third Bullet as well as production work for a variety of outfits, a change of direction, together with a change of location, has led to a new, more introspective approach for JR Harbidge. Out goes the harder-edged rock artist to be replaced by a soulful, Americana-tinged singer songwriter. The album itself has flavours of Bob Dylan, Crosby, Still & Nash and Neil Young.

There’s a distinctive feel to Harbidge’s vocals, some nice acoustic guitar work and some fine supporting musicians who capture that laid-back Americana vibe just perfectly. The thing about the whole singer songwriter routine, though, is that you really have to have the songs to pull it off. And I’m pleased to say Harbidge has more than delivered in that department. There’s a maturity about the song-writing that belies the fact this is a new direction for the artist.

Covering themes from the personal to the political, from relationships (‘The Side Of You That Cares’) to war and peace (‘I Won’t Support Your Wars’) the songs are engaging and the lyrics elicit empathy. Harbidge has an ear for a good tune as well: “I always try and bring out melody in everything because I live to sing along to songs. If I can’t sing along to a song I’m not interested in it.”

With a voice you can easily warm to, songs you can easily relate to and melodies you can hum along to this is a worthy solo debut for JR Harbidge. Well worth exploring further.

Released by Absolute via Universal/Sony on 5th October 2018

https://jrharbidge.com/

resize

Folk: album review – Young Waters ‘Young Waters’

This review was originally published in the Autumn 2018 issue of fRoots magazine

Not a duo, no Young and, indeed, no Waters, Young Waters are actually a young five-piece folk band led by songwriter, vocalist and guitarist, Theo Passingham. The band won Bath Folk Festival’s ‘New Shoots’ competition in 2016 and this led to a recording session at Peter Gabriel’s renowned Real World studios. Indeed, six tracks of the eight tracks on the album were recorded in a single day at that session.

Frequently described as ‘neo-folk’ comparisons have been made with everyone from Fleet Foxes to Fairport Convention. Composers, Philip Glass, John Taverner and Estonia’s Arvo Pärt are cited as inspirations, too.

Although the album includes a traditional song as well as another cover, the remaining tracks are all written by Passingham. We are told, however, there is a heavily collaborative approach in terms of seeking out just the right arrangements and harmonies for each song which has certainly paid off. There is a delicate frailty about Passingham’s voice which suits the lyrical content perfectly. Song titles like Dust, Bleary Eyed and Weary Soul give you somewhat of an idea about what to expect, yet the beautiful melodies and beguiling acoustic guitar add contrast and texture to the mix, as do the the deliciously warm choral-inspired harmonies. It is the latter where the Fleet Foxes comparisons are most evident.

Already making an impact on the festival circuit, Young Waters have delivered an impressive debut here.

Released: September 2018

https://www.young-waters.com/

DoQcuqZXoAAVQWq

Live review: John Verity Band at Printers Playhouse, Eastbourne 20/10/18

When the booking for another venue in the town had fallen through and John Verity’s wife/manager, Carole, put out a call out on social media asking for possible alternatives I suggested Eastbourne’s Printers Playhouse, fast establishing itself as a decent small venue. Given that my off-the-cuff suggestion actually worked out and the John Verity Band were able to secure a booking there I thought the least I could do was get myself along. No chore this though. I have seen the former Argent guitarist at various Butlins weekends and it’s always a highly enjoyable set.

Playing some beautifully emotive slow blues as well as a few well-chosen rock classics, John Verity and his band-mates, John Gordon on bass and Liam Gray on drums, give us ninety minutes of sheer quality in this intimate and tightly-packed upstairs venue. While there are a fair few self-written songs played tonight, like ‘Blues in Heaven’ a beautiful tribute he had written for a former colleague and friend who passed away, there’s no shortage of covers either. Verity has never been at all snobbish about doing cover versions, whether blues standards or rock classics, but he always puts his own indelible stamp on them with his own inimitable guitar sound. As well as a cracking cover of a late-period Etta James song ‘The Blues Is My Business’ we are treated to J.J. Cale’s ‘Cocaine’ and, towards the end an awesome version of Hendrix’s ‘Purple Haze’.

Though he defines himself as a blues guitarist through and through, Verity does tell the audience, he “did have a little diversion at one point” before launching into the familiar powerful chugging intro of ‘Hold Your Head Up’ for a superb version of the Argent classic.

