This was review was originally published by Get Ready To Rock here
Revertigo is a Swedish duo comprising Mats Levén on vocals (Therion, Candlemass, Yngwie Malmsteen) and Anders Wikström (Treat) on guitar. Long-term friends and occasional collaborators Revertigo is the name of their new project together. The duo play all the instruments on the album apart from drums, where Thomas Broman (Great King Rat, Michael Schenker, Electric Boys) does the honours.
“Mats and I always had an idea of creating something that would celebrate the fact that we really enjoy working together, but with busy separate music careers, it wasn‘t until 2016, we sat down and concentrated on new songs with a firm plan,” said Anders in launching the album.
The eponymously-titled album is a classic slice of melodic hard rock. The opening track ‘Hoodwinked’ is all big riffs, catchy choruses and beautifully-constructed solos and begins the album in fine form. The powerfully rhythmic ‘Symphony of Fallen Angels’ is another highlight as are the power ballad ‘Unobtanium’ and the anthemic ‘Breakaway’.
The production is polished and strong melodies and memorable refrains reverberate throughout the album. It retains a hard rock edge, however, and avoids slipping into overly-shiny, over-produced AOR territory. As Anders says, “We might not be reinventing the wheel, but we’re certainly putting on fresh tyres.”
There’s clearly a strong chemistry between the pair, both in terms of song-writing and playing, and anyone with a love of quality crafted melodic hard rock will enjoy Revertigo.
Released: 23rd February 2018 by Frontiers
The early days of the recorded music industry were a cut-throat affair: rival technologies, competing phonograph and gramophone companies and a complete absence of such legal and business niceties like copyright agreements and recording contracts. An ideal setting for a novel, therefore. ‘The Industry of Human Happiness’ is set in late Victorian London and takes the reader on a journey through vicious beatings, gruesome murders, family feuds and unspeakable treachery. It follows the lives of Italian emigrants Max Cadenza and his cousin Rusty as they set up The London Gramophone Corporation to capitalise on the potential of this new technology.
Music journalist, James Hall’s debut novel, ‘The Industry of Human Happiness’ is meticulously researched and very effectively captures the flavour of both the fledgling record industry, and the revolutionary impact it would come to have on cultural life, as well as the seedy but exhilarating world of London’s West End in the late nineteenth century. The plot remains fast-moving and engaging and in spite of some epic betrayals there is a reconciliation of sorts at the end, both dramatically and historically. Recommended.
Published: May 2018 by Lightning Books Ltd
This review was originally published by Get Ready To Rock here
Jim McCarty, of course, is known to rock fans as the long-standing drummer of the Yardbirds. Indeed, he is the only original Yardbird left in the latter-day version of the band and the only member to have appeared on all of the band’s recordings. McCarty, however, has also had something of a career sideline as a singer-songwriter/guitarist, releasing ‘Out In The Dark’ in 1994 and ‘Sitting On Top Of Time’ in 2009. Now, for 2018, comes a third solo release: ‘Walking In The Wild Land’.
Completely, different from anything you might expect under the Yardbirds name, it’s an album of lovely, mellow, countrified rock in classic singer-songwriter vein. While “drummer releases solo album” headlines might set alarm bells ringing in certain quarters there is nothing to fear here. There is some quality song-writing and deft musicianship on this album, from the laid-back charms of the title track to the melancholic ‘Changing Times’ to the jauntily upbeat delights of ‘Charmed’.
‘Connected’ meanwhile, with its jaunty piano refrain, put me in mind of a Sunny Afternoon-era Ray Davies.‘Soft In A Hard Place’ has a beautifully fluid guitar solo and on checking the sleeve notes we discover it’s provided by none other than Rush’s Alex Lifeson. In a way that sums up the album as a whole, quietly understated but unselfconsciously delivering something that is both elegant and meaningful.
Away from the Yardbirds drum-stool, ‘Walking In The Wild Land’ demonstrates Jim McCarty’s genuine gift as a singer-songwriter. This is an album well worth checking out – just don’t go expecting ‘For Your Love’ or ‘I’m A Man’.
Released by Angel Air 9th March 2018
This review was originally published by Get Ready To Rock here
Bite! Is the debut album from Croatian hard rock band Animal Drive. Four guys in their mid to late twenties, front-man Dino Jelusic has toured as a vocalist with the Trans Siberian Orchestra. He’s joined by talented guitarist Keller, bass-player Rokindjaand Adrian Boric on drums.
I came equipped with zero knowledge of the Croatian rock/metal scene prior to reviewing this CD but extremely polished production, a thunderous rhythm section some blinding guitar work and powerfully melodic vocals means there’s much to like about this album.
In terms of both song-writing and delivery, epic power-ballad ‘Father’ very much put me in mind of David Coverdale. Indeed, the band cite Whitesnake, along with Skid Row and Dream Theater as key influences. Of the faster-paced material ‘Had Enough’ (also released as a single) is one of the stand-out tracks, a furious assault that comes with a catchy hook, great guitar soloing and some soulful mature vocals – all the ingredients you would want from a great hard hard song.
The band was originally formed in 2012 which in many respects shows the advantages of not rushing straight into recording an album. Dino Jelusic has clearly had the opportunity to hone his writing skills and, importantly, the band have managed to get themselves snapped up by a big label. The album is released by Frontiers, whose roster is full of well-known acts like Toto, Yes, Journey, Thunder, Survivor, Whitesnake and Boston. Such is the sheer professionalism of Bite! that it wouldn’t be out of place sitting alongside releases from much more experienced and established bands.
One of the most impressive debuts I’ve heard in a while.
Released: 23rd February 2018 by Frontiers Music