A hugely-talented blues guitarist, a genuine rock legend, an engaging stage personality with a nice line in self-deprecation and a really, really tight, together band it is well catching John Verity on one of his frequent tours.

http://www.johnverity.com/

20181020_193203

The new wave of classic rock: six more bands to watch out for

There has been a definite groundswell of bands forming in recent years playing their own original brand of classic hard rock/metal, influenced by both the first wave of hard rock/metal bands formed in the late 60s/early 70s and the NWOBHM (New Wave Of British Heavy Metal) formed a decade later. Following my last round-up a few months ago, here is another batch of bands that have gone out of their way to impress me recently.

1. Ethyrfield

Absolutely everyone who saw them at Minehead’s Giants of Rock this year was raving about Ethyrfield. Not me I’m afraid – this was one of the bands I sadly missed at Minehead. However, I finally managed to catch Ethyrfield at the New Cross Inn and it was well worth the wait. Aged just 17, 16 and 14, Zach Cornish (vocals/bass), Ben Cornish, (vocals/lead guitar) and Dan Aston (drums) put in an absolutely incredible performance. Tony Iommi has mentored the band, they’ve picked up various awards and were voted winners of the introducing stage at Giants of Rock this year and will thus be returning to the main stage next year. I’ll be there. Simply incredible.

98.jpg

https://www.ethyrfield.com/

2. Saints Of Sin

If many of the bands flying under the NWOCR look to the NWOBHM scene of the late 70s/early 80s for inspiration Saints Of Sin appear to have stepped straight out of the LA metal scene circa 1987. Big hooks, catchy choruses and bags of attitude they were one of Friday’s highlights for me. The band’s excellent album ‘Welcome To The Circus’ is well worth getting hold of.

welcome-to-the-circus-album-cover.jpg

https://www.saintsofsin.band/

3. The Black Bullets

The Black Bullets who, if I had to describe them, bring to mind a meeting of Bon Scott and Angus Young circa 1975 and The New York Dolls. Sleazy, raunchy, dirty and brilliantly fun this is the kind of music you could never tire of. From an amazingly strong line-up of acts at the New Cross Inn’s Four Sticks Classic Rock All Dayer back in March The Black Bullets were one of my favourite bands of the day.

61Vs+T7rb-L._SS500

https://www.facebook.com/TheBlackBulletsUK

4. Tomorrow Is Lost

Tomorrow Is Lost, a young band from Newcastle formed last year and fronted by female singer, Cass King, were one of the highlights at the New Cross Inn’s second Four Sticks event this October. Great vocals and a real sense of showmanship I snapped up their two recent EPs after their set and they are now a definite addition to my ‘ones to watch’ list.

til-art-resized

https://tomorrowislost.com/

5. Animal Drive

Bite! Is the debut album from Croatian hard rock band Animal Drive. Four guys in their mid to late twenties, front-man Dino Jelusic has toured as a vocalist with the Trans Siberian Orchestra. I came equipped with zero knowledge of the Croatian rock/metal scene prior to reviewing this CD but extremely polished production, a thunderous rhythm section some blinding guitar work and powerfully melodic vocals means there’s much to like about this album. Such is the sheer professionalism of Bite! that it wouldn’t be out of place sitting alongside releases from much more experienced and established bands. One of the most impressive debuts I’ve heard in a while.

animal-drive-bite

http://animal-drive.com/

6. New Device

Polished melodic hard rock and catchy well-written songs, New Device proved to be a great start to the day for when I caught them at the New Cross Inn’s first Four Sticks classic rock event. I picked up a copy of their 2013 album ‘Here We Stand’ and my initial positive impressions were definitely confirmed. Lead singer Daniel Leigh is an impressive vocalist, both when handling the all-out rockers as well as the slower, more sensitive material.

600x600bf

http://www.newdevice.co.uk/

Related post:

A renaissance in classic heavy metal: six bands to watch out for

 

Folk: album review – Bert Jansch ‘Just A Simple Soul’

This review was originally published by Get Ready To Rock here 

The exquisitely talented Bert Jansch, the former Pentangle guitarist who died in 2011, has been inspiring musicians for decades – from Jimmy Page and Paul Simon to Johnny Marr and Graham Coxon. Indeed, it was another admirer, Suede’s Bernard Butler working with Jansch’s estate, who compiled this double double disc set. The ‘best of’ collection spans Jansch’s entire solo career.

Writing in the sleeve-notes, Butler makes a telling point: “Bert lived and breathed the sound of the guitar and its endless possibilities for communication, storytelling, conversation, emotional dialogue.”

This certainly comes out in the compilation. However talented and dexterous a guitarist Jansch was, his gift was always deployed in the pursuit of the songs and the stories and the emotional connection with his audience, never merely technique for the sake of technique.

Given Jansch’s considerable back catalogue of twenty-three studio albums, beginning with his first self-titled album in 1965 through to his final solo album The Black Swan from 2006, there is a huge amount of material to choose from – and this is just his solo career – the compilation doesn’t touch his Pentangle output or other collaborations. Butler has chosen well, however. Well-known classics like ‘Angie’ and ‘Needle Of Death’ rub alongside lesser known tracks like ‘Sweet Rose’ from the 1985 album From The Outside. Presented chronologically across thirty-nine tracks, each of the eras are well represented and it’s a thoughtful and thorough retrospective which beautifully showcases Jansch’s mastery of the acoustic guitar, his song-writing skills and his innovative interpretations of traditional material.

Just A Simple Soul works both for those looking for an introduction to Jansch’s back catalogue and for committed fans looking for a lovingly-compiled career overview. As Bernard Butler puts it: “We have a life’s work here, and what a life Bert Jansch has given us.”

Released 26th October 2018 on BMG

https://bertjansch.com/

71qmuPA6GtL._SY355_ (1)

Live review: Four Sticks Classic Rock Weekender at the New Cross Inn, London 5-7 October 2018

This review was also published by Get Ready To Rock here

Following a successful all-dayer at the same venue back in March the Four Sticks classic rock event was back for a full weekend this time. With twenty-six bands over three days it showcased the breadth of talent on the NWOCR (New Wave Of Classic Rock) scene as well as featuring a couple of veteran stalwarts from the original New Wave Of British Heavy Metal scene as headliners, Diamond Head and Praying Mantis.

There were just too many quality bands to give a detailed run-down of each one but it’s worth noting that the overall quality was exceptionally high as was the range of styles and influences on display falling under the NWOCR banner.

On the Friday evening power trio Alteration got things off to a fine start and Neuronspolier combined charisma, good songs and great riffs to deliver an entertaining set. If many of the bands flying under the NWOCR look to the NWOBHM scene of the late 70s/early 80s for inspiration Saints Of Sin appear to have stepped straight out of the LA metal scene circa 1987. Big hooks, catchy choruses and bags of attitude they were one of Friday’s highlights for me. The band’s excellent album ‘Welcome To The Circus’ is well worth getting hold of. Reliable as ever and somehow bottling up that spirit of early AC/DC to unleash some raunchy good time rock ‘n’ roll Burnt Out Wreck, who headlined last time, got the crowd brilliantly warmed-up for the main headliners, even finishing with a cover of DC’s Highway To Hell. Diamond Head largely passed me by back in the day but their influence on heavy metal has been phenomenal, inspiring the likes of Metallica and the thrash scene. Finally, I get to see what all the fuss is about as Brian Tatler and co. deliver an awesome set with the crowd going to crazy to classics like ‘Shoot Out The Lights’ and ‘Am I Evil?’

Diamond Head 1.jpg

Saturday delivered lots of new faces on stage for me. Tomorrow Is Lost, a young band from Newcastle formed last year and fronted by female singer, Cass King, were one of the highlights. Great vocals and a real sense of showmanship I snapped up their two recent EPs after their set and they are now a definite addition to my ‘ones to watch’ list. Black Whiskey, another band who were on the bill last time – and the only band of the day who I had encountered several times before, also delivered an impressive set. With a new album due to be officially launched imminently it was good to see them expanding their repertoire with some great new tunes. Belfast’s Baleful Creed, with their brand of hard and heavy blues rock, were another of my favourites from Saturday. All chunky riffs and soulful vocals they instantly transported us away from a packed boozer in south London back to a time and a place where stadium giants ruled the rock world. Big Foot’s melodic-sounding metal then got us all nicely in the mood for Saturday’s headliners, Praying Mantis. With a slew of renowned rock vocalists passing through the band over the years, lead singer John Cuijpers has been gigging with the Troy brothers for several years now and the band has undergone a real creative renaissance with two quality albums picking up excellent reviews. Mantis deliver a supremely polished performance and some great songs, new and old. You just can’t quite believe the strength of the line-up of bands that the promoter has managed to pull together for Four Sticks this weekend.

Big Foot.jpg

Sunday was a packed day with eleven bands appearing. I didn’t get to see them all but, as with Saturday, although there were some unfamiliar faces taking the stage there were also some old friends, too. Hammerjack and New Device, who were both on the bill back in March, returned to deliver impressive sets once again. The absolute stand-out act though, who I will never tire of enthusing about, were the Oxford-based Hell’s Gazelles. As one of the bands on the Introducing Stage at Minehead’s Giants Of Rock weekend in January I’d seen them set the crowd alight, tear the place apart and deliver an absolutely stunning set of hard rocking heavy metal. And the band did exactly the same here. They instantly lifted the atmosphere in the place ten-fold with their on-stage energy. With an incredible vocal range the band’s hyperactive front-man, Cole Bryant, exudes star quality from every pore. And his band-mates, Nath Digman (guitar), Rik Ridemark (bass) and Luke Evans (drums) deliver a phenomenal wall of noise behind him. There really is something very special about this band and with a new EP out ‘Take Your Medicine’ it’s heartening to see the band picking up great reviews and recognition in the likes of Kerrang. This band deserve to be huge!

Hells Gazelles 2

I didn’t get to see everything but overall the weekend was a brilliant showcase for some newly emerging rock bands as well as a great chance to see some well-respected veterans of the scene – all for £40 for a weekend ticket. Superb!

Related reviews:

Four Stick Classic Rock All Day March 2018
A renaissance in classic heavy metal: six bands to watch out for

Review: ‘A Brighter Day’ charity CD and benefit concert for Hastings Citizens Advice service

Hastings is not short of musical talent and neither, can it be said, is it lacking in community spirit or a social conscience either. So, back in the summer, all of this was harnessed for a benefit CD to raise funds for the town’s Citizens Advice service. Spanning everything from orchestral, folk, blues, rock, electro-pop and indie ‘A Brighter Day’ comprises 22 tracks especially recorded by local musicians.

The tracks were compiled by local resident Keith Rodway. The striking cover artwork was created by artist Peter Quinnell. The artists who contributed their work: Polo Piatti, Anita Jardine, Kat Lee-Ryan, Josephine Claire Hamill, Philip George Thornton, Nick Monaghan, Tim Scullion, Carol Prior, Otti A-i, Toby Warren (Elf and Stacey), Fritz Catlin, Simon Charterton, Dave Arnold, Richard James Burley, Tim Hoyte, Alice Trueman (CLUBBS), Charlotte Tingley and Leo Snook (Chasing Shadows), Keith Foster, Steve Stone, Tony May, Phil Little, Ken Edwards (The Moors).

On Sunday 30th September many of the artists featured on the album reconvened for a special benefit concert at Hastings’ fabulously atmospheric Printworks venue. As with the album, we witnessed a fantastically varied mix of styles and genres. Among the stand-outs for me were singer-songwriter Carol Prior, who immediately struck a connection wit the audience and segued effortlessly from a hilarious faux-protest song about getting a police caution for topless bathing into a stunning rendition of a Sikh prayer set to music, the latter of which appears on the album. Another stand-out was Tim Hoyte, whose beautifully elegant acoustic guitar playing graces his self-composed track ‘Flying Dreams’ on the album. A special mention must also go to young acoustic duo Chasing Shadows who do a nice line in Americana-tinged story songs and who I saw at St Leonards Kino Teatre a couple of years ago in what transpired to be one of their first ever gigs. Nice to see these two, Charlotte Tingley and Leo Snook,  developing and growing as performers.

A really talented bunch of musicians, a great atmosphere and a great cause – let’s hope the benefit raised some much-needed cash for those providing advice and support to local people in these tough times.

The album ‘A Brighter Day’ is available to stream and purchase in CD format on Bandcamp at: https://ca1066.bandcamp.com. Priced at just £5 (or pay more if you you like) all proceeds go to Citizens Advice 1066.

CD copies are also available from the following local shops:

– Sea Kale, London Road, St Leonards (opposite the Co-op),
– Borough Wines, Robertson Street, Hastings
– Wow and Flutter, Trinity Street, Hastings

a0068522842_16